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Landscape – Great Idea! X-LArch III - Department für Raum ...

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63<br />

horizons of practice and theory, beginning with the dissection<br />

and analysis of large scale landscape processes<br />

and conditions.<br />

The change in landscape architecture’s theoretical<br />

bases, underlying values and practices outlined above<br />

delineate a direction for the field. Change needs<br />

to happen incrementally, in research, education and<br />

practice, and depends first and foremost on landscape<br />

architecture’s ability to insert itself into the political<br />

processes it has avoided so long. As an applied discipline<br />

landscape architecture depends on a rigorous,<br />

research-based evaluation of the successes and failures<br />

of projects and practice has to outline and contribute to<br />

research. Both must inform education. Large-scale landscapes,<br />

because of their complexity, contestation and<br />

inherent processual character, are the most promising<br />

objects of study <strong>–</strong> much is to be gained from thorough<br />

practice and research into interrelated ecological, sociocultural<br />

and economic processes and their expressions in<br />

the landscape.<br />

Endotes:<br />

[1] For example, in the United States, landscape architects,<br />

pioneers of modern parkways in the 1930s, relinquished road<br />

design to engineers in the 1950s, relegating themselves to highway<br />

planting design. Its very limited involvement in agriculture or other<br />

significant land uses is mostly within environmental impact assessments.<br />

[2] In ecological terms those inputs present nothing but a disturbance<br />

regime (see e.g. Lister 2007)<br />

[3] Anita Berrizbeitia describes this as “precisely open-ended”<br />

versus being “vaguely loose” (Berrizbeita 2001).<br />

[4] For an overview of underlying concepts, such as prospect-refuge<br />

and habitat-preference theory, see Bourassa 1991.<br />

[5] The nostalgic appeal of such historic landscape pastiches is<br />

obvious, and might add an interesting psychological twist to the<br />

idea of “landscape as agency”. Cultural Geographer Yi-Fu Tuan<br />

(1998) discusses this in his book “Escapism” James Corner (1999,<br />

2006) discusses the lack of reflexive landscapes in contemporary<br />

conditions in a series of essays.<br />

[6] Herbert Simon provided one of the most comprehensive definitions<br />

of design as “transforming existing into preferred situations”.<br />

The ability to perform certain functions is a critical aspect of the<br />

“preferred”. (Simon 1969).<br />

[7] Site, “in common parlance, refers to the ground chosen for something<br />

and to the location of some set of activities or practices…<br />

A specific locale provides the material ground for action in design<br />

practice, and ideas about site provide a theoretical background<br />

against which such actions are taken” (Burns & Kahn 2005).<br />

[8]Jorge Silvetti coined this term in the Gropius lecture at the<br />

Harvard Graduate School of Design in April 2002 to describe the<br />

superimposition of preconceived program-driven spatial organization.<br />

(Silvetti, 2003)<br />

[9] For approaches that discuss the complexities of “site” beyond<br />

suitability for a project and engage potentials of both site and rituals<br />

of use, see Langhorst 2006 and Girot 1999<br />

[10] (Corner 1992). Words in italics have been added by authors to<br />

augment the meaning of the quote.<br />

[11] “Site planning lacks ambiguity, the progenitor of human experience”<br />

(Krog 1981, 375).<br />

[12] “Nonetheless, <strong>Landscape</strong> Architects continue to employ the<br />

hopelessly inadequate two-dimensional plan as their primary<br />

tool. The severity of this dilemma is illustrated in the discovery by<br />

Appleyard (1979) that one of his students did not recognize an<br />

eye-level photograph of a model developed from his plan.” (Krog,<br />

1981, 375).<br />

[13] Steven Holl describes perspectival renderings as “stills” or individual<br />

frames out of a continuous sequence of experiences, where<br />

“a determinate view necessarily gives way to an indeterminate flow<br />

of perspectives” (Holl 2000, 13).<br />

[14] “The profession of landscape architecture, so named in 1867,<br />

was built on the foundation of several principles—dedication to the<br />

public health, safety, and welfare and recognition and protection of<br />

the land and its resources. These principles form the foundation of<br />

the American Society of <strong>Landscape</strong> Architects’ Code of Professional<br />

Ethics as well.” ASLA (2008)<br />

[15] This is not a problem exclusive to landscape architecture. See<br />

Fisher 2000, 27-37<br />

Bibliography:<br />

American Institute of <strong>Landscape</strong> Architects (2008): ASLA Code<br />

of Professional Ethics. www.asla.org/about/codepro.htm [as accessed<br />

23 Sept 2008]<br />

Berleant, Arnold (1992): The Aesthetics of Environment. Philadelphia:<br />

Temple University Press.<br />

Berrizbeita, Anita (2001): Horizons of Undecidability. In: Case:<br />

Downsview Park Toronto, New York: Prestel,116-125<br />

Bourassa, Stephen (1991): The Aesthetics of <strong>Landscape</strong>. London:<br />

Belhaven Press.<br />

Botkin, Daniel (1990) Discordant Harmonies. New York: Oxford<br />

University Press.<br />

Burns, Carol & Kahn, Andrea (2005): Why Site Matters. In: Site<br />

Matters, New York: Routledge, V<strong>III</strong>.<br />

Corner, James (1999): Recovering <strong>Landscape</strong>s as Critical Cultural<br />

Practice. In: Recovering <strong>Landscape</strong>: Essays in Contemporary<br />

<strong>Landscape</strong> Architecture, New York: Princeton Architectural Press,<br />

1-26<br />

Corner, James (1992): Representation and <strong>Landscape</strong>: Drawing<br />

and Making in the <strong>Landscape</strong> Medium. Word and Image 8 (3):<br />

243<strong>–</strong>75<br />

Corner, James (2006): Terra Fluxus. In: The <strong>Landscape</strong> Urbanism<br />

Reader, New York: Princeton Architectural Press, 22-33<br />

Da Vinci, Leonardo (2008): Notebooks. New York: Oxford University<br />

Press, 10<br />

Dripps, R.D. (1997):The First House: Myth, Paradigm and the Task<br />

of Architecture. Cambridge: The MIT Press, 15-18<br />

Fisher, Thomas (2000): The Value and Values of Architecture.<br />

In the Scheme of Things: Alternative Thinking on the Practice of<br />

Architecture, Minneapolis: University of Minnesota Press: 27-37<br />

Girot, Christophe (1999): Four Trace Concepts in <strong>Landscape</strong><br />

Architecture. In: Corner, J. Recovering <strong>Landscape</strong>: Essays in Contemporary<br />

<strong>Landscape</strong> Architecture, New York: Princeton Architectural<br />

Press. 59-68<br />

Harvey, David (1996): Justice, Nature and the Geography of Difference.<br />

Cambridge: Blackwell. 120-175, 210-240<br />

Holl, Steven (2000): Parallax, Princeton: Princeton Architectural<br />

Press,13.<br />

Howett , Catherine (1987): Systems, Signs and Sensibilities Lands-<br />

Papers

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