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Landscape – Great Idea! X-LArch III - Department für Raum ...

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161<br />

Fig. 1 (left above): IaN+, Sportcity<br />

Fig. 2 (left below): Bernard Lassus, Landscaping of the<br />

A.85 Angers-Tours motorway<br />

Fig. 3 (right): Smaq Architects, Stop and Go Vending<br />

lutions and with substitution of the dualistic commitment<br />

(typical for Modern movement). With this approach rigidly<br />

separated spaces that are characterised either by inclusion,<br />

or exclusion, affirmation or negation, become areas<br />

of fusion; ‘another kind of space’ that help the reducing<br />

of the urban rigidity and its negative effects. In this way<br />

traditionally conceived spaces with recognisable design,<br />

together with firmly defined areas of pertinence, become<br />

polygons for new forms of urbanity. During this process<br />

their conceptual and physical borders are not being cancelled,<br />

but shattered, rethought and frayed <strong>–</strong> transformed<br />

into a larger margin where differences could take place.<br />

Border areas of the infrastructures, are like any area of<br />

passage between two systems, spaces where conventional<br />

rules aren’t applicable anymore, a sort of a wild land<br />

where different possibilities rise. Starting from this natural<br />

and stimulating disorder we can start thinking the infrastructural<br />

borderline in a creative way, by transforming it<br />

per example into space for knowing the ‘other’.<br />

Vittorio Gregotti’s Territory of architecture<br />

First published in 1966 this book knowingly synthesises<br />

various historical facts along with theories on design and<br />

environmental planning, giving a significant contribution to<br />

the definition of large scale interventions. Today Gregotti’s<br />

work is particularly interesting and actual, because it presents<br />

a cultural model. It is epitomized in the elaborated<br />

notion of Total environment that embraces all scales; aiming<br />

to give the esthetical sense to all the present things:<br />

the geographical of the territory, topographical of the site<br />

as well as the scale of the single object. Concept that<br />

derived from the ideology pronounced by the universal<br />

slogans ‘Dal cucchiaio alla città’ [2] and Continuità [3].<br />

The application of design to ‘Total territory’ as suggested<br />

by Gregotti, could seem a sort of execution of what<br />

Virilio called ‘the policy of disappearance’ <strong>–</strong> an utopian<br />

tentative of ‘public reconciliation’ through removal of everything<br />

that could upset the ‘social security’ <strong>–</strong> an operation<br />

unsustainable on the long run.<br />

The answer to the problem of organisation of the<br />

environment, differentiation or articulation in order to<br />

assume new senses, affronted by the author is not to be<br />

confounded with the bricolage (Strauss, L., 1964). In this<br />

hypothesis the materials of the new project, do not deposit<br />

their sense in the original functionality, but in the new;<br />

different one, that depends of the new inter-relations.<br />

Admitting the limitation of the architectural intervention<br />

in practice and the importance of the dimension when<br />

coming to specific, Gregotti suggests deciding ways of<br />

establishing new relations inside the traced structure and<br />

with other systems. Not only area of interventions is unlimited,<br />

but the entire process is left opened for the future<br />

design interventions.<br />

The difficulty of defining the operative unity of reading<br />

environment within the theory of Architecture of Territory<br />

is solvable through the use of concept of the field and<br />

the group (Gregotti, V., 1977: 83). For Gregotti a field is<br />

an area where human signs create formal, circumscribed<br />

group. It can be wide or a macrostructure containing<br />

more fields. It can contain several groups of elements<br />

that can be pointed out by analyzing different layers and<br />

sections. The levels can relate geometrically and define<br />

sequences, polarities; they indicate the distribution/position,<br />

quantity, types of grids, densities, use, symbolic value<br />

of places.<br />

The only possible way to operate is through the open<br />

design process with a variable number of points / fields<br />

within the structure, defined by series of relevant points<br />

(strongly characterised and defined) or by the relation/<br />

connection itself, that becomes the ‘regulator’ of the<br />

environmental quality (Gregotti, V., 1977: 90). Considering<br />

that the first human interventions implied minimal<br />

intervention and resulted in environmental transformations<br />

leaving light traces that characterised the whole,<br />

we could deduce that in order to operate today, one<br />

should make an effort towards the individualization of the<br />

sensible points and minimal operation in order to obtain<br />

maximum creativity with minimal interventions.<br />

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