Landscape – Great Idea! X-LArch III - Department für Raum ...
Landscape – Great Idea! X-LArch III - Department für Raum ...
Landscape – Great Idea! X-LArch III - Department für Raum ...
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157<br />
Fig. 1: viaduct from the<br />
valley<br />
In the chosen example, more than 50 signalmen’s<br />
houses along the 41 km long track characterize the<br />
Semmering railway. The houses are in precise relation<br />
to the rail track as well as to the surrounding landscape<br />
itself. The instructions for the signalmen together with the<br />
signalmen’s houses show the significance of the specific<br />
signalmen’s view of the landscape.<br />
After finishing the Semmering railway till today, several<br />
travel guides appeared in print, describing the view of the<br />
landscape through the compartment window of the train<br />
or even of the locomotive. People from the entire society<br />
were fascinated by railways. Through the railways, the<br />
perception of landscape was popularized (Schivelbusch<br />
2007: 186), everyone was able to afford to take the new<br />
point of view of the landscape. In accordance, there are<br />
different types of descriptions of the rail track. The one<br />
that is used as a base for this work was written by Peter<br />
Wegenstein in 1979. It was published in a book series<br />
dominated by pictures which is mainly concerned with<br />
Austrian railway lines. The text is not a scientific paper<br />
but it is a useful description of the track which refers<br />
several times to the surrounding landscape.<br />
This research is based on the three main materials<br />
mentioned above. Each material represents a different<br />
view of the landscape to show the complexity of the<br />
infrastructural landscape of the Semmering. In addition<br />
to the three selected texts, there are further major<br />
studies on the history of the railway journey by Wolfgang<br />
Schivelbusch, the research on the changing perception<br />
of space and landscape by Gerhard Strohmeier as well<br />
as the studies by Wolfgang Kos and Günter Dinhobl on<br />
the Semmering.<br />
Results and discussion<br />
The rail track and the landscape - the external view<br />
The railway changes the perception of scales and<br />
distances in the landscape. In 1851, Edlen von Schickh<br />
mentions the connection between two seas through the<br />
railway over the Semmering in the conclusion of his guidebook<br />
(Schickh 1851: 13). The Baltic and the Mediterranean<br />
Sea become connected. He sees the significance<br />
of the infrastructural project in shortening the distances<br />
between different regions of the continent. The increasing<br />
speed of transportation means makes us perceive<br />
distances becoming shorter. Nevertheless, it takes some<br />
time travelling through the landscape. Nowadays, transportation<br />
infrastructure is about straight lines connecting<br />
different destinations, thereby nearly ignoring the landscape.<br />
Passing through a tunnel or noise protection walls<br />
does not provide us with impressions of the landscape<br />
anymore. The landscape is hidden. On the Semmering<br />
railway, the destruction of space (cf. Strohmeier 2004:<br />
178) through the increasing speed stands in opposition<br />
to the mountainous landscape, which was difficult to<br />
overcome. The challenge was to overcome the Alps and<br />
thereby, a whole region became accessible. For tourists<br />
who went to the site, the best looks of the mountains, like<br />
Rax, Schneeberg, Otter, Gansberg und Göstritz where<br />
pointed out in the guidebook. But at that time, it was only<br />
the view looking up from the valleys because the track on<br />
the slopes had not been finished yet [Fig. 1].<br />
The significance of the horizon as a margin in the landscape<br />
(Strohmeier 2004: 185) became visible. The guidebook<br />
is structured according to the three valleys the train<br />
passes through: the Schwarzathal, the Adlitzthal and the<br />
Froschnitzthal. In descriptions which appeared after the<br />
railway had been built, these valleys were only mentioned<br />
in terms of the rivers, which have to be crossed<br />
by viaducts. The greater structure of the landscape, like<br />
Edlen von Schickh described it through the three valleys,<br />
has not been mentioned ever since. Even today, it is no<br />
easy to grasp the complexity of the Semmering landscape<br />
by passing through by train without knowing about<br />
the greater landscape structure. It was Carl Ritter von<br />
Ghega, the engineer of the rail track himself who said:<br />
“Indeed, I had to view the environment again and again<br />
in order to figure out the entire terrain.” (Ghega 1989: 16)<br />
And it is the viewpoints on the fare horizon that provided<br />
the engineers and the tourists from the middle of the 19th<br />
century with important points of orientation. The perspective<br />
from the valley up to the track let the viaducts and<br />
buildings appear more impressive than they appeared<br />
viewed from the track. The viewpoint from the valley<br />
seems to be programmatic for the relation between man,<br />
nature and technology progress and how it was seen at<br />
that time. The noticeable project shows the positive evaluation<br />
of the new constructions like viaducts, road cuts<br />
and dams, which become part of the modern perception<br />
of space and landscape. While in the guidebook for the<br />
site tourists, the buildings had not been named yet, it did<br />
not take long and all bridges and tunnels received names<br />
relating to places in the surrounding landscape.<br />
Papers