r -n 82 frank bretschneider. rhythm - Raster-Noton
r -n 82 frank bretschneider. rhythm - Raster-Noton
r -n 82 frank bretschneider. rhythm - Raster-Noton
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-n <strong>82</strong> <strong>frank</strong> <strong>bretschneider</strong>. <strong>rhythm</strong><br />
<strong>rhythm</strong> is neither pop nor avant-garde, but deals simply with the basic principles of any<br />
modern music: <strong>rhythm</strong>.<br />
<strong>frank</strong> <strong>bretschneider</strong> takes his, never simple, but all the more heartfelt relationship<br />
to <strong>rhythm</strong> and it’s complexity, to an intense inventory and, this time, works less out<br />
of suspenseful abstract sounds, than out of grooves. the terseness and precision<br />
of previous works remains, as well as a preference for high-voltage sounds halfway<br />
between noise and tone. new is the assemblage of the material. a combination of<br />
programming, composition and construction, which draws a clear distinction to his<br />
preferred loop-based work on foregone albums, is connected with <strong>bretschneider</strong>’s<br />
very idiosyncratic aesthetic of digital sound: controlled and objective. the whole follows<br />
simple mechanical states: on/off, forward/backward, up/down, slow/fast, loud/quiet,<br />
dull/brilliant, soft/hard and is characterized by the absence of any romanticism. still this<br />
return to the elementary, the fundamental, does not diminish the music to dance-floor<br />
functionality, instead <strong>bretschneider</strong> always stays emphatically musical and manages to<br />
generate sophisticated and complex <strong>rhythm</strong>-structures, which respectively induce minimal<br />
deviations in frequency and timing relationships to generate a surplus of funk.<br />
in all, <strong>rhythm</strong> is probably <strong>bretschneider</strong>’s most direct, clear and concentrated work yet.<br />
<strong>frank</strong> <strong>bretschneider</strong> works as a musician and composer in berlin. since 1996 he has<br />
published a number of albums for raster-noton, mille plateaux and 12k. the music for<br />
<strong>rhythm</strong> was created between june 2006 and march 2007.<br />
release date: 15 june 2007<br />
format: cd / r-n <strong>82</strong>, vinyl / r-n <strong>82</strong>-2 and sd card / r-n <strong>82</strong>-3 (exclusive r-n online shop)<br />
tracklist:<br />
01 a soft throbbing of time<br />
02 the big black and white game<br />
03 we can remember it for you wholesale<br />
04 the eight day people<br />
05 other days, other eyes<br />
06 construction shack<br />
07 the moon is a hole in the sky<br />
08 all summer in a day<br />
09 the october game<br />
www.raster-noton.de
-n <strong>82</strong> <strong>frank</strong> <strong>bretschneider</strong>. <strong>rhythm</strong><br />
<strong>rhythm</strong> is neither pop nor avant-garde, but deals simply with the basic principles of any<br />
modern music: <strong>rhythm</strong>.<br />
<strong>frank</strong> <strong>bretschneider</strong> takes his, never simple, but all the more heartfelt relationship<br />
to <strong>rhythm</strong> and it’s complexity, to an intense inventory and, this time, works less out<br />
of suspenseful abstract sounds, than out of grooves. the terseness and precision<br />
of previous works remains, as well as a preference for high-voltage sounds halfway<br />
between noise and tone. new is the assemblage of the material. a combination of<br />
programming, composition and construction, which draws a clear distinction to his<br />
preferred loop-based work on foregone albums, is connected with <strong>bretschneider</strong>’s<br />
very idiosyncratic aesthetic of digital sound: controlled and objective. the whole follows<br />
simple mechanical states: on/off, forward/backward, up/down, slow/fast, loud/quiet,<br />
dull/brilliant, soft/hard and is characterized by the absence of any romanticism. still this<br />
return to the elementary, the fundamental, does not diminish the music to dance-floor<br />
functionality, instead <strong>bretschneider</strong> always stays emphatically musical and manages to<br />
generate sophisticated and complex <strong>rhythm</strong>-structures, which respectively induce minimal<br />
deviations in frequency and timing relationships to generate a surplus of funk.<br />
in all, <strong>rhythm</strong> is probably <strong>bretschneider</strong>’s most direct, clear and concentrated work yet.<br />
<strong>frank</strong> <strong>bretschneider</strong> works as a musician and composer in berlin. since 1996 he has<br />
published a number of albums for raster-noton, mille plateaux and 12k. the music for<br />
<strong>rhythm</strong> was created between june 2006 and march 2007.<br />
release date: 15 june 2007<br />
format: cd / r-n <strong>82</strong>, vinyl / r-n <strong>82</strong>-2 and sd card / r-n <strong>82</strong>-3 (exclusive r-n online shop)<br />
tracklist:<br />
01 a soft throbbing of time<br />
02 the big black and white game<br />
03 we can remember it for you wholesale<br />
04 the eight day people<br />
05 other days, other eyes<br />
06 construction shack<br />
07 the moon is a hole in the sky<br />
08 all summer in a day<br />
09 the october game<br />
www.raster-noton.de