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EVENTS<br />
AUTUMN 2013<br />
MUSIC DRAMA FILM SONIC ARTS<br />
SCHOOL OF<br />
Creative Arts<br />
www.qub.ac.uk/creativearts<br />
Find us on Facebook & Twitter: creativeartsqub
INTRODUCTION<br />
INTRODUCTION<br />
Welcome <strong>to</strong> <strong>the</strong> Autumn 2013<br />
<strong>brochure</strong> of <strong>events</strong> at <strong>the</strong> School of<br />
Creative Arts.<br />
We have a packed programme<br />
of performances, screenings,<br />
demonstrations and talks on offer,<br />
covering every aspect of <strong>the</strong> School’s<br />
work in Music, Drama, Film and Sonic<br />
Arts.<br />
The School’s Events Committee<br />
(CATE) has programmed a glittering<br />
line-up of distinguished artists,<br />
scholars and practitioners. This<br />
autumn our Quartet-in- Residence,<br />
<strong>the</strong> Royal Quartet, will be giving a<br />
recital again and we have several<br />
special highlight <strong>events</strong> including a<br />
seminar and concert by Chris Watson<br />
whose television work includes<br />
many programmes in <strong>the</strong> David<br />
Attenborough ‘Life’ series including<br />
‘The Life of Birds’ which won a BAFTA<br />
Award for ‘Best Factual Sound’ in<br />
1996. Also, we will be presenting<br />
EVENTS KEY<br />
a special event by Danish artist<br />
Jacob Kierkgaard who is sponsored<br />
by <strong>the</strong> “Recomposing <strong>the</strong> City:<br />
Sonic Arts & Urban Architecture”<br />
Project Research Group based at <strong>the</strong><br />
Institute for Collaborative Research<br />
in <strong>the</strong> Humanities at Queen’s (www.<br />
recomposing<strong>the</strong>city.org).<br />
The retrospective of scholar, poet,<br />
playwright, and music critic Stuart<br />
Parker (Oc<strong>to</strong>ber 28th - November<br />
3rd) is ano<strong>the</strong>r of our special highlight<br />
<strong>events</strong> this autumn.<br />
Many of <strong>the</strong> <strong>events</strong> have free<br />
admission, and we warmly encourage<br />
you <strong>to</strong> drop in during <strong>the</strong> day for<br />
an informal presentation or <strong>to</strong><br />
come along <strong>to</strong> one of <strong>the</strong> evening<br />
performances. We look forward <strong>to</strong><br />
seeing you.<br />
Professor Michael Alcorn<br />
Head of School<br />
Use <strong>the</strong> key below <strong>to</strong> help identify <strong>the</strong> types of <strong>events</strong> that appeal <strong>to</strong> you.<br />
P<br />
C<br />
S<br />
T<br />
PERFORMANCE<br />
CONCERT<br />
SCREENING<br />
TALKS & SEMINARS<br />
GENERAL ENQUIRIES<br />
Contact us on:<br />
028 9097 4867<br />
MAP<br />
CLAREMONT STREET<br />
6<br />
4<br />
5<br />
1<br />
1<br />
3<br />
2<br />
Drama and Film Centre<br />
& Brian Friel Theatre<br />
2 McMordie Hall<br />
3 Harty Room<br />
4<br />
Sonic Art Reseach Centre<br />
(SARC)<br />
5 Whitla Hall<br />
6<br />
Elmwood Hall<br />
PERFORMANCES<br />
CONCERTS &<br />
SCREENINGS<br />
W<br />
WORKSHOPS<br />
7<br />
7<br />
St Bride’s
PERFORMANCES, CONCERTS & SCREENINGS<br />
MA SONIC ARTS SHOWCASE<br />
Showcase of MA student work<br />
Current MA students in <strong>the</strong> Sonic Arts pathway are<br />
presenting <strong>the</strong>ir final MA projects / portfolios in <strong>the</strong> Sonic<br />
Lab. Join us <strong>to</strong> see <strong>the</strong>ir exciting works, developed at <strong>the</strong><br />
unique Sonic Arts Research Centre.<br />
RELEASE<br />
Premier<br />
Everyone has a past; but should <strong>the</strong>y be defined by it?<br />
The legacy of <strong>the</strong> conflict in Nor<strong>the</strong>rn Ireland weighs<br />
heavily on many of those who experienced it, pain and loss<br />
is as relevant <strong>to</strong>day as it was 30 years ago.<br />
This film bears witness <strong>to</strong> <strong>the</strong> first-hand accounts of 6<br />
remarkable men as <strong>the</strong>y each share <strong>the</strong>ir own s<strong>to</strong>ry publicly<br />
through <strong>the</strong> performance of <strong>the</strong> original Theatre of Witness<br />
