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Landscape – Great Idea! X-LArch III - Department für Raum ...

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106<br />

Fig. 3: Concept Desert/Oasis Welzow (design: bgmr/ archiscape,<br />

Berlin)<br />

F60. The preservation and reuse of testimonies to the<br />

past mean that an important aspect of the region’s identity<br />

will be maintained and secured for the future.<br />

For example: Changing <strong>Landscape</strong><br />

Mining causes desert- and canyon-like interim landscapes,<br />

which radiate a bizarre beauty. On open-cast mining<br />

tours, the IBA makes it possible to experience these<br />

landscapes, enabling visitors to discover new beauties in<br />

a landscape fundamentally changed by open-cast mining.<br />

Thus value is added to the landscape <strong>–</strong> a new picture of<br />

the landscape is created in the mind of the beholder. And<br />

this picture is the basis for the appreciation of the landscape<br />

and thus a first step towards new developments.<br />

The fascination of the intermediate landscape turned into<br />

the project approach of a Desert/Oasis: The intention<br />

was the recultivation of an open-cast mine by creating<br />

a landscape with pictures which would be linked to the<br />

myth of a desert. The aim was to create a relief of debris<br />

with ridges, cones and open areas of differing heights,<br />

covering around 700 hectares, to emerge step by step<br />

alongside the open-cast mining and to give the nature the<br />

possibility to develop again. The counterpart to this barren<br />

landscape was a projected “oasis” with a range of uses.<br />

Despite repeated revisions and adaptations it proved<br />

impossible to realise this proposal to convert the traces<br />

of the industrial excavation process into new landscape<br />

aesthetics. Misgiving and rejection of the unusual landscape<br />

concept among the population as well as technical<br />

difficulties led to the project’s abandonment. Anyhow, this<br />

project was an important contribution to the discussion<br />

about post-mining landscapes.<br />

For example: Energy <strong>Landscape</strong>s<br />

The production of energy has been the background for<br />

new landscapes in Lusatia and it is also one of the pillars<br />

on which the region’s future development will rest. The<br />

extensive, sparsely populated region provides ideal<br />

Fig. 4: Concept Energy <strong>Landscape</strong> (design: ARGE hochC Landschaftsarchitektur<br />

/ Horst Schumacher / Lenné3D, Berlin und Erfurt)<br />

preconditions for electricity production from regenerative<br />

energy sources like wind, sun and biomass. In the context<br />

of the IBA, concepts for energy landscapes are being<br />

examined in collaboration with universities and scientific<br />

institutions. These combine different energy sources in<br />

terms of a new, variably usable and ecologically enduring<br />

cultural landscape.<br />

The difficulty in controlling and transforming these energy<br />

landscapes is their dependency on the market: thanks to<br />

the Renewable Energies law in Germany supply compensations<br />

are paid for electricity produced from regenerative<br />

energy sources which increased the share of renewable<br />

energies for electricity production to around 14% by 2007,<br />

and an increase to at least 30% is planned by 2020. This<br />

results in a competition for the land and an impending<br />

mono-structure for agricultural areas which can arise, for<br />

example, by large-scale energy wood plantations. Here,<br />

the concept of energy landscapes has to act as mediator<br />

between the differing objectives in terms of a sustainable<br />

cultural landscape management and apart from the<br />

economic aspects also enables an aesthetical access to<br />

the landscape.<br />

Conclusions<br />

As the examples show, the IBA tool can initiate a new<br />

creativity in the regional development. The successful linkage<br />

of overall planning concepts, which include convincing<br />

single projects, to new perceptions, ways of thinking<br />

and courses of action provides an effective interaction<br />

between formal and informal tools. Creativity means the<br />

deliberate connection of analytical, intuitive and emotional<br />

capabilities and allows the understanding of complex correlations<br />

and the formulation of new proposals for solution<br />

<strong>–</strong> typical requirements of a large-scale planning (Seggern<br />

et al. 2008; Seggern/ Sieverts 2006). The regional development<br />

has to use this chance for a further development.

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