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Chomsky on Anarchism.pdf - Zine Library

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CHOMSKY ON ANARCHISM<br />

state of industrial society. We can perhaps look forward £0 a day when these<br />

variolls strands will be brought £Ogether within the framework of libertarian<br />

socialism, a social fo rm that barely exists £Oday though its elements can be per<br />

ceived: in the guarantee of individual rights that has achieved its highest<br />

fo rm-though still tragically flawed-in the Western democracies; in the<br />

Israeli kibbutzim; in the experimencs with workers' councils in Yugoslavia; in<br />

the effort to awaken popular c<strong>on</strong>sciousness and create a new involvement in<br />

the social process which is a fundamental element in the Third World revoluti<strong>on</strong>s,<br />

coexisting uneasily with indefensible authoritarian practice.<br />

A similar c<strong>on</strong>cept of human nature underlies Humboldt's work <strong>on</strong> language.<br />

Language is a process of free creati<strong>on</strong>; its laws and principles are fixed,<br />

bm the manner in which the principles of generati<strong>on</strong> are used is free and infinitely<br />

varied. Even the interpretaci<strong>on</strong> and use of words involves a process of<br />

free creati<strong>on</strong>. The normal use of language and the acquisiti<strong>on</strong> of language<br />

depend <strong>on</strong> what Humboldt calls the fixed form of language, a system of generative<br />

processes that is rooted in the nature of the human mind and c<strong>on</strong>strains<br />

bm does not determine the free creati<strong>on</strong>s of normal intelligence or, at a higher<br />

and more original level, of the great writer or thinker. Humboldt is, <strong>on</strong> the<br />

<strong>on</strong>e hand, a Plat<strong>on</strong>ist who insists that learning is a kind of reminiscence, in<br />

which the mind, stimulated by experience, draws from its own internal<br />

resources and follows a path that it itself determines; and he is also a romantic<br />

arruned to cultural variety, and the endless possibilities for the spiritual c<strong>on</strong>tri 113<br />

bmi<strong>on</strong>s of the creative genius. There is no c<strong>on</strong>tradicti<strong>on</strong> in this, any more than<br />

there is a comradicti<strong>on</strong> in the insistence of aesthetic theory that individual<br />

works of genius are c<strong>on</strong>strained by principle and rule. The normal, creative lise<br />

oflanguage, which to the Cartesian rati<strong>on</strong>alist is the best index of the existence<br />

of another mind, presupposes a system of rules and generative principles of a<br />

s<strong>on</strong> that the rati<strong>on</strong>alist grammarians arrempted, with some success, to determine<br />

and make explicit.<br />

The many modern critics who sense an inc<strong>on</strong>sistency in the belief that free<br />

creati<strong>on</strong> takes place within-presupposes, in fact-a system of c<strong>on</strong>straints and<br />

governing principles are quite mistaken; unless, of course, they speak of"c<strong>on</strong><br />

tradicti<strong>on</strong>" in the loose and metaphoric sense of Schelling, when he writes that<br />

"without the comradicti<strong>on</strong> of necessity and freedom not <strong>on</strong>ly philosophy but<br />

every nobler ambiti<strong>on</strong> of the spirit would sink to that death which is peculiar<br />

to those sciences in which that c<strong>on</strong>tradicti<strong>on</strong> serves no functi<strong>on</strong>." Without this<br />

tensi<strong>on</strong> between necessity and freedom, rule and choice, there can be no cre<br />

ativity, no communicati<strong>on</strong>, no meaningful acts at all.<br />

I have discussed these traditi<strong>on</strong>al ideas at some length, not out of antiquarian<br />

interest, but because I think that [hey are valuable and essentially correct,<br />

and that they project a course we can follow with profit. Social acti<strong>on</strong><br />

must be animated by a visi<strong>on</strong> of a future society, and by explicit judgments of<br />

value c<strong>on</strong>cerning the character of this future society. These judgments must

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