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Landscape – Great Idea! X-LArch III - Department für Raum ...

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112<br />

Structuring the Concept of<br />

<strong>Landscape</strong>: Product, Process and<br />

<strong>Idea</strong>.<br />

Philipp Rode<br />

University of Natural Resources and Applied Life<br />

Sciences, Institute of <strong>Landscape</strong> Architecture,<br />

Peter Jordan Straße 82, 1190 Vienna, Austria<br />

(e-mail: philipp.rode@boku.ac.at)<br />

Abstract<br />

This paper discusses landscape as a multi-layered<br />

concept and proposes a three-dimensional approach<br />

to better understand the complex meaning of<br />

contemporary urban landscapes. The first dimension<br />

focuses on the material manifestation of landscape<br />

<strong>–</strong> landscape as product. The second dimension<br />

highlights the societal and natural forces, which<br />

produce the landscape <strong>–</strong> landscape as process.<br />

The third dimension puts cultural values and<br />

meanings up for discussion <strong>–</strong> landscape as idea.<br />

This concept was employed in eight case studies<br />

carried out in post-socialist Sofia / Bulgaria.<br />

Structuring the analysis of the case studies along<br />

the three dimensions presented above brings<br />

forth a differentiated view onto landscape. One<br />

that is generated from within the landscape.<br />

The analysis focuses on the mutual conditionality<br />

of landscape elements and urbanised structures. It<br />

reflects the ongoing processes of transformation,<br />

which produce fragmented, heterogeneous and remote<br />

urban landscapes. The cultural meaning of those<br />

landscapes has undergone a process of designification<br />

but also of reinterpretation by those considering these<br />

landscapes as their valuable everyday landscapes.<br />

Therefore, the structured multi-layered understanding<br />

of landscape allows for a differentiated design<br />

approach to ‚meaningless‘ landscapes: one<br />

which employs the specific, anaesthetic<br />

attributes of those sites as their qualities.<br />

Key words<br />

Concept of landscape, post-socialism, negative<br />

space, cultural meaning, everyday landscape.<br />

Introduction<br />

Recent debates about the future of the urban environment<br />

focus on landscape as a central element. The<br />

introduction of the term ‚Zwischenstadt‘ by the German<br />

urban planner Thomas Sieverts (Sieverts 1999) presents<br />

contemporary urban developments as mutual processes<br />

of expanding urban structures and the infiltration of urban<br />

areas by undeveloped left over and vacant areas (see<br />

Bormann et al 2005: 134). The dichotomic concept of city<br />

and landscape has, thus, been disintegrated, urging the<br />

search for a comprehensive conception of landscape.<br />

<strong>Landscape</strong> is to serve as a super ordinate meaning on<br />

the regional level, while anaesthetic (see Welsch 1990)<br />

residual space is to function as a medium of intermediation<br />

between the isolated elements of suburbia and the<br />

fragmented landscape on the local level (see Hauser /<br />

Kamleithner 2006: 33).<br />

<strong>Landscape</strong> has been described as a complex term in<br />

literature. Sauer points to landscape as space, that is<br />

composed of physical and cultural elements, made as<br />

concept of ‚Gestalt‘ of a spatially defined habitat (see<br />

Sauer 1925). Its perception but also its actual physical<br />

manifestation is interlinked with specific socio-economic<br />

frameworks, turning the perceived and developed landscape<br />

into a societal construct, which represents specific<br />

fractions of society, as Cosgrove explicates. The significance<br />

of these groups is articulated in their imagined<br />

relation to nature and their social position to the external<br />

nature (see Cosgrove 1998: 13ff). Thus, the constructed<br />

landscape has a direct relation to constellations of<br />

power, patterns of representation and the imagination of<br />

external nature. On the individual level, the experience of<br />

landscape is based on a process of interpretation, which<br />

depends on both social appropriation and an ‚aesthetic<br />

component‘ in the concept of landscape, as Kühne describes<br />

(see Kühne 2006: 61). Aesthetics hereby is rather<br />

seen as beauty, containing subjective and cultural values<br />

and interpretation.<br />

This leads to the question of how to understand the<br />

fragmented landscapes of contemporary urbanised environments<br />

as meaningful elements as they contrast the<br />

Arcadian ideal of landscape. Furthermore, the question<br />

remains, how those undeveloped spaces, which comprise<br />

on the one hand traditional elements of landscape<br />

but hold attributes as vagueness (see de Solá-Moráles<br />

1995), uncertainty (see Cupers / Miessen 2002), ephemerality<br />

(see Qviström / Saltzman 2006) on the other<br />

hand, which do not fit in the conception of static and<br />

defined ‚<strong>Landscape</strong> Two‘ (see Jackson 1990) can be<br />

integrated.<br />

Material and methods<br />

Eight case studies have been carried out in post-socialist<br />

Sofia to provide information about the attributes and<br />

states of selected sites, which are considered as undefined<br />

open spaces in the urban environment. Those sites<br />

have been detected along urban dérives, which were<br />

roughly following the specifications of the Situationists<br />

(see Sadler 1998), as the decisions on the routing were<br />

predominantly made on site, responding to the attraction<br />

of place. These dérives have been analysed psycho-geo-

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