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Landscape – Great Idea! X-LArch III - Department für Raum ...

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162<br />

Kevin Lynch’s Openness of the Open space<br />

In his article Openness of the Open space published in<br />

1965, Kevin Lynch revisited the very idea of Open spaces<br />

and tented to extend the design and user’s experience to<br />

unusual open spaces that are not part of collective imaginary.<br />

His definition of Open spaces includes vacant areas<br />

that often are not colored green on planners’ maps and<br />

excluded the ‘green’ sites which are closed to the public<br />

like special institutions, inaccessible water reservations,<br />

even sport fields like football or baseball diamonds and<br />

tennis courts.<br />

In Openness of the Open space Lynch suggests a<br />

network of small open spaces within an urban system<br />

that could be accessed by foot or wheel. Their relation to<br />

the general system of circulation was considered equally<br />

important as their internal paths. The theme of movement<br />

and sequence design had great potential for Lynch not<br />

just for its visual stimulus, but for the ability to communicate<br />

the character of large environments.<br />

The very concept of Openness is relevant for the<br />

design of borders of the street-space because they are<br />

“open to choice, open to active use and manipulation,<br />

open to view and understanding, open to access, open<br />

to new perceptions and experiences” (Lynch, K., 1995:<br />

408). In indicating the importance of access, Lynch<br />

explains the critical role of the edge or border between<br />

open and closed space (highway, housing, commercial<br />

area, etc). While exploring the border’s visibility and<br />

accessibility, he admits that it is the most useful portion<br />

of open space. “Careful manipulation of the edge and the<br />

access system is the key to design … location is more<br />

usually influenced by access than by any unique characteristics<br />

of the land …” (Lynch, K., 1995: 400).<br />

The stimulus offered by the concept of access/border<br />

elaborated by Lynch, constitutes a way to represent the<br />

multiple capacity of the street space to be presented as<br />

livable / inhabitable. The emphasis stands on the variety<br />

showing different character of open spaces; on meeting<br />

edge; contrast; confrontation; immediacy and close coupling.<br />

For him Wastelands are particularly applicable as<br />

areas of margins and extreme freedom <strong>–</strong> out of site and<br />

out of mind [4].<br />

Positioned in the left over space and wastelands these<br />

interventions are the opposite to the design of public<br />

parks, which are usually situated in less dense, elite town<br />

districts. These areas offer possibility to express mastery<br />

because of their unconventionality - they can offer an<br />

experience, challenge and opportunities.<br />

Describing closer the nature of intervention Lynch sustains<br />

it would be sufficient to think of ‘dot’ interventions<br />

with special and condensed character and well designed<br />

access and edges. In the end it would be a system that is<br />

a constitutive part of total environment.<br />

Robert Venturi, Denise Scott Brown & Izenhour’s,<br />

concept of Iconographic architecture<br />

This well known book from the seventies was written<br />

during the period of profound changes within American<br />

territory, when urban sprawl became an operative rule<br />

and it was no longer possible to trace the city limits.<br />

The presented ‘antispatial’ concept of architecture is<br />

based on communication over space, where the principal<br />

role is played not by volumes or architectural composition,<br />

but by communication that dominates the space as<br />

the main architectural element in territory.<br />

“Because the spatial relationships are made by symbols<br />

more than by forms, architecture in this landscape<br />

becomes symbol in space rather than form in space” the<br />

authors sustained that “The sign is more important than<br />

architecture.” (Venturi,R., Scott-Brown, D., Izenhour, S.,<br />

1977: 13).<br />

This condition resulted with a chaotic image of the<br />

commercial strip, and an unusual order within the landscape.<br />

The only consistent element in the landscape is the<br />

highway, followed by temporary signs along the stripe.<br />

The highway as civic form represents a shared order,<br />

while the elements by the road (buildings and signs)<br />

are private and present an individual order that is<br />

more complex. The road became the joint element that<br />

supported movement, choice and understanding of the<br />

complex environment. In this way for the first time the<br />

attention moved from the urban form that was dominated<br />

by volumes, to the void represented by road and the by<br />

standing elements that traced the space. In this way the<br />

static space transformed into a dynamic of narration on<br />

the move.<br />

Crucial lesson that we all learned in Learning from Las<br />

Vegas was the new way of interpreting and thinking the<br />

environment and the city, abandoning the modernist composition<br />

based on the balance between solid and voids,<br />

landmarks and buildings. In Las Vegas the road system<br />

with its edges replaced the traditional public spaces represented<br />

by voids, squares and pedestrian streets and<br />

expressed new meanings. Starting from this perspective<br />

the infrastructural networks and leisure paths could be<br />

considered as tools for re-reading the territory and setting<br />

of the new priorities. “From urban ephemeral to the territorial<br />

ephemeral, in a “landscape of the provisional” that<br />

still has to be investigated and defined as architecture of<br />

complex relations.” (Aymonino, A. & Mosco, P.V., 2006:<br />

18).<br />

Versus a solution <strong>–</strong> Thesis<br />

Beginning from these theoretical premises, it is possible<br />

to explore the architectural ‘depth’ of the infrastructure,<br />

where it could begin showing all his fitness for human<br />

habitation and fruition.<br />

In this way the landscape of infrastructures and networks<br />

could be defined as one of the new territories, not

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