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Landscape – Great Idea! X-LArch III - Department für Raum ...

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157<br />

Fig. 1: viaduct from the<br />

valley<br />

In the chosen example, more than 50 signalmen’s<br />

houses along the 41 km long track characterize the<br />

Semmering railway. The houses are in precise relation<br />

to the rail track as well as to the surrounding landscape<br />

itself. The instructions for the signalmen together with the<br />

signalmen’s houses show the significance of the specific<br />

signalmen’s view of the landscape.<br />

After finishing the Semmering railway till today, several<br />

travel guides appeared in print, describing the view of the<br />

landscape through the compartment window of the train<br />

or even of the locomotive. People from the entire society<br />

were fascinated by railways. Through the railways, the<br />

perception of landscape was popularized (Schivelbusch<br />

2007: 186), everyone was able to afford to take the new<br />

point of view of the landscape. In accordance, there are<br />

different types of descriptions of the rail track. The one<br />

that is used as a base for this work was written by Peter<br />

Wegenstein in 1979. It was published in a book series<br />

dominated by pictures which is mainly concerned with<br />

Austrian railway lines. The text is not a scientific paper<br />

but it is a useful description of the track which refers<br />

several times to the surrounding landscape.<br />

This research is based on the three main materials<br />

mentioned above. Each material represents a different<br />

view of the landscape to show the complexity of the<br />

infrastructural landscape of the Semmering. In addition<br />

to the three selected texts, there are further major<br />

studies on the history of the railway journey by Wolfgang<br />

Schivelbusch, the research on the changing perception<br />

of space and landscape by Gerhard Strohmeier as well<br />

as the studies by Wolfgang Kos and Günter Dinhobl on<br />

the Semmering.<br />

Results and discussion<br />

The rail track and the landscape - the external view<br />

The railway changes the perception of scales and<br />

distances in the landscape. In 1851, Edlen von Schickh<br />

mentions the connection between two seas through the<br />

railway over the Semmering in the conclusion of his guidebook<br />

(Schickh 1851: 13). The Baltic and the Mediterranean<br />

Sea become connected. He sees the significance<br />

of the infrastructural project in shortening the distances<br />

between different regions of the continent. The increasing<br />

speed of transportation means makes us perceive<br />

distances becoming shorter. Nevertheless, it takes some<br />

time travelling through the landscape. Nowadays, transportation<br />

infrastructure is about straight lines connecting<br />

different destinations, thereby nearly ignoring the landscape.<br />

Passing through a tunnel or noise protection walls<br />

does not provide us with impressions of the landscape<br />

anymore. The landscape is hidden. On the Semmering<br />

railway, the destruction of space (cf. Strohmeier 2004:<br />

178) through the increasing speed stands in opposition<br />

to the mountainous landscape, which was difficult to<br />

overcome. The challenge was to overcome the Alps and<br />

thereby, a whole region became accessible. For tourists<br />

who went to the site, the best looks of the mountains, like<br />

Rax, Schneeberg, Otter, Gansberg und Göstritz where<br />

pointed out in the guidebook. But at that time, it was only<br />

the view looking up from the valleys because the track on<br />

the slopes had not been finished yet [Fig. 1].<br />

The significance of the horizon as a margin in the landscape<br />

(Strohmeier 2004: 185) became visible. The guidebook<br />

is structured according to the three valleys the train<br />

passes through: the Schwarzathal, the Adlitzthal and the<br />

Froschnitzthal. In descriptions which appeared after the<br />

railway had been built, these valleys were only mentioned<br />

in terms of the rivers, which have to be crossed<br />

by viaducts. The greater structure of the landscape, like<br />

Edlen von Schickh described it through the three valleys,<br />

has not been mentioned ever since. Even today, it is no<br />

easy to grasp the complexity of the Semmering landscape<br />

by passing through by train without knowing about<br />

the greater landscape structure. It was Carl Ritter von<br />

Ghega, the engineer of the rail track himself who said:<br />

“Indeed, I had to view the environment again and again<br />

in order to figure out the entire terrain.” (Ghega 1989: 16)<br />

And it is the viewpoints on the fare horizon that provided<br />

the engineers and the tourists from the middle of the 19th<br />

century with important points of orientation. The perspective<br />

from the valley up to the track let the viaducts and<br />

buildings appear more impressive than they appeared<br />

viewed from the track. The viewpoint from the valley<br />

seems to be programmatic for the relation between man,<br />

nature and technology progress and how it was seen at<br />

that time. The noticeable project shows the positive evaluation<br />

of the new constructions like viaducts, road cuts<br />

and dams, which become part of the modern perception<br />

of space and landscape. While in the guidebook for the<br />

site tourists, the buildings had not been named yet, it did<br />

not take long and all bridges and tunnels received names<br />

relating to places in the surrounding landscape.<br />

Papers

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