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Touched by Indigo - Royal Ontario Museum

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1<br />

H<br />

U H<br />

textiles from Sichuan and Shaanxi other than those required for<br />

the making of army uniforms and banning common people from<br />

wearing clothes with tie-dyed patterns. Although these economical<br />

constraints were lifted in the Southern Song period, <strong>by</strong> then the<br />

previous strong interest in this kind of textile-pattern dyeing technique<br />

had been lost. After the Song technological breakthroughs in<br />

other weaving and dyeing methods made possible the production of<br />

many varieties of patterned textiles, time-consuming tie-dyed fabrics<br />

were largely neglected. The basic technique, however, has survived<br />

to the modern times and is still practised on a small scale, mostly<br />

in the provinces of Jiangsu, Hunan, Sichuan, Yunnan, Gansu, and<br />

Guizhou.<br />

THE VERTICAL STRIPES IN THIS YARDAGE are made <strong>by</strong> pleating<br />

the white cloth along the warp at regular intervals from selvedge<br />

to selvedge. The pleats are held in place <strong>by</strong> parallel horizontal rows<br />

of stitches on both sides of the cloth, also made at regular intervals.<br />

The cloth becomes a long strip once it is gathered together tightly<br />

<strong>by</strong> drawing up all the threads. This is then bound <strong>by</strong> stout thread,<br />

soaked in water to eliminate the air in the cloth, and dipped in the<br />

dye vat. Since only the edge of each pleat comes into direct contact<br />

with indigo, a pattern of blue stripes results. Slight differences<br />

in the tension of the stitches<br />

and the binding thread, as well<br />

as uneven moisture distribution<br />

in the cloth all help to create<br />

a very special design effect.<br />

The stripes are soft-edged. Each<br />

one also shows individual or<br />

interlinking crystal-like bubbles<br />

at different places. Such details<br />

add much visual interest to the<br />

dyed fabric. Instead of rigid and<br />

sharp-edged stripes, the pattern evokes images of a curtain made of<br />

strings of beads or an outdoor grille in the winter, with its accumulated<br />

ice starting to melt in the early morning sun, dripping slowly<br />

and hardening again in crystal forms later in the day when cold winds<br />

whip through.<br />

THE BARBED WIRE LATTICE PATTERN in this yardage is made<br />

essentially <strong>by</strong> folding, stitching, and tying. The cloth is folded horizontally<br />

in accordion fashion. Sets of diagonal lines resembling the<br />

Chinese character for the number<br />

eight yv. are first marked<br />

side <strong>by</strong> side on each fold, with<br />

both ends of each line stopping<br />

short at the two edges of the<br />

fold. Cloth is pinched with the<br />

fingers along each line and a<br />

single row of running stitches<br />

is made close to the edge of<br />

the fold. When all the stitching<br />

is completed, the threads<br />

are drawn up tight and knotted.<br />

After dyeing and removal<br />

of the threads the lines are each<br />

flanked <strong>by</strong> two rows of asym-<br />

9. LENGTH OF FABRIC WITH STRIPED PATTERN, Linen, 2003, Nantong, Jiangsu<br />

province, Gift of Dr. Ka Bo Tsang in memory of Mrs. Tsang Ng Sheung, 2004.68.8m,<br />

W. 03.5cm<br />

10. LENGTH OF FABRIC WITH BARBED-WIRE LATTICE PATTERN, Cotton, 1988,<br />

Kunming, Yunnan province, On loan from Mrs. Sara Irwin, L2004.7.2, W. 87 cm<br />

21

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