Landscape – Great Idea! X-LArch III - Department für Raum ...
Landscape – Great Idea! X-LArch III - Department für Raum ...
Landscape – Great Idea! X-LArch III - Department für Raum ...
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106<br />
Fig. 3: Concept Desert/Oasis Welzow (design: bgmr/ archiscape,<br />
Berlin)<br />
F60. The preservation and reuse of testimonies to the<br />
past mean that an important aspect of the region’s identity<br />
will be maintained and secured for the future.<br />
For example: Changing <strong>Landscape</strong><br />
Mining causes desert- and canyon-like interim landscapes,<br />
which radiate a bizarre beauty. On open-cast mining<br />
tours, the IBA makes it possible to experience these<br />
landscapes, enabling visitors to discover new beauties in<br />
a landscape fundamentally changed by open-cast mining.<br />
Thus value is added to the landscape <strong>–</strong> a new picture of<br />
the landscape is created in the mind of the beholder. And<br />
this picture is the basis for the appreciation of the landscape<br />
and thus a first step towards new developments.<br />
The fascination of the intermediate landscape turned into<br />
the project approach of a Desert/Oasis: The intention<br />
was the recultivation of an open-cast mine by creating<br />
a landscape with pictures which would be linked to the<br />
myth of a desert. The aim was to create a relief of debris<br />
with ridges, cones and open areas of differing heights,<br />
covering around 700 hectares, to emerge step by step<br />
alongside the open-cast mining and to give the nature the<br />
possibility to develop again. The counterpart to this barren<br />
landscape was a projected “oasis” with a range of uses.<br />
Despite repeated revisions and adaptations it proved<br />
impossible to realise this proposal to convert the traces<br />
of the industrial excavation process into new landscape<br />
aesthetics. Misgiving and rejection of the unusual landscape<br />
concept among the population as well as technical<br />
difficulties led to the project’s abandonment. Anyhow, this<br />
project was an important contribution to the discussion<br />
about post-mining landscapes.<br />
For example: Energy <strong>Landscape</strong>s<br />
The production of energy has been the background for<br />
new landscapes in Lusatia and it is also one of the pillars<br />
on which the region’s future development will rest. The<br />
extensive, sparsely populated region provides ideal<br />
Fig. 4: Concept Energy <strong>Landscape</strong> (design: ARGE hochC Landschaftsarchitektur<br />
/ Horst Schumacher / Lenné3D, Berlin und Erfurt)<br />
preconditions for electricity production from regenerative<br />
energy sources like wind, sun and biomass. In the context<br />
of the IBA, concepts for energy landscapes are being<br />
examined in collaboration with universities and scientific<br />
institutions. These combine different energy sources in<br />
terms of a new, variably usable and ecologically enduring<br />
cultural landscape.<br />
The difficulty in controlling and transforming these energy<br />
landscapes is their dependency on the market: thanks to<br />
the Renewable Energies law in Germany supply compensations<br />
are paid for electricity produced from regenerative<br />
energy sources which increased the share of renewable<br />
energies for electricity production to around 14% by 2007,<br />
and an increase to at least 30% is planned by 2020. This<br />
results in a competition for the land and an impending<br />
mono-structure for agricultural areas which can arise, for<br />
example, by large-scale energy wood plantations. Here,<br />
the concept of energy landscapes has to act as mediator<br />
between the differing objectives in terms of a sustainable<br />
cultural landscape management and apart from the<br />
economic aspects also enables an aesthetical access to<br />
the landscape.<br />
Conclusions<br />
As the examples show, the IBA tool can initiate a new<br />
creativity in the regional development. The successful linkage<br />
of overall planning concepts, which include convincing<br />
single projects, to new perceptions, ways of thinking<br />
and courses of action provides an effective interaction<br />
between formal and informal tools. Creativity means the<br />
deliberate connection of analytical, intuitive and emotional<br />
capabilities and allows the understanding of complex correlations<br />
and the formulation of new proposals for solution<br />
<strong>–</strong> typical requirements of a large-scale planning (Seggern<br />
et al. 2008; Seggern/ Sieverts 2006). The regional development<br />
has to use this chance for a further development.