Landscape – Great Idea! X-LArch III - Department für Raum ...
Landscape – Great Idea! X-LArch III - Department für Raum ...
Landscape – Great Idea! X-LArch III - Department für Raum ...
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161<br />
Fig. 1 (left above): IaN+, Sportcity<br />
Fig. 2 (left below): Bernard Lassus, Landscaping of the<br />
A.85 Angers-Tours motorway<br />
Fig. 3 (right): Smaq Architects, Stop and Go Vending<br />
lutions and with substitution of the dualistic commitment<br />
(typical for Modern movement). With this approach rigidly<br />
separated spaces that are characterised either by inclusion,<br />
or exclusion, affirmation or negation, become areas<br />
of fusion; ‘another kind of space’ that help the reducing<br />
of the urban rigidity and its negative effects. In this way<br />
traditionally conceived spaces with recognisable design,<br />
together with firmly defined areas of pertinence, become<br />
polygons for new forms of urbanity. During this process<br />
their conceptual and physical borders are not being cancelled,<br />
but shattered, rethought and frayed <strong>–</strong> transformed<br />
into a larger margin where differences could take place.<br />
Border areas of the infrastructures, are like any area of<br />
passage between two systems, spaces where conventional<br />
rules aren’t applicable anymore, a sort of a wild land<br />
where different possibilities rise. Starting from this natural<br />
and stimulating disorder we can start thinking the infrastructural<br />
borderline in a creative way, by transforming it<br />
per example into space for knowing the ‘other’.<br />
Vittorio Gregotti’s Territory of architecture<br />
First published in 1966 this book knowingly synthesises<br />
various historical facts along with theories on design and<br />
environmental planning, giving a significant contribution to<br />
the definition of large scale interventions. Today Gregotti’s<br />
work is particularly interesting and actual, because it presents<br />
a cultural model. It is epitomized in the elaborated<br />
notion of Total environment that embraces all scales; aiming<br />
to give the esthetical sense to all the present things:<br />
the geographical of the territory, topographical of the site<br />
as well as the scale of the single object. Concept that<br />
derived from the ideology pronounced by the universal<br />
slogans ‘Dal cucchiaio alla città’ [2] and Continuità [3].<br />
The application of design to ‘Total territory’ as suggested<br />
by Gregotti, could seem a sort of execution of what<br />
Virilio called ‘the policy of disappearance’ <strong>–</strong> an utopian<br />
tentative of ‘public reconciliation’ through removal of everything<br />
that could upset the ‘social security’ <strong>–</strong> an operation<br />
unsustainable on the long run.<br />
The answer to the problem of organisation of the<br />
environment, differentiation or articulation in order to<br />
assume new senses, affronted by the author is not to be<br />
confounded with the bricolage (Strauss, L., 1964). In this<br />
hypothesis the materials of the new project, do not deposit<br />
their sense in the original functionality, but in the new;<br />
different one, that depends of the new inter-relations.<br />
Admitting the limitation of the architectural intervention<br />
in practice and the importance of the dimension when<br />
coming to specific, Gregotti suggests deciding ways of<br />
establishing new relations inside the traced structure and<br />
with other systems. Not only area of interventions is unlimited,<br />
but the entire process is left opened for the future<br />
design interventions.<br />
The difficulty of defining the operative unity of reading<br />
environment within the theory of Architecture of Territory<br />
is solvable through the use of concept of the field and<br />
the group (Gregotti, V., 1977: 83). For Gregotti a field is<br />
an area where human signs create formal, circumscribed<br />
group. It can be wide or a macrostructure containing<br />
more fields. It can contain several groups of elements<br />
that can be pointed out by analyzing different layers and<br />
sections. The levels can relate geometrically and define<br />
sequences, polarities; they indicate the distribution/position,<br />
quantity, types of grids, densities, use, symbolic value<br />
of places.<br />
The only possible way to operate is through the open<br />
design process with a variable number of points / fields<br />
within the structure, defined by series of relevant points<br />
(strongly characterised and defined) or by the relation/<br />
connection itself, that becomes the ‘regulator’ of the<br />
environmental quality (Gregotti, V., 1977: 90). Considering<br />
that the first human interventions implied minimal<br />
intervention and resulted in environmental transformations<br />
leaving light traces that characterised the whole,<br />
we could deduce that in order to operate today, one<br />
should make an effort towards the individualization of the<br />
sensible points and minimal operation in order to obtain<br />
maximum creativity with minimal interventions.<br />
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