Touched by Indigo - Royal Ontario Museum
Touched by Indigo - Royal Ontario Museum
Touched by Indigo - Royal Ontario Museum
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1<br />
H<br />
U H<br />
textiles from Sichuan and Shaanxi other than those required for<br />
the making of army uniforms and banning common people from<br />
wearing clothes with tie-dyed patterns. Although these economical<br />
constraints were lifted in the Southern Song period, <strong>by</strong> then the<br />
previous strong interest in this kind of textile-pattern dyeing technique<br />
had been lost. After the Song technological breakthroughs in<br />
other weaving and dyeing methods made possible the production of<br />
many varieties of patterned textiles, time-consuming tie-dyed fabrics<br />
were largely neglected. The basic technique, however, has survived<br />
to the modern times and is still practised on a small scale, mostly<br />
in the provinces of Jiangsu, Hunan, Sichuan, Yunnan, Gansu, and<br />
Guizhou.<br />
THE VERTICAL STRIPES IN THIS YARDAGE are made <strong>by</strong> pleating<br />
the white cloth along the warp at regular intervals from selvedge<br />
to selvedge. The pleats are held in place <strong>by</strong> parallel horizontal rows<br />
of stitches on both sides of the cloth, also made at regular intervals.<br />
The cloth becomes a long strip once it is gathered together tightly<br />
<strong>by</strong> drawing up all the threads. This is then bound <strong>by</strong> stout thread,<br />
soaked in water to eliminate the air in the cloth, and dipped in the<br />
dye vat. Since only the edge of each pleat comes into direct contact<br />
with indigo, a pattern of blue stripes results. Slight differences<br />
in the tension of the stitches<br />
and the binding thread, as well<br />
as uneven moisture distribution<br />
in the cloth all help to create<br />
a very special design effect.<br />
The stripes are soft-edged. Each<br />
one also shows individual or<br />
interlinking crystal-like bubbles<br />
at different places. Such details<br />
add much visual interest to the<br />
dyed fabric. Instead of rigid and<br />
sharp-edged stripes, the pattern evokes images of a curtain made of<br />
strings of beads or an outdoor grille in the winter, with its accumulated<br />
ice starting to melt in the early morning sun, dripping slowly<br />
and hardening again in crystal forms later in the day when cold winds<br />
whip through.<br />
THE BARBED WIRE LATTICE PATTERN in this yardage is made<br />
essentially <strong>by</strong> folding, stitching, and tying. The cloth is folded horizontally<br />
in accordion fashion. Sets of diagonal lines resembling the<br />
Chinese character for the number<br />
eight yv. are first marked<br />
side <strong>by</strong> side on each fold, with<br />
both ends of each line stopping<br />
short at the two edges of the<br />
fold. Cloth is pinched with the<br />
fingers along each line and a<br />
single row of running stitches<br />
is made close to the edge of<br />
the fold. When all the stitching<br />
is completed, the threads<br />
are drawn up tight and knotted.<br />
After dyeing and removal<br />
of the threads the lines are each<br />
flanked <strong>by</strong> two rows of asym-<br />
9. LENGTH OF FABRIC WITH STRIPED PATTERN, Linen, 2003, Nantong, Jiangsu<br />
province, Gift of Dr. Ka Bo Tsang in memory of Mrs. Tsang Ng Sheung, 2004.68.8m,<br />
W. 03.5cm<br />
10. LENGTH OF FABRIC WITH BARBED-WIRE LATTICE PATTERN, Cotton, 1988,<br />
Kunming, Yunnan province, On loan from Mrs. Sara Irwin, L2004.7.2, W. 87 cm<br />
21