production ‘Release’.<br />
Told by a former British soldier, RUC detective, prison<br />
governor, ex-prisoners and a man who survived a car bomb<br />
attack as a child.<br />
Their journey is at times heartbreaking, extraordinary,<br />
breathtakingly brave but ultimately transformational.<br />
Tickets are FREE and <strong>the</strong>re will be a light reception<br />
afterwards.<br />
PERFORMANCES, CONCERTS & SCREENINGS<br />
To book a ticket please contact<br />
The Playhouse Box Office - 028 7126 8027.<br />
C CONCERT S SCREENING<br />
4 Sep 4th / 2pm – 4pm / Sonic Lab / Free<br />
Sept 12th / 7pm / Brian Friel Theatre / Free<br />
5
PERFORMANCES, CONCERTS & SCREENINGS<br />
MARY DULLEA (PIANO)<br />
Playing Marlacoo by Simon Mawhinney<br />
During <strong>the</strong> years 2008-11, Queen’s lecturer Simon<br />
Mawhinney wrote a sequence of three works, each of which<br />
is intended <strong>to</strong> fill an entire concert. The final such work is<br />
Marlacoo for solo piano. This concert presents not only<br />
<strong>the</strong> world premiere, but serves <strong>to</strong> launch <strong>the</strong> CD recording<br />
of <strong>the</strong> work by Altarus Records. As soloist and chamber<br />
musician, Irish pianist Mary Dullea has built an impressive<br />
reputation as a performer and commissioner of new music,<br />
performing internationally and premiering many pieces<br />
including Marlacoo. www.marydullea.com<br />
BEN MCATEER (BARITONE)<br />
& CATHERINE NORTON (PIANO)<br />
BMS Nor<strong>the</strong>rn Lights Mini-Fest<br />
Programme <strong>to</strong> include:<br />
Schubert - Schwanengesang (selection)<br />
Schumann - Liederkreis, op. 39<br />
Quilter - Seven Elizabethan Lyrics<br />
Finzi - Let Us Garlands Bring<br />
Up <strong>to</strong> 30 free tickets for Queen’s <strong>University</strong> Belfast music &<br />
music technology students<br />
This concert is part of <strong>the</strong> 2013 Nor<strong>the</strong>rn Lights Mini-Fest,<br />
Belfast Music Society’s showcase for young local artists (full<br />
details of <strong>the</strong>se, and <strong>the</strong> o<strong>the</strong>r two <strong>events</strong> in <strong>the</strong> Mini-Fest,<br />
plus ticket booking details available at<br />
www.belfastmusicsociety.org).<br />
JACOB KIRKEGAARD<br />
Labyrinthitis<br />
‘Recomposing <strong>the</strong> City’ event series<br />
Based in Berlin, Germany, Jacob Kirkegaard is a graduate<br />
of <strong>the</strong> Academy for Media Arts in Cologne. Since 1995,<br />
he has presented his works at galleries, museums, venues<br />
& conferences throughout <strong>the</strong> world. For <strong>to</strong>day’s event,<br />
Kirkegaard has turned his ears inwards: Labyrinthitis is an<br />
interactive sound piece that consists entirely of sounds<br />
generated in <strong>the</strong> artist’s audi<strong>to</strong>ry organs – and will cause<br />
audible responses in those of <strong>the</strong> audience. The Wire<br />
selected a recording of Labyrinthitis as one of <strong>the</strong> ten<br />
best releases of 2008.<br />
This concert as well as <strong>the</strong> seminar by Kirkegaard on<br />
<strong>the</strong> 9th Oc<strong>to</strong>ber are part of <strong>the</strong> “Recomposing <strong>the</strong> City:<br />
Sonic Arts & Urban Architecture” Project Research Group<br />
based at <strong>the</strong> Institute for Collaborative Research in <strong>the</strong><br />
Humanities at Queen’s. It brings <strong>to</strong>ge<strong>the</strong>r over twenty<br />
researchers from Queen’s and beyond, and it is co-lead<br />
by staff in Creative Arts and Architecture. Events in <strong>the</strong><br />
Recomposing <strong>the</strong> City series will explore <strong>the</strong> relationship<br />
of sound and music <strong>to</strong> <strong>the</strong> understanding, design, and<br />
development of urban environments. Details of this<br />
Group can be found at:<br />
www.recomposing<strong>the</strong>city.org<br />
DAVE O’BRIEN<br />
Cultural Value Workshop<br />
Dr O’Brien will present a wide ranging discussion of cultural<br />
