Musical Texture & Chordal Spacing

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A network of relationships involving a variety of musical elements including: Pitches Rhythmic patterns Density Range Timbre Dynamics Voice doublings Texture
Monophonic Texture Single melody line with no accompaniment Uncommon in the common-practice period Occur at compositional openings or at a climatic point Sibelius: Symphony No.2, I Types of Texture
Page 1: { Musical Texture & Chordal Spacing
Page 5 and 6: HOMORHYTHMIC Bizet: Farandole from
Page 7 and 8: Melody and Accompaniment The melod
Page 9 and 10: A Bizet: Farandole A. Free counter
Page 11 and 12: Distribution of chord member over a
Page 13 and 14: Four-voice texture favor by 18 th C
Page 15 and 16: Condensed or Closed Choral Score Op
Page 17 and 18: Close Structure (C) - less than an
Page 19 and 20: Open Octave/Neutral Structure (O/O)
Page 21 and 22: Doublings are inevitable Doubled v
Page 23 and 24: In first inversion Major and minor
Page 25 and 26: In seventh chords, assign each of t
Page 27 and 28: Unison or Octave almost always sugg
Page 29: Two-Part Chordal Practice

Musical Texture & Chordal Spacing

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