DIGITAL PIANO CATALOGUE • 2011 EDITION - Roland ...

DIGITAL PIANO CATALOGUE • 2011 EDITION

Editorial 

There are things that are inextricably linked to a 

brand name or a type name. 

all these things helped give the (digital) piano its 

present shape: a symbol of music par excellence. 

But not so the topic of this catalogue - the piano. The 

rich history of the piano spans three centuries, letting 

loose just as many models as types made by just as 

many manufacturers on the musical world. Some of 

these models and brands grew to become legendary 

instruments; others disappeared ingloriously or are 

now no more than mere humorous footnotes in the 

history of the piano. 

But we actually appreciate this variety nonetheless. 

It is only thanks to the inventiveness of the 

manufacturers that we are able to make music 

on an instrument of such quality. Starting from 

the revolutionary piano hammer mechanism 

developed by Cristofori to improvements such as 

the steel frame, escapement action and - later, in 

the digital era - the continuous improvements of 

sample possibilities and virtual emulation software... 

Equally universal as it is versatile; equally indispensible 

as it is applicable. The piano is for the musician what 

the compass is for the sailor: the link between here 

and there. 

Even if the piano cannot be so easily kept in a shirt 

pocket like a compass... 

Wim Van Deuren, 

Product specialist, Roland Central Europe

The piano 

In the beginning of the eighteenth century, the 

harpsichord was undisputedly the most popular 

instrument. However, the mechanism of the 

harpsichord (in contrast to the piano, the strings of a 

harpsichord are plucked with a plectrum) results in 

the rather limited sound level of the instrument: it is 

impossible to play both loudly and softly. 

For more than three decades, Roland has been 

at the forefront of digital piano research and 

development. This continual determination to 

maintain a spirit of innovation has led to quite a 

number of legendary milestones including the EP-30, 

the RD-1000, the acclaimed HP Series and of course 

the revolutionary V Piano. 

In 1695, Bartolomeo Cristofori had a luminous idea: 

he designed a piano hammer mechanism with 

which the strings could be struck. This invention 

made it possible to play the instrument dynamically: 

the strength with which the string is struck is translated 

into a soft (piano) or a hard (forte) resonance of the 

string. 

We are proud to be able to present you with our 

new and enhanced piano series at the beginning 

of this new decade. The V Piano with its unique 

technology, the brand-new HP series and the 

classical grand pianos of our RG series: all these 

instruments were created by people with a passion 

for music... for people with a passion for music. 

Although the instrument was not met with 

overwhelming enthusiasm, it had its definite breakthrough 

after 1750 (after the Baroque period and at 

the beginning of the classical era). 

In the course of time, the piano was developed 

further, adapted and enhanced. By the end of 

the 19th century, the piano as we now know it had 

become the most popular instrument of its day. 

The emergence of blues, jazz and pop music in 

the 20th century also facilitated the break-through 

of electric and electronic instruments. In particular 

with the rise of the digital era, the electronic piano 

underwent a remarkable evolution. 

"The piano is 

the most popular 

instrument 

per se”

Virtual pianos. 

oland's product range includes 

different types of pianos. We don't 

mean the type of instrument (such 

as grand piano, home piano and 

stage piano), but rather what is 

underneath the cover... 

Our V Piano and V Piano Grand are instruments 

that make use of the V Piano technology. This 

technology is based on the virtual emulation of all 

aspects of a piano's sound. This is why it is possible 

to control and adjust the sound of the piano down 

to the most minute of details. 

To a large extent, our SuperNATURAL Piano technology 

makes use of the V Piano technology. The most 

significant difference between the two technologies 

is that the V Piano technology creates sounds 

completely virtually, whereas the SuperNATURAL 

Piano technology is based on samples. 

Roland guarantees high-quality samples - top-class 

basic material, so to speak. Our SuperNATURAL 

Piano technology, in turn, guarantees that we get 

the best out of this material, making use of these 

high-quality samples. 

of course also equipped with immaculate basis 

material (high-quality samples) and provide an 

excellent piano experience. Concerning the 

processing and modification of the piano sounds, 

these pianos are less sophisticated than the ones 

equipped with our SuperNATURAL Piano or V Piano 

technology. Therefore, we believe that our pianos 

equipped with the sample technology are ideal 

pianos for those beginning to learn the piano. 

We have listed all our models in this catalogue. 

Please take your time to read through all this information 

in order to be able to make a well-founded 

choice. Should you still have questions after having 

read this information in its entirety, please don’t 

hesitate to contact one of our product specialists 

on 01792 702701. 

But don't forget to consider rule number one when 

purchasing an instrument: play it! Please visit a 

dealer in your area (you will find a dealer locator 

at www.roland.co.uk), take a seat behind one of 

our pianos and... play! We are quite sure that our 

pianos will seduce and persuade you right away! 

A number of models still make use of the "standard 

sample technology". However, these models are

V Piano technology 

The V Piano technology was first introduced in 2009 

with the launch of the first V Piano. And right from the 

beginning, this unique concept was appreciated by 

pianists the world over. The V Piano is (still) unique 

amongst its contemporaries: the sound is created 

without the use of one single sample. No other technology 

can rival this performance - and no other 

technology is consequently able to achieve such 

detail when adjusting and creating its own sounds. 

V PIANO VS. SAMPLE TECHNOLOGY 

A digital piano that makes use of the standard sample 

technology, is actually based on a very simple 

mechanism: samples of an acoustic piano are recorded 

in a studio; these samples are saved in the 

memory of a digital piano and are assigned to a 

key. If you strike the key of a digital piano, the corresponding 

sample is "played" and you hear the 

sound. This is - quite simply - how a sample piano 

actually works. 

The V Piano, however, does not use samples. If you 

strike the key of the V Piano, no previously recorded 

sound is played. But how is the sound actually created? 

In the case of the V Piano, the piano sound is stripped 

to the bone. Or should we say: “to the string”? The 

sound of an acoustic piano is indeed more than a 

hammer that makes the string resonate - the sound 

of an acoustic piano is the sum of a number of 

parts or aspects, which together give each piano its 

unique acoustic colour. 

It took Roland more than ten years of research and 

development to strip the sound of an acoustic piano 

to the very basics and to map it out. All these facets 

of the piano sound are digitalised - or better: mathematised. 

These uncountable mathematic formulas 

form the basis of the V Piano; formulas that create a 

sound wave. It is because we are no longer dependent 

on a source, which was recorded previously (i.e. 

a sample), that we can go much further in terms of 

sound. The V Piano, which does not depend on previously 

recorded source material, is able to produce 

a more nuanced and richer sound than any other 

digital piano. 

MAKE INDEFINITE SOUNDS 

Due to the technology incorporated within the V Piano, 

it is not only possible to simulate an acoustic 

piano down to the most minute of details... we can 

even go further than that what is even conceivable 

on an acoustic instrument. We can play with the 

components of the piano by virtually exchanging 

the wooden soundboard with a metal soundboard. 