policy and cultural value, based on his new book “Cultural<br />
Policy: Management, Value and Modernity in <strong>the</strong> Creative<br />
Industries” The talk will use a range of case studies,<br />
including analysis of work in <strong>the</strong> creative industries, urban<br />
regeneration and cultural consumption. The case studies<br />
will be <strong>the</strong> basis for a consideration of <strong>the</strong> complexity<br />
of understanding <strong>the</strong> value of culture in modernity. The<br />
session will conclude with reflections on <strong>the</strong> tensions<br />
between <strong>the</strong> government and administration of culture and<br />
<strong>the</strong> need for artistic and cultural practice <strong>to</strong> have critical<br />
distance from both state and market.<br />
PERFORMANCES, CONCERTS & SCREENINGS<br />
C CONCERT C CONCERT C CONCERT<br />
W<br />
WORKSHOP<br />
6 Oct 3rd / 1.10pm / Harty Room / Free<br />
Oct 6th / 3pm / Harty Room / £10 (£5 under 25s)<br />
Oct 10th / 1:10pm / Sonic Lab / Free<br />
Oct 12th / 11.30pm / Old Staff Common Room / Free<br />
7
PERFORMANCES, CONCERTS & SCREENINGS<br />
LIZ KENNY (LUTE)<br />
Would <strong>the</strong> real ‘il divino’ please step forward?<br />
Giants of <strong>the</strong> lute in <strong>the</strong> early seventeenth century<br />
In <strong>the</strong>ir day, both Dowland and Laurencini were given <strong>the</strong><br />
ultimate accolade, “il divino”. His<strong>to</strong>ry has judged Dowland<br />
<strong>to</strong> be <strong>the</strong> greater, but <strong>the</strong> Knight of <strong>the</strong> Lute, who lived in<br />
Rome, had a bigger influence on friends and colleagues,<br />
perhaps because he was better at acquiring <strong>the</strong>m than<br />
<strong>the</strong> no<strong>to</strong>riously prickly Dowland. From our post-romantic<br />
perspective we will always admire <strong>the</strong> Lone Wolf genius<br />
more than a collegial rival, but you can judge for yourself.<br />
The programme will include lute music by Laurencini’s heir<br />
<strong>to</strong> <strong>the</strong> title in Rome, Hieronymus Kapsberger.<br />
C<br />
CONCERT<br />
ROYAL STRING QUARTET<br />
The renowned Royal String Quartet from Poland<br />
launch <strong>the</strong>ir second season of concerts in Belfast with a<br />
programme which blends old and new music. The concert<br />
features <strong>the</strong> premiere of a new quartet by Belfast-based<br />
composer Rob Casey which explores novel ideas of musical<br />
space, made possible through <strong>the</strong> unique 3D sound<br />
capabilities of <strong>the</strong> Sonic Lab at SARC. The programme<br />
also includes works by Polish composers Mykietyn and<br />
Szymanski and concludes with Haydn’s Opus 76 quartet in<br />
Bb major.<br />
Rob Casey - ‘I Remember it was Yellow’ (world premiere)<br />
Mykietyn - Quartet no 2<br />
Szymanski - Five Pieces for <strong>the</strong> String Quartet<br />
Haydn - op. 76 no 4<br />
C<br />
CONCERT<br />
SABRINA HU (FLUTE)<br />
& CATHAL BRESLIN (PIANO)<br />
BMS Nor<strong>the</strong>rn Lights Mini-Fest<br />
Poulenc - Sonata for Flute and Piano<br />
Ravel - Piece en forme de habanera<br />
Ravel - Ondine, for solo piano<br />
Debussy - Syrinx, for solo flute<br />
Messiaen - Le Merle Noir<br />
New work (t.b.c.)<br />
Brazilian trad.- Choros, arr. for flute and piano<br />
Piazzolla - His<strong>to</strong>ire du Tango, for flute and piano<br />
Up <strong>to</strong> 30 free tickets for Queen’s <strong>University</strong> Belfast music &<br />
music technology students<br />
This concert is part of <strong>the</strong> 2013 Nor<strong>the</strong>rn Lights Mini-Fest,<br />
Belfast Music Society’s showcase for young local artists (full<br />
details of <strong>the</strong>se, and <strong>the</strong> o<strong>the</strong>r two <strong>events</strong> in <strong>the</strong> Mini-Fest,<br />
plus ticket booking details available at<br />
www.belfastmusicsociety.org).<br />
C<br />
CONCERT<br />
PIANORQUESTRA<br />
With Pedro Rebelo, Justin Yang and Franziska Schroeder<br />
16 hands and two pianos...Brazilian music and <strong>the</strong> piano<br />
