Landscape – Great Idea! X-LArch III - Department für Raum ...
Landscape – Great Idea! X-LArch III - Department für Raum ...
Landscape – Great Idea! X-LArch III - Department für Raum ...
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162<br />
Kevin Lynch’s Openness of the Open space<br />
In his article Openness of the Open space published in<br />
1965, Kevin Lynch revisited the very idea of Open spaces<br />
and tented to extend the design and user’s experience to<br />
unusual open spaces that are not part of collective imaginary.<br />
His definition of Open spaces includes vacant areas<br />
that often are not colored green on planners’ maps and<br />
excluded the ‘green’ sites which are closed to the public<br />
like special institutions, inaccessible water reservations,<br />
even sport fields like football or baseball diamonds and<br />
tennis courts.<br />
In Openness of the Open space Lynch suggests a<br />
network of small open spaces within an urban system<br />
that could be accessed by foot or wheel. Their relation to<br />
the general system of circulation was considered equally<br />
important as their internal paths. The theme of movement<br />
and sequence design had great potential for Lynch not<br />
just for its visual stimulus, but for the ability to communicate<br />
the character of large environments.<br />
The very concept of Openness is relevant for the<br />
design of borders of the street-space because they are<br />
“open to choice, open to active use and manipulation,<br />
open to view and understanding, open to access, open<br />
to new perceptions and experiences” (Lynch, K., 1995:<br />
408). In indicating the importance of access, Lynch<br />
explains the critical role of the edge or border between<br />
open and closed space (highway, housing, commercial<br />
area, etc). While exploring the border’s visibility and<br />
accessibility, he admits that it is the most useful portion<br />
of open space. “Careful manipulation of the edge and the<br />
access system is the key to design … location is more<br />
usually influenced by access than by any unique characteristics<br />
of the land …” (Lynch, K., 1995: 400).<br />
The stimulus offered by the concept of access/border<br />
elaborated by Lynch, constitutes a way to represent the<br />
multiple capacity of the street space to be presented as<br />
livable / inhabitable. The emphasis stands on the variety<br />
showing different character of open spaces; on meeting<br />
edge; contrast; confrontation; immediacy and close coupling.<br />
For him Wastelands are particularly applicable as<br />
areas of margins and extreme freedom <strong>–</strong> out of site and<br />
out of mind [4].<br />
Positioned in the left over space and wastelands these<br />
interventions are the opposite to the design of public<br />
parks, which are usually situated in less dense, elite town<br />
districts. These areas offer possibility to express mastery<br />
because of their unconventionality - they can offer an<br />
experience, challenge and opportunities.<br />
Describing closer the nature of intervention Lynch sustains<br />
it would be sufficient to think of ‘dot’ interventions<br />
with special and condensed character and well designed<br />
access and edges. In the end it would be a system that is<br />
a constitutive part of total environment.<br />
Robert Venturi, Denise Scott Brown & Izenhour’s,<br />
concept of Iconographic architecture<br />
This well known book from the seventies was written<br />
during the period of profound changes within American<br />
territory, when urban sprawl became an operative rule<br />
and it was no longer possible to trace the city limits.<br />
The presented ‘antispatial’ concept of architecture is<br />
based on communication over space, where the principal<br />
role is played not by volumes or architectural composition,<br />
but by communication that dominates the space as<br />
the main architectural element in territory.<br />
“Because the spatial relationships are made by symbols<br />
more than by forms, architecture in this landscape<br />
becomes symbol in space rather than form in space” the<br />
authors sustained that “The sign is more important than<br />
architecture.” (Venturi,R., Scott-Brown, D., Izenhour, S.,<br />
1977: 13).<br />
This condition resulted with a chaotic image of the<br />
commercial strip, and an unusual order within the landscape.<br />
The only consistent element in the landscape is the<br />
highway, followed by temporary signs along the stripe.<br />
The highway as civic form represents a shared order,<br />
while the elements by the road (buildings and signs)<br />
are private and present an individual order that is<br />
more complex. The road became the joint element that<br />
supported movement, choice and understanding of the<br />
complex environment. In this way for the first time the<br />
attention moved from the urban form that was dominated<br />
by volumes, to the void represented by road and the by<br />
standing elements that traced the space. In this way the<br />
static space transformed into a dynamic of narration on<br />
the move.<br />
Crucial lesson that we all learned in Learning from Las<br />
Vegas was the new way of interpreting and thinking the<br />
environment and the city, abandoning the modernist composition<br />
based on the balance between solid and voids,<br />
landmarks and buildings. In Las Vegas the road system<br />
with its edges replaced the traditional public spaces represented<br />
by voids, squares and pedestrian streets and<br />
expressed new meanings. Starting from this perspective<br />
the infrastructural networks and leisure paths could be<br />
considered as tools for re-reading the territory and setting<br />
of the new priorities. “From urban ephemeral to the territorial<br />
ephemeral, in a “landscape of the provisional” that<br />
still has to be investigated and defined as architecture of<br />
complex relations.” (Aymonino, A. & Mosco, P.V., 2006:<br />
18).<br />
Versus a solution <strong>–</strong> Thesis<br />
Beginning from these theoretical premises, it is possible<br />
to explore the architectural ‘depth’ of the infrastructure,<br />
where it could begin showing all his fitness for human<br />
habitation and fruition.<br />
In this way the landscape of infrastructures and networks<br />
could be defined as one of the new territories, not