Musical Texture & Chordal Spacing

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Several standard methods for distributing voices in a four-voice chord Chord structures are distinguished by the intervallic distance between the soprano and tenor voices Chordal Spacing in Four-Voice Texture
Close Structure (C) - less than an octave between the soprano and tenor voice (Fig. 1) The chordal 5 th may be omitted in certain root position seventh chords, a chord member may be missing between adjacent upper voices (Fig. 2) Figure 1 Figure 2 5 th omitted Close Structure
Page 1 and 2: { Musical Texture & Chordal Spacing
Page 3 and 4: Monophonic Texture Single melody l
Page 5 and 6: HOMORHYTHMIC Bizet: Farandole from
Page 7 and 8: Melody and Accompaniment The melod
Page 9 and 10: A Bizet: Farandole A. Free counter
Page 11 and 12: Distribution of chord member over a
Page 13 and 14: Four-voice texture favor by 18 th C
Page 15: Condensed or Closed Choral Score Op
Page 19 and 20: Open Octave/Neutral Structure (O/O)
Page 21 and 22: Doublings are inevitable Doubled v
Page 23 and 24: In first inversion Major and minor
Page 25 and 26: In seventh chords, assign each of t
Page 27 and 28: Unison or Octave almost always sugg
Page 29: Two-Part Chordal Practice

Musical Texture & Chordal Spacing

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