heard and seen live like never before!<br />
The highly acclaimed Brazilian group PianOrquestra makes<br />
its first visit <strong>to</strong> Belfast with composers Pedro Rebelo, Justin<br />
Yang and saxophonist Franziska Schroeder who are based<br />
at <strong>the</strong> Sonic Arts Research Centre at Queen’s.<br />
The programme is inspired by <strong>the</strong> work of John Cage and<br />
explores <strong>the</strong> sonorities of two pianos played by 16 hands<br />
using gloves, sticks, picks, nylon, rubber, metal, wood,<br />
fabric, plastic and electronics. It also explores Cage’s<br />
legacy, including <strong>the</strong> prepared piano, use of indeterminacy,<br />
everyday sound and graphic notation.<br />
This artistic collaboration is supported by British Council<br />
creating links between Brazil and Nor<strong>the</strong>rn Ireland through<br />
<strong>the</strong> Transform Festival.<br />
In collaboration with <strong>the</strong> Belfast Festival at Queen’s.<br />
C<br />
CONCERT<br />
PERFORMANCES, CONCERTS & SCREENINGS<br />
Oct 20th / 5pm / Sonic Arts Research Centre / £8/£6<br />
8 Oct 17th / 1.10pm / Harty Room / Free<br />
Oct 18th / 7.30pm / Sonic Lab / £10<br />
Oct 20th / 2.30pm / Harty Room / £10 (£5 under 25s)<br />
through Belfast Festival: www.belfastfestival.com<br />
9
PERFORMANCES, CONCERTS & SCREENINGS<br />
CHRIS WATSON<br />
Songs from <strong>the</strong> Silverbanks<br />
Live diffusion of <strong>the</strong> songs of humpback whales recorded<br />
on location off <strong>the</strong> coast of <strong>the</strong> Dominican Republic earlier<br />
this year.<br />
Born in 1953 in Sheffield where he attended Rowlinson<br />
School and Stanning<strong>to</strong>n College, Watson was a founding<br />
member of <strong>the</strong> influential Sheffield based experimental<br />
music group Cabaret Voltaire during <strong>the</strong> 1970’s and early<br />
1980’s. His sound recording career began in 1981 when he<br />
joined Tyne Tees Television. Since <strong>the</strong>n he has developed a<br />
particular and passionate interest in recording <strong>the</strong> wildlife<br />
sounds of animals, habitats and atmospheres from around<br />
<strong>the</strong> world. As a freelance composer and recordist for Film,<br />
TV & Radio, Watson specialises in natural his<strong>to</strong>ry and<br />
documentary location sound <strong>to</strong>ge<strong>the</strong>r with sound design in<br />
post production.<br />
His television work includes many programmes in <strong>the</strong><br />
David Attenborough ‘Life’ series including ‘The Life of<br />
Birds’ which won a BAFTA Award for ‘Best Factual Sound’<br />
in 1996. More recently Watson was <strong>the</strong> location sound<br />
recordist with David Attenborough on <strong>the</strong> BBC’s series<br />
‘Frozen Planet’ which also won a BAFTA Award for ‘Best<br />
Factual Sound’ (2012).<br />
OWEN McCAFFERTY<br />
Book Launch and Public Reading<br />
One of <strong>the</strong> most important and original playwrights<br />
working in Ireland <strong>to</strong>day, Owen McCafferty’s impressive<br />
body of work has been produced by every major <strong>the</strong>atre<br />
company in his native Belfast (Lyric, Tinderbox, Kabosh,<br />
Prime Cut) as well as Galway’s Druid Theatre Company,<br />
Dublin’s Abbey Theatre, and <strong>the</strong> National Theatre, London.<br />
Although all of Owen’s work is characterised by his unique<br />
adaptation of Belfast speech, <strong>the</strong> universalism of his<br />
subjects and lyricism of his language transcend its local<br />
roots as <strong>the</strong> global routes of new productions of his work<br />
can testify, with his work being translated and performed<br />
in Japan, Germany, Chile, France, America and Australia<br />
in recent years. Queen’s Drama are delighted <strong>to</strong> host an<br />
evening <strong>to</strong> celebrate <strong>the</strong> publication of an edited collection<br />
of Owen’s stage plays that includes: The Waiting List, Shoot<br />
<strong>the</strong> Crow, Mojo Mickybo, Closing Time and Scenes from<br />
