Musical Texture & Chordal Spacing

More documents

Recommendations

Info

Soprano Alto Tenor Bass The four choral voices and the corresponding tessitura. These ranges are suggested for ease to the composer and singer. Naturally, the range of each voice part is incumbent upon the individual singer. Introduction to Four-Voice <strong>Texture</strong>
Condensed or Closed Choral Score Open Choral Score Keyboard Style Upper three voices (Sop. Alto. & Tenor) are in the right hand, and the bass line is alone in the left hand. Introduction to Four-Voice <strong>Texture</strong>
Page 1 and 2: { Musical Texture & Chordal Spacing
Page 3 and 4: Monophonic Texture Single melody l
Page 5 and 6: HOMORHYTHMIC Bizet: Farandole from
Page 7 and 8: Melody and Accompaniment The melod
Page 9 and 10: A Bizet: Farandole A. Free counter
Page 11 and 12: Distribution of chord member over a
Page 13: Four-voice texture favor by 18 th C
Page 17 and 18: Close Structure (C) - less than an
Page 19 and 20: Open Octave/Neutral Structure (O/O)
Page 21 and 22: Doublings are inevitable Doubled v
Page 23 and 24: In first inversion Major and minor
Page 25 and 26: In seventh chords, assign each of t
Page 27 and 28: Unison or Octave almost always sugg
Page 29: Two-Part Chordal Practice

Musical Texture & Chordal Spacing

Create successful ePaper yourself

Delete template?

Save as template?