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Landscape – Great Idea! X-LArch III - Department für Raum ...

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91<br />

Today, this cognitive multivalency could provide a point of<br />

departure for more overt, hybrid interventions that create<br />

a more differentiated, porous open space system, even<br />

as they strengthen its legibility within the larger metropolis.<br />

These medium term strategies would neither impose<br />

forms on sites, nor slavishly conserve existing spatial<br />

arrangements, but use minimal, cyclical biophysical<br />

processes to index local traces in a way that creates a<br />

(neutral-because-“natural”) city-wide territorial patterning.<br />

[Desvignes 2008] As the work of Desvignes and others<br />

have shown, such “intermediate natures” can integrate<br />

both local and regional metrics of landscape use and signification.<br />

They can accommodate emerging qualitative<br />

landscape needs associated with globalizing cities [Schöbel<br />

2006], and in time generate new meanings for spaces<br />

previously thought of as degraded (for instance, the mine<br />

dumps currently being reclaimed for development).<br />

Lynch argued that urban legibility ultimately relied on the<br />

spatialization of time through the temporal patterning of<br />

the cityscape, and the temporalization of space through<br />

patterns of use and movement. The co-existence of both<br />

helped a city to function as a source of hope and a life<br />

yet to be. [Lynch 1972]. In similar vein, conceptualizing<br />

Joburg’s open space as a web of overlapping “natures”<br />

would engage African ways of narrating landscape, and<br />

recognize that in the post-apartheid city where residents<br />

are continually on the move, time and memory have become<br />

spatialized through crossing and folding rather than<br />

sequential organization. Recasting all Joburg’s open<br />

spaces <strong>–</strong> including its rock ridges, riparian corridors,<br />

mining lands, easements and transportation servitudes<br />

-- as a clearly-defined, yet temporally-evolving “field<br />

condition” would, paradoxically, introduce a fine-grained,<br />

material history absent from the entropic built environment.<br />

At the same time it would de-politicize landscape<br />

conservation, and curate a pluralistic phenomenology of<br />

locality that permeates the larger territory of the city.<br />

References:<br />

Barnard, R. (2006): The Place of Beauty. In: S. Nuttall (ed),<br />

Beautiful Ugly: African and Diaspora Aesthetics. Durham NC: Duke<br />

University Press: 102 <strong>–</strong> 121<br />

-------------- (2007): Apartheid and After: South African Writers and<br />

the Politics of Place. New York; Oxford University Press.<br />

Beall, J., Crankshaw, O., & Parnell, S. (2000): Victims, Villains and<br />

Fixers: the urban environment and Johannesburg’s poor. Journal of<br />

Southern African Studies. 26: 4: 833 <strong>–</strong> 855<br />

Beningfield, J. (2007): The Frightened Land: land, landscape and<br />

politics in South Africa in the 20th Century. London: Routledge.<br />

Berrizbeitia, A. (2002). Scales of Undecidability. In J. Czerniak<br />

(ed.), CASE: Downsview Park Toronto. Munich, Prestel: 116 -- 125.<br />

Bremner, L. (2000): Crime and the emerging landscape of<br />

post-apartheid Johannesburg. In: H. Judin & I. Vladislavic (ed):<br />

blank___:Architecture,, apartheid and after. Rotterdam/Cape Town:<br />

NAi/David Phillip: 48 <strong>–</strong> 63<br />

Bremner, L. (2002): Closure, simulation and making do in the<br />

contemporary Johannesburg landscape. In: O. Enwezor et al (ed):<br />

Under Seige: Four African Cities.. Kassel: Ostfildern-Ruit : Hatje<br />

Cantz : 153 <strong>–</strong> 172<br />

Bremner, L. (2006): Memory, Nation-building and the Post-Apartheid<br />

city. In: In N. Murray, N. Shepherd & M. Hall (ed). Desire<br />

Lines: Space, Memory and Identity in the Post-Apartheid City<br />

London: Routledge: 85 - 103<br />

Cairns, S. (2006): Cognitive Mapping and the Dispersed City. In:<br />

C. Lindner (ed.) Urban Space and Cityscapes: Perspectives from<br />

Modern & Contemporary Culture. New York: Routledge: 192 <strong>–</strong> 205.<br />

Czegedly, A. (2003): Villas of the Highveld: Cultural Perspectives<br />

on Johannesburg. In: R. Tomlinson, R. Beauregard, L. Bremner<br />

& X. Mangcu (ed). Emerging Johannesburg: Perspectives on the<br />

Post-Apartheid City. New York: Routledge: 21 <strong>–</strong> 42<br />

Desvignes, M. (2009): Intermediate Natures: the landscapes of<br />

Michel Desvignes. Berlin: Birkhauser.<br />

Foster, J. (2008): Washed with Sun: <strong>Landscape</strong> and the Making of<br />

White South Africa. Pittsburgh, University of Pittsburgh Press.<br />

Kruger, L. (1997): The Drama of Country and City: Tribalization,<br />

Urbanization and Theatre under Apartheid. Journal of Southern<br />

African Studies 23: 4: 565 <strong>–</strong> 584.<br />

Lloyd, R. (2003): Defining spatial concepts toward an African urban<br />

system. Urban Design International 8: 105 <strong>–</strong> 117.<br />

Lynch, K. (1960): The Image of the City. Cambridge MA, MIT Press<br />

Lynch, K. (1972): What Time is this Place? Cambridge MA, MIT<br />

Press<br />

Murray, M. J. (2008a): Taming the Disorderly City: the spatial<br />

landscape of Johannesburg after apartheid. Ithaca: Cornell University<br />

Press.<br />

---------------- (2008b): The City in Fragments: kaleidoscopic<br />

Johannesburg after apartheid. In G. Prakash & K. Kruse eds.. The<br />

Spaces of the Modern City: Imaginaries, Politics and Everyday Life.<br />

Princeton, Princeton University Press: 144 - 178<br />

Olin, L. (December 1996): The <strong>Great</strong> Metaphor. <strong>Landscape</strong> Architecture.<br />

60 <strong>–</strong>87<br />

Sola Morales, I. de (1995). Urbanité Intersticielle. Art Actuel 61.<br />

Schöbel, S. (2006): Qualitative Research as a Perspective for<br />

Urban Open Space Planning. Journal of <strong>Landscape</strong> Architecture<br />

(Spring 2006): 38—47.<br />

Vladislavic, I. (2004). The Exploded View. Johannesburg, Random<br />

House<br />

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