<strong>the</strong> Big Picture.<br />
Owen will read from a number of <strong>the</strong>se plays and short<br />
excerpts from Mojo Mickeybo will also be performed,<br />
followed by a reception in <strong>the</strong> Brian Friel Theatre.<br />
TEYA SEPINUCK<br />
Reading excerpts from her new book: Theatre of Witness<br />
Theatre of Witness chronicles <strong>the</strong> author’s 26 years of<br />
creating and producing <strong>the</strong>atre with people whose s<strong>to</strong>ries<br />
have previously gone un<strong>to</strong>ld, including prisoners and <strong>the</strong>ir<br />
families, refugees, survivors and former perpetra<strong>to</strong>rs of<br />
domestic abuse, ex-combatants and those who have<br />
lived through war. With an engaging and heartfelt<br />
narrative, it beautifully conveys <strong>the</strong> key principles of<br />
Theatre of Witness and explores <strong>the</strong> author’s own journey<br />
that lead <strong>to</strong> <strong>the</strong> conception and growth of this unique<br />
model of performance.<br />
PRATT’S FALL, BY STEWART PARKER.<br />
A REHEARSED READING<br />
Queen’s Drama Students, directed by Mark Phelan<br />
Pratt’s Fall by Stewart Parker. A Rehearsed Reading. Having<br />
found an old map which seems <strong>to</strong> prove that <strong>the</strong> Ireland’s<br />
St Brenda had discovered America, George Mahoney<br />
seduces Map Cura<strong>to</strong>r Vic<strong>to</strong>ria Pratt with it.<br />
PERFORMANCES, CONCERTS & SCREENINGS<br />
C<br />
CONCERT<br />
T<br />
TALK<br />
T<br />
TALK<br />
P<br />
PERFORMANCE<br />
10 Oct 24th / 1pm / Sonic Lab / Free<br />
Oct 24th / 5pm / Brian Friel Theatre / Free<br />
Oct 28th / 5pm / Brian Friel Theatre / Free<br />
Oct 28th / 7.45pm / Brian Friel Theatre / Free<br />
11
PERFORMANCES, CONCERTS & SCREENINGS<br />
STUART PARKER<br />
Retrospective<br />
Saturday 2 November 2013 marks <strong>the</strong> 25th anniversary of<br />
Stewart Parker. A scholar, poet, playwright, and music critic,<br />
he was a founding member of <strong>the</strong> Belfast Group and wrote<br />
extensively for stage, radio and screen.<br />
Like J. M. Synge, he was cut down at a tragically young age<br />
whilst at his height of his powers, but he has bequea<strong>the</strong>d us<br />
all a body of work that establishes him as <strong>the</strong> most innovative<br />
and important playwright <strong>to</strong> have emerged from Belfast, and<br />
one of Ireland’s greatest twentieth century playwrights.<br />
To commemorate Stewart’s 25th anniversary by celebrating<br />
his work, Queen’s Drama, with <strong>the</strong> kind support of BBC NI<br />
and Literary Belfast, will host a retrospective of Stewart’s<br />
work for stage, radio and screen <strong>to</strong> demonstrate Stewart’s<br />
extraordinary artistic achievement.<br />
As part of this retrospective, Queen’s <strong>University</strong> Belfast’s<br />
School of Creative Arts is delighted <strong>to</strong> be introduce <strong>the</strong><br />
“The Annual Stewart Parker Memorial Lecture”, in honour of<br />
Stewart’s artistic achievement, and which will be delivered<br />
by <strong>the</strong> renowned ac<strong>to</strong>r for stage and screen, Stephen Rea: a<br />
long-time close friend and collabora<strong>to</strong>r of Stewart’s.<br />
KAMIKAZE GROUND STAFF<br />
REUNION DINNER.<br />
Part of <strong>the</strong> Stewart Parker Retrospective.<br />
On August <strong>the</strong> 15th, 1945, after <strong>the</strong> official surrender of<br />
<strong>the</strong> Empire of Japan, Admiral Ma<strong>to</strong>me Ugaki led <strong>the</strong> last<br />
Special Attack Force pilots across <strong>the</strong> Pacific, <strong>to</strong> crash in<strong>to</strong><br />
American ships.<br />
Thirty-five years later, <strong>the</strong> men who serviced <strong>the</strong> aeroplanes<br />
are still meeting up for <strong>the</strong>ir annual dinner. Now settled<br />
in<strong>to</strong> civilian jobs - dentist, baker, taxi-driver, insurance<br />
salesman - and with children and grandchildren, <strong>the</strong>y<br />