We can make the soundbox of the piano out of 

glass; we can change the material of the strings; we 

can even adjust the number of strings per key. This 

means that the V Piano not only enables us to follow 

all avenues known already for the piano, but we are 

also able to discover new horizons and go beyond 

the boundaries of the acoustic piano. 

EVOLUTION 

Yet another invaluable advantage of the V Piano 

technology: expandability! The incredibly strong 

technology at the core of this type of instrument 

enables us to continuously develop the technology 

further and to expand its features. 

In 2010, for instance, the V Piano's standard sound 

range was expanded to include new models and 

new possibilities. This upgrade, termed Evolution by 

us, is available for each V Piano and can be downloaded 

for free from our website. With the V Piano 

you purchase an instrument for life: an instrument 

that is just as up-to-date now as it will remain for the 

years to come.

The piano redefined 

The acoustic piano is and remains an impressive example 

of musical and optical rationality. Although the instrument 

has developed over the centuries to meet the 

needs of composers and musicians, the basic principle 

has remained unchanged. Roland’s V Piano redefines 

the ‘classical piano’. Owing to the large range of functions, 

you may tune the V‐Piano according to your own 

requirements and play it as expressively as an acoustic instrument. 

But that's only the the beginning. With the "living" 

sound engine inside, the V‐Piano soars above the limits 

of all physical and technological solutions of all existing 

acoustic and digital instruments. This is a musical instrument 

- with emphasis on "musical" - with a great number 

of expressive possibilities. 

starting from when the hammer hits the strings. The timbre 

evolves quite naturally and depends on the force 

with which you press the keys. Whereas this is realised 

in clearly audible steps on a digital piano, the V Piano 

masters it seamlessly. 

The notes of the V‐Piano fade out naturally, too. The 

fact that no samples are used prevents a sterile end 

of the sound made by the note. The V‐Piano is the first 

electronic instrument that replicates an acoustic piano 

down to even the most minute of details. 

ADVANCED SOUND CREATION 

BASED ON ACOUSTIC PIANO COM- 

PONENTS 

An acoustic piano produces a sound when a key is pressed. 

This causes a small hammer to hit the allocated metal strings. 

The resulting sound causes other strings to resonate as well. 

The frame, the soundboard and the cabinet amplify these 

vibrations. This process was fundamental in the development 

of the V‐Piano. The complex interaction of components 

was recreated meticulously, resulting in a rich, realistic 

and organic grand piano sound. 

ONLY THE V‐PIANO OFFERS THE 

EXPRESSIVE CAPABILITIES 

OF AN ACOUSTIC GRAND PIANO 

NEW PHA III KEYBOARD WITH 

“IVORY FEEL” AND PRESSURE POINT 

(‘ESCAPEMENT’) 

The V‐Piano is equipped with a new keyboard, with 

which the numerous nuances of the soundboard can 

be fully used. The PHA III ‘‘Ivory Feel’’ keyboard with escapement 

performs even better than its predecessor 

and responds much more dynamically to your touch. 

Moreover, the keyboard of the V‐Piano replicates the 

escapement mechanism, i.e. the slight resistance of the 

keys when pressed down. This particularly improves expression 

when playing pianissimo parts. 

The name ‘‘Ivory Feel’’ refers to the material used, 

which absorbs the moisture, so that your fingers won’t 

slide off - not even in the hottest of locations. 

All you need to do is press just one key of the V‐Piano 

to realise that this instrument indeed ‘lives’. This is due 

to the fact that the V‐Piano replicates every detail of 

an acoustic grand piano's sound-creation process, 

Strings 

Soundboard 

Damper 

Frame 

Keyboard/action

Vintage 

FOR THE DEMANDING 

CONCERT PIANIST. ALMOST PERFECT 

CLASSICAL PERFORMANCE. 

V‐Piano's "Vintage" model is based on a meticulous analysis 

of the great acoustic concert pianos of the past. Roland's 

master sound designers did a great job: the realism 

and the sound quality are stunning. The fine-tuning 

of the strings, the hardness of the hammers, the complex 

resonance and many other parameters can be adjusted. 

With the V‐Piano, you can even create instruments that 

have that little something which some pianists might miss 

in modern grand pianos. 

THE MOST IMPORTANT VOICING PARAMETERS: 

This efficient approach enables you to draw on the 

perfect piano for each piece, even when playing 

live music. Finally, one single instrument sounds like 

all existing and all those yet to be invented pianos 

in one! 

Copper-wrapped strings, Editor: the pitch can be set Silver-wrapped strings, 

three strings per key separately for each key zone three strings per key 

THE V‐PIANO MAKES SHORT WORK OF 

THE LIMITATIONS OF 

PAST TECHNOLOGIES 

"BUILD" YOUR OWN PIANOS THAT 

PERFECTLY MIRROR THE ATMOSPHERE 

OF YOUR MUSIC AND REPERTOIRE 

The parameters of the V‐Piano are crystal clear, i.e. 

you can even tailor the complex interaction between 

the strings, the frame, the soundboard and 

the cabinet to your personal needs. 

V‐Piano's "Vanguard" model provides you with the 

perfect "equipment" for creative piano sounds. This 

gives you the freedom to decide to use a piano with 

three strings for every key, even in the low register, or 

to use strings wrapped in copper or made of steel. 

Sounds that seemed to be impossible, are not a problem at 

all anymore and what's more, they sound very natural. And 

if you want to accentuate your musical statement even further, 

you can make use of three (virtual) strings in the low 

register. 

The V‐Piano contains separate parameters for each register, 

enabling you to easily build up your "ideal" piano - 

without having to worry about the physical limitations of 

an acoustic instrument. At your choice, V‐Piano's ‘‘Vanguard’’ 

comes with silver-wrapped strings and therefore 

has a fresh and even "bold" sound. Since silver strings are 

a little softer and heavier than copper strings, the ‘‘Vanguard’’ 

model provides extra-hard (virtual) hammers to 

compensate. The V‐Piano is able to make your dream 

of the perfect piano come true. Choose your sustain 

and optimal brilliance. If necessary, you can change the 

acoustic colour during playing with a pedal by assigning 

cross resonance or the hardness of the strings to it. And of 

course you can also tune the piano yourself. 

Adjusting the hardness of the hammers 

Tuning the strings 

Enrich your vocabulary with 

"historical" and "avant-garde" pianos

V PIANO GRAND 

A grand piano to the core 

FEATURES 

With its groundbreaking approach to grand piano 

modelling, and incredibly realistic sound and response, 

Roland's V Piano has received practically 

all prestigious international awards and accolades 

since its debut in 2009. And since then, it has become 

the first choice for many of the world’s most 

discerning pianists. 

