Landscape – Great Idea! X-LArch III - Department für Raum ...
Landscape – Great Idea! X-LArch III - Department für Raum ...
Landscape – Great Idea! X-LArch III - Department für Raum ...
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112<br />
Structuring the Concept of<br />
<strong>Landscape</strong>: Product, Process and<br />
<strong>Idea</strong>.<br />
Philipp Rode<br />
University of Natural Resources and Applied Life<br />
Sciences, Institute of <strong>Landscape</strong> Architecture,<br />
Peter Jordan Straße 82, 1190 Vienna, Austria<br />
(e-mail: philipp.rode@boku.ac.at)<br />
Abstract<br />
This paper discusses landscape as a multi-layered<br />
concept and proposes a three-dimensional approach<br />
to better understand the complex meaning of<br />
contemporary urban landscapes. The first dimension<br />
focuses on the material manifestation of landscape<br />
<strong>–</strong> landscape as product. The second dimension<br />
highlights the societal and natural forces, which<br />
produce the landscape <strong>–</strong> landscape as process.<br />
The third dimension puts cultural values and<br />
meanings up for discussion <strong>–</strong> landscape as idea.<br />
This concept was employed in eight case studies<br />
carried out in post-socialist Sofia / Bulgaria.<br />
Structuring the analysis of the case studies along<br />
the three dimensions presented above brings<br />
forth a differentiated view onto landscape. One<br />
that is generated from within the landscape.<br />
The analysis focuses on the mutual conditionality<br />
of landscape elements and urbanised structures. It<br />
reflects the ongoing processes of transformation,<br />
which produce fragmented, heterogeneous and remote<br />
urban landscapes. The cultural meaning of those<br />
landscapes has undergone a process of designification<br />
but also of reinterpretation by those considering these<br />
landscapes as their valuable everyday landscapes.<br />
Therefore, the structured multi-layered understanding<br />
of landscape allows for a differentiated design<br />
approach to ‚meaningless‘ landscapes: one<br />
which employs the specific, anaesthetic<br />
attributes of those sites as their qualities.<br />
Key words<br />
Concept of landscape, post-socialism, negative<br />
space, cultural meaning, everyday landscape.<br />
Introduction<br />
Recent debates about the future of the urban environment<br />
focus on landscape as a central element. The<br />
introduction of the term ‚Zwischenstadt‘ by the German<br />
urban planner Thomas Sieverts (Sieverts 1999) presents<br />
contemporary urban developments as mutual processes<br />
of expanding urban structures and the infiltration of urban<br />
areas by undeveloped left over and vacant areas (see<br />
Bormann et al 2005: 134). The dichotomic concept of city<br />
and landscape has, thus, been disintegrated, urging the<br />
search for a comprehensive conception of landscape.<br />
<strong>Landscape</strong> is to serve as a super ordinate meaning on<br />
the regional level, while anaesthetic (see Welsch 1990)<br />
residual space is to function as a medium of intermediation<br />
between the isolated elements of suburbia and the<br />
fragmented landscape on the local level (see Hauser /<br />
Kamleithner 2006: 33).<br />
<strong>Landscape</strong> has been described as a complex term in<br />
literature. Sauer points to landscape as space, that is<br />
composed of physical and cultural elements, made as<br />
concept of ‚Gestalt‘ of a spatially defined habitat (see<br />
Sauer 1925). Its perception but also its actual physical<br />
manifestation is interlinked with specific socio-economic<br />
frameworks, turning the perceived and developed landscape<br />
into a societal construct, which represents specific<br />
fractions of society, as Cosgrove explicates. The significance<br />
of these groups is articulated in their imagined<br />
relation to nature and their social position to the external<br />
nature (see Cosgrove 1998: 13ff). Thus, the constructed<br />
landscape has a direct relation to constellations of<br />
power, patterns of representation and the imagination of<br />
external nature. On the individual level, the experience of<br />
landscape is based on a process of interpretation, which<br />
depends on both social appropriation and an ‚aesthetic<br />
component‘ in the concept of landscape, as Kühne describes<br />
(see Kühne 2006: 61). Aesthetics hereby is rather<br />
seen as beauty, containing subjective and cultural values<br />
and interpretation.<br />
This leads to the question of how to understand the<br />
fragmented landscapes of contemporary urbanised environments<br />
as meaningful elements as they contrast the<br />
Arcadian ideal of landscape. Furthermore, the question<br />
remains, how those undeveloped spaces, which comprise<br />
on the one hand traditional elements of landscape<br />
but hold attributes as vagueness (see de Solá-Moráles<br />
1995), uncertainty (see Cupers / Miessen 2002), ephemerality<br />
(see Qviström / Saltzman 2006) on the other<br />
hand, which do not fit in the conception of static and<br />
defined ‚<strong>Landscape</strong> Two‘ (see Jackson 1990) can be<br />
integrated.<br />
Material and methods<br />
Eight case studies have been carried out in post-socialist<br />
Sofia to provide information about the attributes and<br />
states of selected sites, which are considered as undefined<br />
open spaces in the urban environment. Those sites<br />
have been detected along urban dérives, which were<br />
roughly following the specifications of the Situationists<br />
(see Sadler 1998), as the decisions on the routing were<br />
predominantly made on site, responding to the attraction<br />
of place. These dérives have been analysed psycho-geo-