bemoan <strong>the</strong> decay of traditional Japanese values. Hard<br />
liquor is imbibed, <strong>to</strong>asts raised <strong>to</strong> <strong>the</strong> memory of <strong>the</strong> heroic<br />
dead, and old rivalries resurface.<br />
The survivors’ dissatisfaction with post-war life comes <strong>to</strong> a<br />
head when, in a moment of drunken inspiration, Tokkotai<br />
<strong>the</strong> airline pilot decides on a symbolic gesture <strong>to</strong> show that<br />
<strong>the</strong> kamikaze spirit lives on<br />
PERFORMANCES, CONCERTS & SCREENINGS<br />
The ‘Annual Stewart Parker Memorial Lecture’ will be<br />
delivered each year by a distinguished artist or intellectual<br />
from <strong>the</strong> field of Theatre, Film, Music and Sonic Arts <strong>to</strong><br />
reflect both <strong>the</strong> School of Creative Arts multi-subject<br />
composition, and Stewart’s extraordinary eclecticism.<br />
P<br />
PERFORMANCE<br />
S<br />
SCREENING<br />
Oct 28th - Nov 3rd / Brian Friel Theatre, QFT and BBC<br />
12 / Free<br />
Oct 29th / 1pm / QFT 1 / Free<br />
13
PERFORMANCES, CONCERTS & SCREENINGS<br />
SANCTUARY<br />
The fourth original Playhouse, Theatre of Witness production<br />
In co-operation with Holywell Trust illuminates <strong>the</strong> s<strong>to</strong>ries<br />
of those in exile, those seeking safe haven, and those<br />
who have created oases of peace and healing in Nor<strong>the</strong>rn<br />
Ireland.<br />
The performers include refugee and asylum seekers from<br />
countries of war, as well as those who have sought or<br />
offered refuge following sectarianism and/or violence.<br />
Sanctuary also highlights moments of ordinary and humble<br />
peace building.<br />
Sanctuary is created and directed by Teya Sepinuck, with<br />
music by Brian Irvine, puppetry by Aja Marneweck and film<br />
by Declan Keeney.<br />
To book a tickets contact The Playhouse Box Office<br />
on 028 7126 8027<br />
Admission is Free - please book seats <strong>to</strong> avoid<br />
disappointment. Each performance will be followed by a<br />
light reception<br />
CATCHPENNY TWIST<br />
Dismissed from <strong>the</strong>ir teaching jobs, two young Belfast<br />
musicians pursue alternative careers in <strong>the</strong> music industry<br />
as songwriters, however, <strong>the</strong>ir catchpenny tunes which<br />
also involve ballads for fallen volunteers of both loyalist<br />
and republican paramilitaries leads <strong>to</strong> live bullets in <strong>the</strong><br />
post and death threats, so <strong>the</strong>y set off for Dublin and <strong>the</strong>n<br />
London and eventually end up in <strong>the</strong> final Eurovision Song<br />
Contest! Success seems at hand and Belfast seems very far<br />
away... but for how long?<br />
IRIS IN THE TRAFFIC, RUBY IN THE RAIN<br />
Parker later referred <strong>to</strong> <strong>the</strong> play as ‘a condensed female<br />
variant on <strong>the</strong> Dedalus-Bloom odyssey’. Ruby <strong>the</strong> Bloom<br />
figure, played by Frances Tomelty, is a vigorous if flusodden<br />
social worker who journeys <strong>the</strong> city sneezing and<br />
assisting o<strong>the</strong>rs. Iris <strong>the</strong> Stephen figure, played by Aingeal<br />
Grehan, is a ra<strong>the</strong>r passive, incurious character who is<br />
regularly and haphazardly caught up in o<strong>the</strong>rs’ activities.<br />
A certain restless agitation governs most of <strong>the</strong> play’s<br />
characters, and <strong>the</strong> aggressive strains of Stiff Little Fingers<br />
sets <strong>the</strong> <strong>to</strong>ne for Ruby’s odyssey through Belfast. By <strong>the</strong><br />
play’s conclusion, a trio of responses <strong>to</strong> <strong>the</strong> conditions of<br />
Belfast life has emerged: <strong>the</strong> loss of sanity; emigration; or<br />
staying on and surviving <strong>to</strong>ge<strong>the</strong>r. Strikingly, it is <strong>the</strong> female<br />
characters that seem most rooted in <strong>the</strong> city.<br />
Iris in <strong>the</strong> Traffic, Ruby in <strong>the</strong> Rain is an unlikely combination<br />