So how does a strong concept like this evolve? The 

answer is: V Piano Grand. Built into an elegant grand 

piano cabinet, and with a unique, multi-channel 

sound system that reacts naturally to your playing, 

this exquisite instrument blurs the line between the 

digital and acoustic worlds, leaving room for just 

one conclusion: this is a magnificent instrument. 

Besides, the V Piano Grand is more than just another 

sound engine in disguise: the technology has been further 

refined, and new piano models have been added 

to the onboard library. Welcome to a new world of 

boundless musical and technical possibilities.

• Revolutionary V Piano modelling technology in 

a stylish grand piano cabinet • Multi-channel amplifier 

system for an "acoustic" grand piano sound 

• High-quality PHA III “Ivory Feel” keyboard with 

escapement • Progressively adjustable damper 

pedal with the same response as an acoustic 

grand piano • Splendid, classical and sophisticated 

grand piano cabinet • New piano models that 

are perfectly tuned to the V Piano Grand 

MORE INFORMATION 

AN INSTRUMENT OF 

FLESH AND BLOOD 

The V Piano Grand soars above the limitations of past 

technologies with its revolutionary "living" piano engine. 

Each note played sounds "real" from beginning 

to end. With the V Piano Grand, there is no velocity 

switching or looping, resulting in smooth, natural notes 

that must be heard to be believed. Organic, natural, 

beautiful - the V Piano Grand is a dream to play. 

SPACE FOR THE SOUND 

Unlike any instrument before it, the V Piano Grand's 

built-in sound system employs intelligent multi-channel 

audio technology that fills the room with amazing 

spatial sound in which the player and audience 

actually forget that the sound is really being produced 

by speakers. Each and every component 

of the piano sound is allocated to the appropriate 

location immediately, changing fluidly and naturally 

based on the performance. 

This results in a natural 3D sound pattern, so to speak. 

From the player's perspective, hammer clicks sound 

closer, for example, and ringing strings are at a distance. 

Each element is allocated intelligently in real 

time and space to create a perfect acoustic illusion. 

And even from a distance (i.e. in the audience) you 

really have the impression that this just cannot be a 

digital instrument... 

Furthermore, sound spaces are uniquely created for 

each piano model. This amazing feature is unique to 

the V Piano Grand.

SOUND DESIGNERS 

The V Piano Grand contains "Vintage" piano models 

that come very close to an acoustic, high-class 

grand piano with regard to maturity and richness. In 

addition, there are futuristic "Vanguard" models and 

the possibility to create your own sounds. Vary the 

hardness of the hammer felts and experiment with 

exotic string configurations, tunings and materials, 

such as all-silver triple strings for each key. Play on a 

dream grand piano or "build" your own dream instrument 

- everything is possible. 

INNOVATIVE CABINET 

In a Roland first, the V Piano Grand lets you enjoy 

the aesthetic beauty of the mirror-finished fallboard 

while also concealing the control panel. In addition, 

the fallboard can function as a sliding lid. In the past, 

Roland pianos had either a fallboard or sliding-type 

lid, but the V Piano combines both these principles 

to ensure a "classical" impression: only when the lid is 

fully opened, the control panel is visible. To conceal 

the control panel, the opened lid just needs to be slid 

a little further. Naturally, the music rest can be folded 

down. If you close the lid as well, the top of the V 

Piano Grand is completely flat. 

TECHNICAL SPECIFICATIONS 

Keyboard: 88 keys (PHA III Ivory Feel keyboard with 

escapement) • Sound generator: V Piano • Maximum 

number of sound-producing virtual strings: 264 

(varies depending on the load of the sound generator) 

• Dimensions: 1,485 (W) x 1,505 (D) x 1,544 (H) 

(open lid) / 1,485 (W) x 1,505 (D) x 939 (H) (closed lid)

V PIANO EVOLUTION 

New system version for the V Piano 

FEATURES 

FOUR NEW PIANOS! 

Roland's revolutionary V Piano is warmly received by 

ambitious pianists all over the world. Thanks to a completely 

new approach to the term "piano synthesis", 

the V Piano goes well beyond the digital pianos that 

are based on samples. This upgrade of the control 

system adds four new piano models to the original V 

Piano range. All V Piano owners can download this 

upgrade from the Roland website at no charge. 

• Four new models for the V Piano: two “Vintage” 

and two “Vanguard” types. • “Vintage” type: 

“Vertical” (warm sound of a square piano), V1 “Im- 

pactance” (“Vintage 1” piano with heavier hammers 

for more power and energy) • “Vanguard” 

type: “Triple Large” (model of a piano with three 

strings per note and a larger cabinet), “Metallic SB” 

(based on the existing “All Silver” model, but with a 

new soundboard based on a sandwich construction 

with metal and wooden plates for a high, clear 

sound). • All V Piano owners can download this 

upgrade from the Roland website at no charge. 


A NEW HIGHLIGHT 

With a sound engine of "flesh and blood", the V Piano 

soars above the limitations of past technologies. 

As a result of the fact that samples are not

used, each note played sounds "real" from beginning 

to end. With the V ‐Piano Grand, there is 

no velocity switching, resulting in smooth, natural 

notes that must be heard to be believed. 

COMPILE YOUR DREAM COLLECTION 

The V Piano contains numerous presets of the world's 

best grand pianos, but you can just as well model 

all sound aspects to your individual needs. Vary the 

hardness of the hammer felts and experiment with 

exotic string configurations and tunings, play on a 

dream of a grand piano or "build" your own dream 

instrument - everything is possible. 

NEW PHA-III “IVORY FEEL” KEYBOARD 

The PHA-III keyboard of the V‐Piano contains an escapement 

simulation and the “Ivory Feel” function. Thanks 

to a revolutionary technology, this keyboard feels like 

the (white) ivory and (black) ebony keys of an acoustic 

instrument - with the same refined responses. Even the 

slight clicking feel when releasing the (virtual) hammers 

of the keys is simulated. 

INTUITIVE BUT STILL COMPLEX 

Despite the many technological innovations, the V‐Piano 

contains a logically structured control panel and 

a user interface that promptly guides you to the required 

sound. Even the most minute of details can be 

changed without any great technological capabilities 

being necessary, i.e. within a few minutes, you will hear 

precisely the sound that you always wanted to use. 

TECHNICAL SPECIFICATIONS 

Revolutionary "living" piano soundboard engine, 

which eliminates the constraints of a digital piano • 

Impressive piano sounds, from grand piano to fresh, 

futuristic hybrid sounds • All pianos can be edited • 

New PHA-III “Ivory Feel” keyboard with escapement 

(88 keys) • Analogue (XLR and 1/4”) outlets and 

digital coax outlet, USB port for data carrier and MIDI 

inlets/outlets • Power consumption: 27 W • Dimensions: 

1411 (W) x 530 (D) x 166 (H) mm • Weight: 38.2 

kg • Accessories: manual, CD‐ROM (“editor”), piano 

pedal unit, power cord • Options: keyboard stand

Supernatural pianos. 

