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Sixths usually suggest triadic first inversions via 3 rd<br />
and root<br />
If comprised of ^5 and ^3 it may imply a 6/4 or<br />
second inversion sonority<br />
<br />
Seventh chords involve two inversions of the majorminor<br />
7 th (dominant 7 th )<br />
Diminished 5 th (chordal 3 rd and 7 th ) suggest a 6/5 or<br />
first inversion<br />
<br />
Augmented 4 th (chordal 7 th and 3 rd ) suggest a 4/2 or<br />
third inversion<br />
Summary of <strong>Chordal</strong><br />
Implications
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