of elements. Yet <strong>the</strong> discreet Joyce reference, <strong>the</strong> punk<br />
gig, and <strong>the</strong> soundtrack, lend unexpected nuances <strong>to</strong> <strong>the</strong><br />
social problem play structure that was emblematic of Play<br />
for Today.<br />
Stiff Little Fingers provide <strong>the</strong> soundtrack, and singer Jake<br />
Burns appears as Iris’s friend.<br />
PERFORMANCES, CONCERTS & SCREENINGS<br />
P<br />
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S<br />
SCREENING<br />
S<br />
SCREENING<br />
14 Oct 29th - 30th / 7.30pm / Brian Friel Theatre / Free<br />
Oct 30th / 1pm / QFT 1 / Free<br />
Oct 31st / 1pm / QFT 1 / Free<br />
15
PERFORMANCES, CONCERTS & SCREENINGS<br />
DOIMNIC MAC GHIOLLA BHRIDE<br />
A concert of sean nós singing from Donegal<br />
Doimnic Mac Giolla Bhríde, from <strong>the</strong> northwest Gaeltacht<br />
of Donegal, has been immersed in <strong>the</strong> culture of <strong>the</strong> area<br />
from a young age. This region, which is <strong>the</strong> last Gaelic<br />
speaking area in Ulster, preserves not only <strong>the</strong> Donegal<br />
sean-nós songs but also songs from all over Ulster.<br />
As a young singer his main influences were Caitlín Ní<br />
Dhomhnaill, Lillis Ó Laoire, Áine Bn. Uí Laoi, Mairead Ní<br />
Mhaonaigh and his mo<strong>the</strong>r Nellie Nic Giolla Bhríde.<br />
He studied music at university and now works as a<br />
full-time musician.<br />
NORTHERN STAR<br />
Directed by Frankie McCafferty<br />
Nor<strong>the</strong>rn Star is one of <strong>the</strong> greatest masterpieces of<br />
modern Irish drama, a play in which Parker’s biographer,<br />
Marilynn Richtarik, observes, <strong>the</strong> artist sought <strong>to</strong> articulate<br />
‘a creative space between unionism and nationalism’<br />
<strong>to</strong> prove ‘<strong>the</strong> possibility of a shared culture in Nor<strong>the</strong>rn<br />
Ireland.’ Set in Belfast’s ‘Golden Age’ of <strong>the</strong> late 18th<br />
century, when <strong>the</strong> city was hailed as <strong>the</strong> ‘A<strong>the</strong>ns of <strong>the</strong><br />
North and was a harbinger of radical thought, Nor<strong>the</strong>rn<br />
Star explores <strong>the</strong> life, death and legacy of Henry Joy<br />
McCracken, <strong>the</strong> leader of <strong>the</strong> United Irishmen in <strong>the</strong> 1798<br />
Rising in a play that challenges nationalist and unionist<br />
notions of <strong>the</strong> past, <strong>to</strong> reveal how <strong>the</strong> origins of militant<br />
republicanism - in one of those ironies of Irish his<strong>to</strong>ry - lay<br />
in <strong>the</strong> same protestant community that has inveighed<br />
against its modern manifestation.<br />
JOYCE IN JUNE<br />
Parker frequently expressed his deep appreciation of James<br />
Joyce’s work and with this play he most explicitly pays tribute<br />
<strong>to</strong> his men<strong>to</strong>r. Joyce in June is a clever concoction of fact<br />
andfiction combining a double narrative, citations from Joyce’s<br />
biography and work, with a typically incisive comic perspective.<br />
The framing s<strong>to</strong>ryline follows Joyce and his companions<br />
shortly after Joyce began walking out with Nora Barnacle.<br />
The embedded s<strong>to</strong>ryline is imagined by Joyce while he poses<br />
for fellow student, Constantine Curran, who is taking his<br />
pho<strong>to</strong>graph — an iconic image of <strong>the</strong> young Joyce.<br />
Parker’s “television postscript <strong>to</strong> Ulysses” features Molly Bloom,<br />
Blazes Boylan and an assortment of Dublin singers on a concert<br />
<strong>to</strong>ur that begins, fatefully, in Belfast. Nor<strong>the</strong>rn piety clashes with<br />
Sou<strong>the</strong>rn frivolity resulting in a dramatic breakdown of decorum<br />
and raucous laughter at <strong>the</strong> play’s finale. If <strong>the</strong> production of<br />
Joyce in June is ra<strong>the</strong>r low budget and studio-bound, <strong>the</strong> cast<br />