Our SuperNATURAL Piano technology is a sophisticated 

combination of the established sample technology 

and the innovative V Piano technology. The core of the 

sound production are high-quality samples. But with 

the SuperNATURAL Piano technology, we go beyond 

the "traditional" sample technology. Way beyond... 

THREE PILLARS 

The SuperNATURAL Piano is based on three 

elementary pillars: seamless tone variations, smooth 

and natural tone decay and expressivity in every 

single key 

WHAT DOES THAT MEAN PRACTICALLY? 

SEAMLESS TONE VARIATIONS DEPEND- 

ING ON TOUCH 

Conventional piano sound engines (usually) incorporate 

several different tones per key, but the switch between 

these different tones depending on touch can 

usually be heard. However, acoustic pianos do not 

have this characteristic: their acoustic colour varies 

continuously (i.e. seamlessly). Our new SuperNATURAL 

Piano sound engine eliminates this unnatural phenomenon. 

Through our V Piano technology, we have been 

able to achieve natural and seamless variations in tone, 

making the difference between virtual and acoustic instruments 

yet a little bit smaller. 

SMOOTH AND NATURAL 

TONE DECAY 

After you strike a key, not only its volume but its tone 

changes as it decays. Most digital piano sound engines 

are actually able to reduce the volume of the 

struck key, but the tone usually remains static. The SuperNATURAL 

Piano sound engine changes all this. With 

its use of the V Piano technology, the tones decay just 

as they would on an acoustic piano - they not only become 

quieter, but also increasingly subdued. 

EXPRESSIVITY IN EVERY SINGLE KEY 

The strings of an acoustic grand piano have different 

lengths and thicknesses. The number of strings 

and the size of the hammers differ, too. In addition, 

the resonance of the soundboard, the cabinet and 

the other strings always depend on the pitch of the 

played notes. Therefore, each note sounds slightly 

differently. Our instruments of the HP series were one 

of the first digital pianos to feature 88-key stereo multi-sampling. 

Roland first sampled all 88 keys from a 

variety of world-class grand pianos. 

We then analysed and synthesised these tones 

using Roland's state-of-the-art digital technology 

to develop a high-quality, very expressive piano 

sound.

RG-3F-PE 

A breakthrough instrument with the soul of a classic 

T 

o an observer, it’s an object of 

beauty for the eyes and ears. For 

an artist it's like coming home. Anyway, 

the intention during the development 

of the RG-3F was clear: Roland wanted to 

build a mini grand piano in a classical look, which 

thanks to the SuperNATURAL technology also 

sounded as versatile as an acoustic instrument. 

THIS INSTRUMENT IS JUST SUBLIME. 

The PHA III "Ivory Feel" keyboard with escapement 

provides an authentic feeling and response, 

while the four speakers were chosen and placed 

with a persuasive sound quality in mind. Perfect 

for homes, hotels, restaurants and environments that 

can benefit from a great-sounding, great-looking 

piano, the RG-3F is compact in its dimensions and 

attractively priced. 


• Advanced SuperNATURAL Piano engine provides 

a new level of authenticity and sophistication 

• "Piano Designer" feature allows customisation 

of sounds (resonance, hammer noise, etc.) 

• PHA III "Ivory Feel" keyboard with escapement 

provides grand-piano feel and response • Beautifully 

polished mini grand finish - the fallboard 

reflects the performer’s hands while playing • 

“Progressive Damper Action” pedals provide accurate 

response and resistance of the pedals • 

Compact instrument (depth of 95 cm) • Built-in 

amplifier system with 4 speakers (60 W x 2) • Clear 

operation panel that’s easy to use • Lightweight, 

fall-safe lid with lock mechanism and two-position 

height adjustment

RG-1F-SB 

Contemporary mini grand goes SuperNATURAL 

Inheriting most of the functions of its RG-1 

predecessor, the RG-1F goes upscale with the 

new SuperNATURAL Piano engine and PHA III "Ivory 

Feel" keyboard. The stylish satin black finish blends 

elegantly into any environment, while the built-in 

speaker system provides rich, stereo sound. And

did we already mention the special features of the 

RG-1F? It is equipped with a USB port and contains 

exercises, which makes it a pleasure to refine your 

technique. 

• Advanced SuperNATURAL Piano engine provides 

a new level of authenticity and sophistication • 

"Piano Designer" feature allows customisation of 

sounds (resonance, hammer noise, etc.) • PHA 

III “Ivory Feel” keyboard with escapement • 

Beautifully streamlined grand piano with a lid that 

can be opened and closed (73 cm depth, 75 kg 

weight) • “Progressive Damper Action” pedals 

provide accurate response and resistance of the 

pedals • Stylish satin black finish with gold-cuffed 

legs • Internal stereo speaker system with rich, 

natural sound • Clear operation panel that’s easy 

to use • Lightweight, fall-safe lid

LX-10F TRADITIONAL PIANO FUNCTIONS 

Design and quality 

JUST BEAUTIFUL... 

The LX‐10F’s polished ebony and satin black finish emanates 

superiority. The look is strong and bold, yet the 

depth of the piano is only 45.3 cm. The fallboard’s interior 

has a mirror finish that reflects the keyboard and 

moving fingers in the style of a grand piano. The fallboard 

can also be used as a music rest when opened. 

Due to a special mechanism, it closes smoothly and 

gently, combining both safety and aesthetic grace. 

In addition to its beautiful appearance, the movable 

top lid also shapes the piano’s overall tonal character. 

This enables you to change between soft and clear 

sounds. All cables of the LX‐10F are discretely hidden 

away and invisible when placed against a wall. But 

even its back is perfectly finished, i.e. it is also possible 

to place this instrument in the middle of the room. 

NATURAL SOUND DESPITE 

SPEAKERS 

The LX‐10F is equipped with a high-quality, internal 

speaker system. By taking advantage of the piano’s vertical 

cabinet chamber with six speakers in optimal positions, 

the LX‐10F is able to produce sounds that fill the 

room with a rich, resonant tone. 

PEDALS THAT REACT ACCURATELY TO 

YOUR TECHNIQUE AND EMOTIONS 

The LX‐10F's damper and soft pedals react even to the 

slightest of touch. Moreover, their response is absolutely 

natural and authentic. This enables you to precisely 

control how much the dampers should damp 

the resonance of the strings. If you release the pedal 

just a little bit and press it down again, the (simulated) 

string remains resonating, while the resonance of the 

damper also remains intact. 

THE RICHNESS OF A CONCERT GRAND 

All sounds of the LX‐10F are based on samples of the 

world's best acoustic grand pianos. Some sounds even 

use several separate stereo samples for each of the 88 

keys. Roland spared neither trouble nor expense to collect 

these beautiful sounds and accompanying resonances. 

If you wish, you even have the resonances of a 

duplex scale at your disposal for a clearer high register. 

Either way, the sound will always be impressive. Yet, if you 

still have other preferences, the "Piano Designer" feature 

enables you to change resonance, hammer sound and 

other important details. With its 128-voice polyphony, the 

sound engine of the LX‐10F is actually spacious enough 

to prevent notes from falling off when the pedals are frequently 

used. 

RESPONSE OF A CLASSICAL GRAND 

PIANO 

The LX‐10F is equipped with our “Ivory Feel” PHA II keyboard 

(“Progressive Hammer Action II”). It has the advantage 

that the white keys feel like ivory, whereas the black 

keys seem to be really made of ebony. The moistureabsorbing 

characteristics of the keys' surface give your 

fingers a good grip and prevent them from slipping off. 

And the white keys have the same dual construction as 

a grand piano's keys (i.e. a basic layer and a finish layer). 

Not only does this contribute to a beautiful appearance, 

but it also meets the requirements of experienced pianists. 

The natural response is due to the counterweight of 

the hammers – no springs are used in the mechanism. 

Moreover, the keyboard of the LX‐10F simulates the escapement 

mechanism, i.e. the light resistance of the keys 

when pressed down.

LX-10F 

Classic cabinetry with SuperNATURAL piano technology 

At first glance, the LX-10F looks exactly like other 

traditional square pianos, but owing to the sophisticated 

SuperNATURAL sound engine, the disadvantages 

of such traditional instruments have been 

eliminated. It is unique in its price range, since its rich 

and three-dimensional tone sounds confoundedly 

acoustic. 

Owing to the superior PHA III “Ivory Feel” keyboard, 

the LX-10F's action and response are surprisingly 

authentic, too - and the high-quality amplifier 

system ensures that you actually can hear 

all these nuances. 

• Advanced SuperNATURAL Piano engine provides a 

new level of authenticity and sophistication • "Piano 

Designer" feature allows customisation of sounds 

(resonance, hammer noise, etc.) • PHA III “Ivory 

Feel” keyboard with escapement • Traditionally 

styled pedals with "Progressive Damper Action" and 

half-pedal recognition • Stylish, space-saving 

cabinet with beautifully polished ebony and satin 

black hybrid finish • 6-speaker system provides 

natural, rich sound • Top lid can be opened/closed 

for tonal variation; fallboard can be used as a music 

rest when open

LX-10F LEARNING AND PLAYING WITH MUSICAL 

PLEASURE 

Learn and play 

USEFUL 

EDUCATIVE FUNCTIONS 

The LX‐10F contains several useful functions for 

studying and learning, such as a metronome to 

keep the rhythm and a three-track recorder for 

the critical and objective analysis of your interpretations. 

The “Twin Piano” feature divides the 

piano into two separate instruments, enabling 

two pianists to play side by side in the same register. 

Anyone will progress with this variety of educative 

functions! 

PLAY YOUR 

FAVOURITE MUSIC 

The LX‐10F contains a long list of classical compositions 

and jazz pieces. Additionally, the LX‐10 can play songs* 

on data carriers**, such as audio CDs*** as well as standard 

MIDI files and audio files on USB memory sticks. You 

can not only change the tempo and the tone of the 

LX‐10F's internal and external music pieces, but you can 

also switch off the left-hand or right-hand part to play it 

yourself, while the instrument plays the other part. 

It is even possible to change the tempo and tone of 

pieces from an audio CD or WAV files, enabling you to 

be accompanied by your favourite music. The available 

repertoire is only limited by your CD or standard MIDI file 

collection. 

* Compatible formats: Standard MIDI files and WAV 

files ** USB data carriers, CD-ROM and disks; playing 

of data on a CD-ROM requires an optional USB CD 

drive (CD-01A); disks can only be played with an optional 

USB disk drive (FD-01A). *** Playing of the data 

requires an optional USB CD drive (CD-01A). 

NEVER TUNE AGAIN! 

JUST ONE OF THE NUMEROUS 

ADVANTAGES OF THE LX‐10F 

Since the LX‐10F is a digital instrument, it does not contain 

strings and therefore there's no need to tune it. Not even 

the greatest variations in temperature and air humidity 

will have any influence on the tuning of the instrument. 

In addition, the LX‐10F is equipped with a volume control 

button and a headphone jack, meaning that you don't 

have to disturb anyone. Compared to an acoustic piano, 

the LX‐10F is light-weight and can be placed anywhere 

quite easily. This explains why Roland's pianos are 

so popular: they produce a fantastic sound - anytime 

and anywhere.

HP SERIES 

"An unrivalled realism in sound, action and playing sense" 

OUR HP SERIES HAS BEEN GAINING 

ITSELF A REPUTATION IN THE PIANO 

WORLD FOR QUITE A WHILE NOW. 

In the beginning of the 1990s, Roland was the first 

instrument manufacturer to acquaint the world with 

the first completely digital grand piano, the HP- 

7700. Our commitment to improve and embellish 

our instruments has now resulted in the brand-new 

HP series: the HP302, the HP305 and its flagship, the 

HP307. And the highlight of the new range is our 

SuperNATURAL Piano technology. This technology 

is based on the powerful V Piano engine, offering 

unrivalled realism in sound, action and playing 

sense. The HP307 enables you to adjust practically

any aspect of your sound. This gives you access to 

an enormous variety of acoustic colours. And the 

PHA III keyboard with double escapement and 

"Ivory Feel" ensures that all nuances are translated 

into musical expression. 

MORE INFORM ATION 

• Superior SuperNATURAL Piano sound quality 

(HP307/305/302) • PHA III "Ivory Feel" keyboard with escapement 

(HP307), • PHA II "Ivory Feel" keyboard with 

escapement (HP305), • PHA II keyboard with escapement 

(HP302) • The fallboard of the keyboard can be half 

closed, concealing the control panel (“classic position”) • 

“Piano Designer” feature with more parameters than ever 

before (HP307) • The special speaker housing ensures a 

powerful and full sound (HP307) • Legs at the front for a 

“deluxe” look, 3 classically formed pedals (HP307/305/302) 

and foldable music rest (HP307/305) • Advanced Twin 

Piano mode (“Individual”): two pianists can play on the 

same keyboard - side by side - without hearing or disturbing 

each other (HP307/305/302) • USB host port for data 

carriers or an optional CD player (HP307/305/302) 

Exquisite design 

MIRROR- FINISHED BL ACK 

HP307 - HP305 

Owing to a slight "mirror effect", the satin black 

finish of the HP307 and HP305 will captivate many 

a pianist. This is the design of choice for pianists, 

who appreciate a modern but at the same time 

elegant appearance. 

ST YLI SH AND YE T COMPACT DESIGN 

FOR E VERY INTERIOR 

All models of the new HP series are equipped with 

a fallboard with a "classical position", i.e. a position 

in which the keyboard is easily accessible, while 

the control panel is invisible. This position has the 

advantage that the audience is not distracted, giv-

HP307PE 

ing the instrument an "acoustic" look. The fallboard's 

edges are now also elaborated with veneer finish, 

ensuring an even more authentic appearance of 

the instrument. 

L ARGE MUSIC REST WITH 

MUSIC SCORE HOLDER FOR 

SMOOTH PL AYING ON SIGHT 

HP307 - HP305 

The HP307 and HP305 come with stylish copper 

music score holders to prevent your music scores 

from falling shut during playing. In addition, the 

HP307 and HP305 have an extra large music rest, 

enabling you to use large music books as well. 

Of course, the music rest can be folded down to 

never block your view needlessly. 

Sublime technology 

THE NEW TWIN PIANO MODE 

OFFERS TWO PIANISTS THE POSSIBILITY 

TO PLAY SIDE BY SIDE 

Our popular Twin Piano mode comes in a yet more sophisticated 

design. Using the 2 headphones, two pianists 

can practice on the left side and the right side 

of the keyboard without hearing or disturbing each 

other (individual mode). This feature comes in handy 

when the offspring must practice "briefly" right before 

going to bed and you only have one HP piano. 

USB PORT FOR EXTERNAL 

DATA CARRIER OR CD PLAYER 

All pianos of the HP series are equipped with a 

USB port, enabling you to save your own record-

ings and play WAV files and SMF data. If you wish, 

you can even connect a USB compatible CD 

drive and play your favourite CD. 

WITH THE 3-TRACK RECORDER, 

YOU CAN RECORD 

AND PLAY THE 

LEFT-HAND AND RIGHT-HAND PART 

This function enables you to record, save and 

play up to 3 tracks of your own performances 

and compositions. If you use the built-in pieces 

to study new repertoire, you can start with one 

hand and work on the other hand later on. This 

procedure can be applied to the recording feature, 

too, if you are afraid that you won't be able 

to play both hands correctly. 

Your recordings can be saved to a USB data carrier, 

making them available for educative purposes.

HP307-RW 

THE HP SERIES IS AVAILABLE IN THE 

FOLLOWING DESIGNS: 

HP302-SB 

SATIN BLACK 

ROSEWOOD 

HP305-PE 

POLISHED EBONY 

SATIN BLACK 

ROSEWOOD 

HP307-PE 

ROSEWOOD 


SATIN BLACK

RP201 

Many features, economically priced 

The RP201 brings Roland’s superb piano sound and 

hammer-action keyboard into a compact and classy 

instrument. The gorgeous, grand sound is made all the 

more realistic by the resonance-behaviour modelling 

for string, damper and the typical sound when releasing 

the key. Furthermore, the RP201 comes with handy 

educative features: a metronome, a recording function 

and the popular Twin Piano mode for four-hand- 

ed use within the same pitch range. The user-friendly 

panel features dedicated buttons for ease of use and 

fast navigation. Another important feature is the instrument’s 

low power consumption without sacrificing 

output level. This model is available in satin black and 

rosewood.

THE RP201 IS AVAILABLE IN THE 


RP201-SB 

SATIN BLACK 

RP201-RW 

ROSEWOOD

HPi-7F / HPi-6F 

New active educational functions 

With core technology derived from Roland’s awardwinning 

V Piano, the pianos of the HPi-F series feature 

amazing SuperNATURAL Piano sound engines, PHA 

“Ivory Feel” keyboards and interactive "DigiScore" 

training programs. A large, flat-screen display is built 

into the music rest of each piano, providing “digital 

sheet music” and a variety of skill-building programmes 

to improve your technique. 

"DigiScore" makes learning fun, because you get instant 

feedback of your performances and how evenly your 

finger strength is distributed. These incredibly sounding 

educational pianos fully realise the dreams of piano 

students, teachers and performers of all ages, playing 

these pianos time and again with the greatest of pleasure. 

• With the acclaimed SuperNATURAL Piano engine 

onboard • PHA III “Ivory Feel” keyboard (HPi-7F), 

PHA II “Ivory Feel” keyboard (HPi-6F) • “DigiScore” 

feature via display in the music rest (10.4” for the HPi- 

7F, 7” for the HPi-6F) • Play along with “digital sheet 

music,” improve your technique interactively, play 

skill-building games, and more • Built-in rhythm and 

auto-accompaniment features • Microphone input 

and vocal harmony effect (HPi-7F) • Beautiful wood 

cabinets: satin black or rosewood finishes

THE HPi SERIES IS AVAILABLE IN THE 


HPi-7F-RW 

HPi-7F-SB 

HPi-6F-SB 

HPi-6F-RW 

ROSEWOOD 

SATIN BLACK 

SATIN BLACK 

ROSEWOOD

F-110 

Compact design with unique folding lid 

The newest member of Roland’s compact digital piano 

line-up is the eye-catching F-110. Featuring an 

attractive wooden cabinet in gorgeous satin black, 

red or white finishes, blending well with any home 

environment. 

With its multi-sampled piano sound and high-quality 

library of sounds plus its unique cabinet with folding 

lid, acclaimed keyboard touch and the intuitive 

user interface, the F-110 is a smart choice for the 

budget and space-conscious musician. 

• Folding lid cabinet design covers the keyboard 

when closed and functions as a music rest when 

opened • Satin black or white finish • 3-pedal unit 

of metal embedded in the stand • User-friendly 

control panel with quick access to essential functions 

• Multi-sampled piano onboard, along with 

a high-quality collection of sounds • 128-voice polyphony 

• PHA alpha II keyboard with 88 keys

THE F-110 IS AVAILABLE IN THE 


F-110-SB 

F-110-WH 

F-110-PE 

F-110-PW 

F-110-PR 

SATIN BLACK 

SATIN WHITE 


POLISHED WHITE 

POLISHED RED

DP-990F / DP-990RF 

The new piano perfection with SuperNATURAL technology 

With Roland’s groundbreaking SuperNATURAL Piano 

technology onboard, the DP990F brings a new dimension 

of acoustic-piano realism and authenticity to the digital 

domain. The magnificent PHA II keyboard is built into a 

stylish, space-saving cabinet with a flat lid that can be used 

as a music rest when opened. It’s a new breed of musical 

sophistication and functional style. 

DP990F is available in medium cherry and satin black 

finishes. The DP990RF offers additional luxury with a polished 

ebony finish and an even more expressive PHA II "Ivory Feel" 

keyboard. 

* Except for the PHA II “Ivory Feel” keyboard and the satin black 

finish, the DP990RF is identical with the DP990F. 

