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Application examples<br />
DDS allows for a simultaneous change of speed and tune during record and playback. From<br />
alignment to other sources up to creative effects – everything is possible..<br />
DDS allows to intentionally de-tune the complete DAW. This way, the DAW can match instruments<br />
which have a wrong or unchangeable tuning.<br />
DDS allows to define a specific sample rate. This feature can be is useful in case the system<br />
randomly changes the sample rate – for unknown reasons. It also prevents a change from Double<br />
Speed (96 kHz) to Single Speed (48 kHz), which would cause configuration and routing<br />
problems by the changed amount of <strong>AES</strong> channels when using Double and Quad Wire techniques.<br />
19.3 Clock Modes - Synchronisation<br />
AutoSync<br />
The <strong>HDSP</strong> <strong>AES</strong>-<strong>32</strong> has been equipped with AutoSync, an automatic clock source selection,<br />
which adopts the first available input with a valid digital signal as the clock reference input. The<br />
input currently used as sync reference is shown in the AutoSync Ref status field, together with<br />
its current sample frequency.<br />
AutoSync guarantees that normal record and record-while-play will always work correctly. In<br />
certain cases however, AutoSync may cause feedback in the digital carrier, so synchronization<br />
breaks down. To remedy this, switch the <strong>HDSP</strong>’s clock mode over to 'Master'.<br />
Via Pref. Sync Ref (preferred synchronization reference) a preferred input can be defined. As<br />
long as the card sees a valid signal there, this input will be designated as the sync source, otherwise<br />
the other inputs will be scanned in turn. If none of the inputs are receiving a valid signal,<br />
the card automatically switches clock mode to ‘Master’.<br />
Thanks to its AutoSync technique and lightning fast PLLs, the <strong>HDSP</strong> is not only capable of handling<br />
standard frequencies, but also any sample rate between 28 and 200 kHz. Even the word<br />
clock input, which most users will use in varispeed operation, allows any frequency between 28<br />
kHz and 200 kHz.<br />
The <strong>HDSP</strong> <strong>AES</strong>-<strong>32</strong>'s outstanding clock control allows for a synchronization of the output signal<br />
to the word clock's input signal not only at identical sample rates, but also at half, quarter, double<br />
and quad sample rates. A playback of 192 kHz can easily be synchronized via a 48 kHz<br />
word clock signal.<br />
SyncCheck<br />
If several digital devices are to be used simultaneously in a system, they not only have to operate<br />
with the same sample frequency but also be synchronous with each other. This is why digital<br />
systems always need a single device defined as ‘master’, which sends the same clock signal<br />
to all the other (‘slave’) devices.<br />
Remember that a digital system can only have one master! If the <strong>HDSP</strong> <strong>AES</strong>-<strong>32</strong>’s clock<br />
mode is set to Master, all other devices must be set to Slave.<br />
<strong>RME</strong>’s exclusive SyncCheck technology (first implemented in the Hammerfall) enables an easy<br />
to use check and display of the current clock status. The SyncCheck field indicates whether no<br />
signal (No Lock), a valid signal (Lock) or a valid and synchronous signal (Sync) is present at<br />
each of the digital clock source inputs. The ‘AutoSync Ref’ display shows the current sync<br />
source and the measured frequency.<br />
In practice, SyncCheck provides the user with an easy way of checking whether all digital devices<br />
connected to the system are properly configured. With SyncCheck, finally anyone can<br />
master this common source of error, previously one of the most complex issues in the digital<br />
studio world.<br />
<strong>32</strong> <strong>User's</strong> <strong>Guide</strong> <strong>HDSP</strong> <strong>AES</strong>-<strong>32</strong> © <strong>RME</strong>