energetically draw out <strong>the</strong> wit, playfulness and <strong>the</strong>atricality of<br />
Parker’s script. Roles are artfully doubled—Bridget de Courcy<br />
plays Nora and Molly with seductive charm; Stephen Rea is<br />
both <strong>the</strong> abstemious Stanislaus Joyce and <strong>the</strong> inebriated Mick<br />
McIn<strong>to</strong>sh; Gabriel Byrne performs <strong>the</strong> dapper Ted Keogh and<br />
<strong>the</strong> Don Juan figure, Blazes Boylan.<br />
Joyce in June is a remarkable tribute <strong>to</strong> Joyce, though as<br />
Parker admits “<strong>the</strong>re’s a tiny motive ofrevenge as well for those<br />
invariably unpleasant portraits of Nor<strong>the</strong>rners in <strong>the</strong> Joyce<br />
canon, <strong>the</strong> likes of Mr Alleyne in “Counterparts,” MacAlister<br />
of <strong>the</strong> oblong skull in A Portrait, <strong>the</strong> headmaster Deasy in<br />
Ulysses.”<br />
SPOKESONG<br />
Directed by Frankie McCafferty<br />
Stewart Parker’s extraorindary first play Spokesong is set in<br />
a Belfast bicycle shop, owned by Frank S<strong>to</strong>ck, who dreams<br />
of reviving interest in cycling in his native city. The city<br />
fa<strong>the</strong>rs, however, are not convinced. Spokesong is <strong>to</strong>ld with<br />
<strong>the</strong> aid of flashbacks, trick cyclists and juggling.<br />
PERFORMANCES, CONCERTS & SCREENINGS<br />
C CONCERT P PERFORMANCE S SCREENING<br />
P<br />
PERFORMANCE<br />
16 Oct 31st / 1.10pm / Harty Room / Free<br />
Oct 31st / 7.45pm / Brian Friel Theatre / Free<br />
Nov 1st / 1pm / QFT 1 / Free<br />
Nov 1st / 7.45pm / Brian Friel Theatre / Free<br />
17
PERFORMANCES, CONCERTS & SCREENINGS<br />
INTERVIEW WITH PROF. JAMES MACKAY<br />
Images of <strong>the</strong> Two Traditions.<br />
A poignant and profound interview with Stewart Parker<br />
filmed several months before his death whilst he was<br />
enjoying <strong>the</strong> success of his last, and greatest play,<br />
Pentecost.<br />
STEPHEN REA<br />
The Inaugural Stewart Parker Memorial Lecture<br />
Saturday 2 November 2013 marks <strong>the</strong> 25th anniversary<br />
of Stewart Parker. A poet and playwright who wrote<br />
extensively for stage, radio and screen, Stewart Parker is <strong>the</strong><br />
most innovative and important playwright <strong>to</strong> have emerged<br />
from Belfast and one of Ireland’s greatest twentieth century<br />
playwrights. As Stewart’s work spans Theatre, Film and<br />
Music, <strong>the</strong> School of Creative Arts at Queen’s <strong>University</strong><br />
Belfast is delighted <strong>to</strong> be introduce <strong>the</strong> “The Annual<br />
Stewart Parker Memorial Lecture”, in honour of Stewart’s<br />
artistic achievement. The inaugural lecture will be delivered<br />
by <strong>the</strong> renowned ac<strong>to</strong>r for stage and screen, Stephen Rea: a<br />
long-time close friend and collabora<strong>to</strong>r of Stewart’s.<br />
PENTECOST<br />
BBC Film Version<br />
Set in East Belfast at <strong>the</strong> height of <strong>the</strong> 1974 Ulster Workers’<br />
Strike, Pentecost tells <strong>the</strong> s<strong>to</strong>ry of four ‘refugees’, ga<strong>the</strong>red<br />
<strong>to</strong>ge<strong>the</strong>r in a working-class parlour-house where, against<br />
<strong>the</strong> background of political strife, <strong>the</strong>y work out <strong>the</strong>ir<br />
personal relationships with each o<strong>the</strong>r, <strong>the</strong> world outside,<br />
and <strong>the</strong>ir past. Only Marian is aware of a fifth presence -<br />
<strong>the</strong> ghost of Lily Mat<strong>the</strong>ws, who returns <strong>to</strong> haunt <strong>the</strong> house.<br />
This BBC television version of Stewart’s final play was<br />
adapted by his partner Lesley Bruce<br />
ICEBERG<br />
By Stewart Parker (Radio Play)<br />
Iceberg relates <strong>the</strong> purga<strong>to</strong>rial plight of two shipyard<br />
workers, Danny and Hugh, a Catholic and a Protestant,<br />
killed in <strong>the</strong> construction of <strong>the</strong> Titanic - Belfast’s ