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Test 3, March 29, ART216 ANSWER KEY PT1: 20 questions total; 2 ...

Test 3, March 29, ART216 ANSWER KEY PT1: 20 questions total; 2 ...

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<strong>Test</strong> 3, <strong>March</strong> <strong>29</strong>, <strong>ART216</strong><br />

<strong>ANSWER</strong> <strong>KEY</strong><br />

<strong>PT1</strong>: <strong>20</strong> <strong>questions</strong> <strong>total</strong>; 2 points each; Image Ids: 10 <strong>questions</strong>, 1 point each<br />

c<br />

D<br />

A<br />

1. The form of baroque art most closely associated with the taste of a king is:<br />

A) Italian baroque B) Flemish baroque C) French baroque D) Dutch baroque<br />

2. Paintings of musicians making music are common to which one of the following:<br />

A) Italian baroque B) Flemish baroque C) French baroque D) Dutch baroque<br />

3. Italian baroque architecture is characterized by two of the following. Which one is<br />

NOT true of Italian baroque architecture?<br />

A) the use of geometric modular planning<br />

B) the creation of flowing interior spaces which defy a perception of units<br />

C) a preference for unstable geometric forms<br />

C<br />

4. Which of the following characteristics is generally NOT true of baroque art,<br />

especially in Italy? (Choose one)<br />

A) the use of allegory<br />

B) theatricality<br />

C) the idealization of nature<br />

D) symbolic light and tenebrism<br />

E) dynamic compositions which confront the viewer by intruding on his or her space<br />

or sensibilities<br />

th<br />

5-8. Four of the following types of paintings were not seen before the 17 century. Which<br />

ones are they? Choose FOUR and name one artist for each type you choose in order to<br />

receive full credit. Each correct pair is two points.<br />

A) the family portrait<br />

B) the group portrait: Hals or Rembrandt<br />

C) the market scene<br />

D) the fête-galante: Watteau<br />

E) the heroic landscape: Poussin<br />

F) the poetic landscape<br />

G) the allegorical painting<br />

H) breakfast pieces: Peeters<br />

9. Name two artists who are known for their pastel portraits.<br />

1 point for each if correct; no points if wrong; no more than 2 points<br />

Carriera, Wright, Labille-Guiard<br />

10. What is meant by the phrase “a taste for the natural” in terms of 18 century art? Identify<br />

th<br />

TWO characteristics implied by this taste.


Some possible answers include:<br />

• Rejection of the artificial or artifice of rococo<br />

• rejection of the aristocracy<br />

• desire for moral paintings<br />

• desire for paintings about the middle and lower classes<br />

• the influence of Roussea – desire for simplicity and the primitive<br />

NOTE THAT NATURALISM IS NOT A CORRECT <strong>ANSWER</strong>; also note that pastel portraits<br />

reflect the desire for the natural but they are not a characteristic of the taste for the natural<br />

11. Why did the Royal Academy of Art invent the genre of the fête-galante?<br />

1 point if half the answer is given; two points for both halves<br />

1)To admit Watteau and 2) to de-politicize his painting Embarkation to Cythera<br />

You might also have said that the Academy was faced with an unfamiliar genre and created<br />

the category specifically for Watteau. You did need to mention the artist’s name for full<br />

credit.<br />

12. What invention contributes to the increasing popularity of the pastel portrait and how<br />

does it do this?<br />

• Easier to make pastel crayons (only 1 point)<br />

• invention of glass (only 1 point)<br />

• invention of glass – this protects the pastel painting and makes the surface shiny like<br />

an oil painting (2 points)<br />

Choose your answer to the next 5 <strong>questions</strong> from this list:<br />

A) Italian baroque B) Dutch baroque C) French baroque D) rococo<br />

B____13. The merry company is a popular genre of painting.<br />

A____14. Most closely associated with the use of tenebrism.<br />

B____15. The middle class becomes an important consumer of art.<br />

D____16. A new type of painting in this style is the “intrigue” painting.<br />

D____17. Rubens is an important influence on this style.<br />

C____18. The artist responsible for spreading the influence of the Italian baroque style is<br />

generally thought to be: A) Bernini B) Caravaggio C) Gentileschi D) Garzoni<br />

19 - <strong>20</strong>. Both Poussin and Claude are French baroque landscape painters but their landscapes<br />

are generally very different.<br />

What is the correct term for Poussin’s landscapes? Heroic landscapes; grand manner<br />

landscape (either is acceptable) (1 pt)<br />

What is the correct term for Claude’s? Pastoral landscape is correct but I accepted poetic<br />

landscape for this question (it is not a new type of painting; therefore not accepted for<br />

<strong>questions</strong> 5-8) (1 pt)<br />

What characteristics make them different? (2 of the following for 2 points)<br />

Poussin includes classical/heroic narratives – there are usually people and architecture in the


painting – the narrative has an important meaning<br />

the landscape and architecture together have a structured, composed quality<br />

Claude creates more lyrical, natural scenes; when people are present, they are not the<br />

source of meaning; atmospheric use of light (as opposed to the clarity of Poussin)<br />

EC: (2 points) Why do regional differences become less noticeable or prominent in the 17 th<br />

century?<br />

Some of the following:<br />

Artists are traveling to other countries and are influenced by a broader selection of art<br />

Print materials make it easier for artists to see other art works.<br />

Kings (like Philip) have large collections of art from different regions and artists who have<br />

access to the King’s collection see more art<br />

Images:<br />

1. B<br />

2. C<br />

3. B<br />

4. C<br />

5. D<br />

6. E or B<br />

7. G<br />

8. D<br />

9. C<br />

10. C

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