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SITE VISIT - Consultative Group on Early Childhood Care and ...

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<strong>on</strong>e h<strong>and</strong>, it suggests that there is a slight correlati<strong>on</strong> between heavy viewing of entertainment<br />

programming <strong>and</strong> poor reading skills (Palmer, 1988; Stromment & Revelle, 1991; Lovelace,<br />

1991). On the other h<strong>and</strong>, there is str<strong>on</strong>g evidence that some televisi<strong>on</strong> viewing (between two<br />

<strong>and</strong> four hours for young children) is positively related to reading skills (eg. McFarl<strong>and</strong>, 1991;<br />

Mielke, 1991). Specifically, children who watch televisi<strong>on</strong> <strong>and</strong> become involved in books as a<br />

result, for example, through programs such as U.S. public televisi<strong>on</strong>’s Reading Rainbow <strong>and</strong><br />

Ghostwriter, are more apt to become good readers (McFarl<strong>and</strong>, 1992; Choat, 1986).<br />

Positive impacts of televisi<strong>on</strong> <strong>on</strong> children are well documented as well; however, just as possible<br />

negative effects of televisi<strong>on</strong> are tied to program c<strong>on</strong>tent that is specifically designed to serve<br />

children’s educati<strong>on</strong>al needs. Positive outcomes are enhanced by a viewing c<strong>on</strong>text that includes<br />

adult interventi<strong>on</strong>. Many of the researchers cited above c<strong>on</strong>tend that the detrimental outcome of<br />

televisi<strong>on</strong> <strong>on</strong> children is directly related to whether the child watches televisi<strong>on</strong> al<strong>on</strong>e, or with a<br />

caring adult. It is apparent that when a child is accompanied by some<strong>on</strong>e who can explain the<br />

events <strong>and</strong> their implicati<strong>on</strong>s to reality, the child is able to learn a greater deal of informati<strong>on</strong>.<br />

Educati<strong>on</strong>al televisi<strong>on</strong> is an avenue being explored in South Africa. While it is quite costly <strong>and</strong><br />

does have the reach, it does offer the visual comp<strong>on</strong>ent. The University of Pretoria has created a<br />

special unit for electr<strong>on</strong>ic distance educati<strong>on</strong>. This system uses several video cameras, audio,<br />

mixing <strong>and</strong> processing equipment set up in an existing lecture hall. Video <strong>and</strong> audio signals are<br />

mixed in a c<strong>on</strong>trol room under the directi<strong>on</strong> of a producer. The images are then generated via<br />

microwave dish, optic or l<strong>and</strong>line or satellite from <strong>on</strong>e lecture hall to another where it is viewed<br />

<strong>on</strong> a large video screen or an ordinary m<strong>on</strong>itor. One lecturer is then able to reach large numbers<br />

of students in different locati<strong>on</strong>s. In additi<strong>on</strong>, the lecturer is able to get feedback from students in<br />

the distant locati<strong>on</strong>s via an audiosystem which uses an ordinary teleph<strong>on</strong>e. These students can<br />

also ask questi<strong>on</strong>s of the teachers the same as those in the room where the lecture originates.<br />

ECD <strong>and</strong> televisi<strong>on</strong> around the world<br />

Televisi<strong>on</strong> has also proven to be an instrumental tool in the development of underpriviledged<br />

nati<strong>on</strong>s. Extensive studies c<strong>on</strong>ducted by Takahiro Akiyama (1986), <strong>and</strong> Eric Chevallier & Sylvie<br />

Mansosur (1993) gives detailed accounts of televisi<strong>on</strong> programs in Asia that have rendered the<br />

positive results that televisi<strong>on</strong> can be a great source of knowledge for both children <strong>and</strong> their<br />

caregivers. A brief descripti<strong>on</strong> of the initiatives broadcasted in each Asian country follows.<br />

Televisi<strong>on</strong> in Asia<br />

The Philippines, have <strong>on</strong>e of the most successful children’s programs in the country named<br />

"Batibot." The program includes music, simple animati<strong>on</strong>, live acti<strong>on</strong>, <strong>and</strong> puppets. "Batibot"<br />

started as a co-producti<strong>on</strong> of the Children’s Televisi<strong>on</strong> Workshop (producers of Sesame Street)<br />

<strong>and</strong> the Philippines Government . In the Philippines, some 200 hours are allocated annually to<br />

educati<strong>on</strong>al programs for children.<br />

In Ind<strong>on</strong>esia, 23% of total programming is devoted to "educati<strong>on</strong>al programs," which include<br />

children’s programs. Most of these, however, are not local producti<strong>on</strong>s. Local children’s<br />

programs do not seem to be popular am<strong>on</strong>g children. A survey c<strong>on</strong>ducted by the Ind<strong>on</strong>esian<br />

Child Welfare Foundati<strong>on</strong>, revealed that out of 10 favorite programs for children, <strong>on</strong>ly <strong>on</strong>e was<br />

produced in Ind<strong>on</strong>esia.<br />

20

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