Musical Texture & Chordal Spacing

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FIGURED CHORDAL TEXTURE Bach: Prelude in C Major from The Well-Tempered Clavier, Book I BWV 846 Homophonic <strong>Texture</strong>
Melody and Accompaniment The melodic line is set apart both rhythmically and spatially from the accompaniment Bach-Gounod: “Ave Maria” Types of <strong>Texture</strong>
Page 1 and 2: { Musical Texture & Chordal Spacing
Page 3 and 4: Monophonic Texture Single melody l
Page 5: HOMORHYTHMIC Bizet: Farandole from
Page 9 and 10: A Bizet: Farandole A. Free counter
Page 11 and 12: Distribution of chord member over a
Page 13 and 14: Four-voice texture favor by 18 th C
Page 15 and 16: Condensed or Closed Choral Score Op
Page 17 and 18: Close Structure (C) - less than an
Page 19 and 20: Open Octave/Neutral Structure (O/O)
Page 21 and 22: Doublings are inevitable Doubled v
Page 23 and 24: In first inversion Major and minor
Page 25 and 26: In seventh chords, assign each of t
Page 27 and 28: Unison or Octave almost always sugg
Page 29: Two-Part Chordal Practice

Musical Texture & Chordal Spacing

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