• Advanced SuperNATURAL Piano engine provides a new 

level of authenticity and sophistication • Contains an 

amazing collection of 337 sounds • PHA II keyboard with 

escapement (DP990F); PHA II “Ivory Feel” keyboard with 

escapement (DP990RF) • 72 built-in play-along songs and 

for exercise purposes; additional .wav and MIDI files can be 

played from USB memory stick, CD drive (optional) can be 

connected • "Twin-Piano" function splits the keyboard into 

two zones for side-by-side play; the notes of each zone can 

be played via the separate dual headphone outputs • 

Stylish and compact cabinet with lid • Built-in amplifier system 

with 4 speakers (60 W x 2) • Medium cherry and satin 

black finishes (DP990F), polished ebony finish (DP990RF)

THE DP-990F/RF IS AVAILABLE IN THE 


DP-990F-SB 

SATIN BLACK 

DP-990F-MC 

MEDIUM CHERRY 

DP-990RF-PE 

POLISHED EBONY

SHOWN: FP-7F-WH WHITE 

FP-7F 

Groundbreaking features, enhanced creativity 

The new FP-7F takes Roland’s popular FP-7 piano concept 

and injects four major components into the topselling 

design: a SuperNATURAL Piano engine, an allnew 

PHA III "Ivory Feel-S" keyboard with escapement, 

an onboard looper and a microphone input with automatic 

vocal harmony effect. This compact, contemporary 

piano is available in black and white finishes, 

with an optional RPU-3 triple-pedal unit and matching 

KSC-44 stand separately available. From professional 

stage entertainers and live musicians to demanding 

hobby musicians, the FP-7F is a great leap towards a 

more creative future. 

ALSO AVAILABLE: FP-7F-BK BLACK

SHOWN: FP-4F-BK BLACK 

FP-4F 

Superb piano quality that travels light 

The new travel-friendly FP-4F is the mobile successor 

to the most popular FP-4, adding a number of extra 

features: our SuperNATURAL Piano engine and the new 

"Ivory Feel-G" keyboard with escapement. Thanks to its 

built-in, 12 W x 2 stereo speaker system, the FP-4F can be 

used anywhere for "a little music", with no extra cables or 

amplification necessary. This compact, contemporary 

piano is available in black and white finishes, with 

an optional RPU-3 triple-pedal unit and matching 

KSC-44 stand separately available. Both for live and 

demanding hobby musicians, the FP-4F is a great leap 

towards a more musical future. 

ALSO AVAILABLE: FP-4F-WH WHITE

Keyboard. 

Superior touch 

THE PHA (PROGRESSIVE HAMMER AC- 

TION) III KEYBOARD IS 

EVEN MORE EXPRESSIVE AND MASTERS 

FAST-REPEATING NOTES AS WELL 

The PHA II keyboard of the HP305 and HP302 already 

offers a superior response. The "touch" of this 

unique Roland piano is almost identical with an 

acoustic piano's action. 

THE ESCAPEMENT MECHANISM TURNS 

THE RESISTANCE INTO THE NATURAL 

FEEL OF A GRAND PIANO KEYBOARD 

Press a key slightly to feel the resistance, which disappears 

again after a short while. This unique "click 

feeling" is called "escapement" in technical terms 

and is a typical characteristic of a grand piano's 

keyboard. The pianos of the HP series are most certainly 

suitable for any customer looking for authentic 

action and response. 

The action does not make use of springs but moving 

hammers that can also be found in acoustic instruments. 

Therefore, it is possible to distinguish exactly between 

pianissimo and fortissimo and it feels like playing 

on a "real" piano, since the keys in the low register are 

just a little heavier than the ones in the high register. 

The HP307 is equipped with a PHA III keyboard, going 

beyond the PHA II keyboard with regard to expressivity 

and repeating performance. 

Furthermore, slight differences in nuances are 

detected more easily and forwarded to the 

sound engine. This piano will convince even the 

most demanding of pianists. 

THE "IVORY FEEL" KEYBOARD: 

THE MORE YOU PLAY IT, 

THE MORE FAMILIAR IT WILL BECOME 

Both the HP307 and the HP305 are equipped with 

an "Ivory Feel" keyboard. This type of keyboard is 

very much appreciated among pianists. Owing to 

the special, moisture-absorbing material, the keys 

not only look like, but also have the texture and simulate 

the playing feeling of ivory and ebony keys of 

exclusive grand pianos. The white keys are made up 

of two parts, i.e. a basic layer and a finish layer, replicating 

the keys of an acoustic piano. This structure 

subdues the clicking sound of your finger nails on 

the keys and provides an attractive look.

Perfectly playable 

A CONSIDERATE KEYBOARD OFFERS 

THE PIANIST AN EVEN RESPONSE - 

BOTH AT THE FRONT AND THE BACK 

OF THE KEYS. 

When playing pieces that require extensive use of 

the black keys, your fingers will automatically choose 

a position near the back of the key instead of the 

front. The resistance of the white keys of an acoustic 

grand piano is almost the same at both points, since 

the tipping point of the keys is further back. 

If, however, the concealed part of the key is quite 

short, you must resolutely press down the back 

of the key due to the leverage effect. Since we 

strive to provide a response that feels as natural 

as possible, all Roland pianos presented in this 

catalogue have a longer invisible end to push the 

tipping point further back. This results in a much 

more natural and most of all more evenly distributed 

touch, enabling you to press the keys wherever 

you want to. 

THE FUNDAMENTAL 

PRINCIPLES OF AN 

ACOUSTIC PIANO: NOT THE KEY 

BUT THE HAMMER 

MAKES THE SOUND. 

Acoustic pianos have a hammer that strikes the 

respective string after the key has been pressed. 

Roland follows this principle in its creation of 

sounds: keyboard > hammer > sound. Owing to 

this approach, the hammers have a strong inertia 

even when playing fast and "superficial" passages 

- resulting in turn in a powerful sound. 

During the development of its pianos, Roland always 

keeps in mind that the sound is not created by 

the movement of the keys, but rather by the passion 

of the pianist and his finger movements.

Excellent sound . 

THE POLYPHONY IS SPACIOUS 

ENOUGH FOR EVEN THE MOST 

COMPLEX PIECES AND INTENSIVE 

USE OF THE PEDALS 

The 128-voice polyphony comes in handy when 

playing fast pieces, requiring the use of the 

damper pedal, but also for the playback of SMF 

files. The HP pianos master every task without any 

notes dropping off. 

YOU CAN TAILOR THE SOUND 

TO YOUR NEEDS 

WITH THE "PIANO DESIGNER" 

You can tune the resonance simulation of resonating 

strings and decide how far the grand piano's lid 

should be opened, coaxing your favourite timbres 

from the instrument. The HP307 even enables you 

to adjust the cabinet's resonance or to "remove" 

the virtual lid completely. 

‘GRAND PIANO PRESENCE II’ 

FOR THIS UNIQUE 

ACOUSTIC GRAND PIANO SOUND 

The 4 speakers (2 x full-range and 2 x for high frequencies) 

are arranged for an optimal replication 

of the “presence” of a grand piano. This means 

that the higher notes seem to "float" above the pianist, 

whereas the bass notes seem to come from 

beneath. 

This sound impression perfectly replicates the 

sound presence of an acoustic grand piano. 

SEAMLESS PEDAL ACTION FOR 

A PERFECT METERING 

All three HP models are equipped with three 

pedals: damper, soft and sostenuto. The damper 

and the soft pedal can be seamlessly played - the 

sound thus always depends on the pedal's position. 

This is important if you want to play the pedals 

expressively. Pressing in the damper pedal lightly 

results in subtle differences in acoustic colour, 

whereas the note's duration changes if the pedal 

is further pressed down.

Extras 

• OVERVIEW OF TECHNICAL SPECIFICATIONS 

• OVERVIEW OF OPTIONS

• O V E R V I E W O F T E C H N I C A L S P E C I F I C A T I O N S 

G R A N D P I A N O S 

MODEL 

PHA II 

KEYBOARD 

PHA III 

IVORY FEEL 

FINISH 

Super- 

NATURAL 


RG-1F-SB 

RG-3F-PE 

V PIANO GRAND 

• 






Satin Black 

Polished Ebony 




V Piano 

H O M E P I A N O S 

MODEL 

PHA II 

KEYBOARD 

PHA III 

IVORY FEEL 

FINISH 

Super- 

NATURAL 


F-110-SB 


Satin Black 

F-110-WH 


White 

F-110-PE 



F-110-PW 


Polished White 

RP201-RW 


Rosewood 

RP-201-SB 


Satin Black 

HP302-RW 


Rosewood 


HP302-SB 


Satin Black 


HP305-RW 



Rosewood 


HP305-SB 



Satin Black 


HP305-PE 





HP307-RW 



Rosewood 


HP307-SB 



Satin Black 


HP307-PE 





DP-990-MC 


Medium Cherry 

DP-990-SB 


Satin Black 

DP-990R-PE 


Polished Ebony

USB 

USB 

SONG 

SONG 

STAND 

STAND 

INCLUDED 

INCLUDED 

MEMORY 

MEMORY 

FORMATS 

FORMATS 

RECORDER 

RECORDER 

TRACKS 

TRACKS 

PLAYER 

PLAYER 

OPTIONAL 

OPTIONAL 

TO HOST 

TO HOST 

MODEL 

MODEL 

SMF, WAV 

SMF, WAV 

SMF 

Internal 

Internal 

Internal 

Internal 

Internal 

Internal 

SMF, WAV 

SMF, WAV 

SMF, WAV 

SMF, WAV 

SMF, WAV 

SMF, WAV 

SMF, WAV 

SMF, WAV 

SMF, WAV 

SMF, WAV 

SMF, WAV 

























































































1 

1 

1 

3 

3 

3 

3 

1 

1 

3 

3 

3 

3 

3 

3 

3 

3 

3 

3 

3

• O V E R V I E W O F T E C H N I C A L S P E C I F I C A T I O N S 

H O M E P I A N O S 

MODEL 

PHA II 

KEYBOARD 

PHA III 

IVORY FEEL 

FINISH 

Super- 

NATURAL 


DP-990F-SB 

DP-990F-MC 

DP-990RF-PE 

LX-10F-BK 

HPi-6F-RW 

HPi-6F-SB 

HPi-7F-RW 

HPi-7F-SB 















Satin Black 

Medium Cherry 


Ebony / Satin 

Rosewood 

Satin Black 

Rosewood 

Satin Black 









S T A G E P I A N O S 

MODEL 

PHA II 

KEYBOARD 

PHA III 

IVORY FEEL 

FINISH 

Super- 

NATURAL 


FP-4F-BK 

FP-4F-WH 

FP-7F-BK 

FP-7F-WH 

V PIANO 











Black 

White 

Black 

White 

Black 





V Piano 

• O V E R V I E W O F O P T I O N S 

1. 

3. 

6. 

2. 

4. 

5. 

1. DP-10 DAMPER PEDAL • 2. EV-5 EXPRESSION PEDAL • 3. FS-5U FOOT SWITCH • 4. RH-300 STEREO HEADPHONES • 5. 

KC-880 STEREO KEYBOARD AMPLIFIER • 6. KS-V8 KEYBOARD STAND

USB 

SONG 

STAND 

MEMORY 

TO HOST 

PLAYER 

FORMATS 

RECORDER 

TRACKS 

INCLUDED 

OPTIONAL 

MODEL 

























SMF, WAV 

SMF, WAV 

SMF, WAV 

SMF, WAV 

SMF, WAV 

SMF, WAV 

SMF, WAV 

SMF, WAV 









3 

3 

3 

3 

16 

16 

16 

16 









USB 

SONG 

STAND 

MEMORY 

TO HOST 

PLAYER 

FORMATS 

RECORDER 

TRACKS 

INCLUDED 

OPTIONAL 

MODEL 














SMF, WAV 

SMF, WAV 

SMF, WAV 

SMF, WAV 

SMF, WAV 




3 

3 

1 

• KSC-44-BK 

• KSC-44-WH 

• KSC-44-BK 

• KSC-44-WH 

• KS-V8 

8. 

9. 

11. 

7. 

10. 

7. FS-6 DOUBLE FOOT SWITCH • 8. DH-01 HOLDER FOR EXTERNAL CD DRIVE • 9. FD-01A DISK DRIVE • 10. M-UF2G USB 

FLASH MEMORY • 11. CD-01A USB CD DRIVE

Roland not only manufactures user-friendly 

instruments but cares FOR THE ENVIRONMENT, TOO. 

The plastic components of the PHA III and PHA II keyboard 

(Progressive Hammer Action III & II) can be recycled for instance 

and the pianos do not contain any lead. The pianos, therefore, 

are indeed environmentally friendly. Our printed circuit boards 

do not contain any lead and the manufacturing process of our 

instruments is based on environmental considerations. 

REFORESTATION PROJECT IN INDONESIA 

The wood for the cabinets of Roland's pianos is imported from 

Indonesia. In 2008, Roland designated a 100-hectare area for 

tree planting. Since then, more and more trees have been 

planted. The area contains a mixture of protected forest and 

trees designated for digital-piano-cabinet production. This 

reforestation project is expected to offset approximately 10,000 

tons of CO2 over a period of 20 years.

PLEASE VISIT OUR WEBSITE: www.roland.co.uk 

Statements are for information purposes only and non-binding. We reserve the right to change the specifications, 

the appearance and the availability of the shown products without notification. Translation, typesetting 

and printing errors reserved. All trade marks named in this catalogue belong to the owning companies.

DIGITAL PIANO CATALOGUE • 2011 EDITION - Roland ...

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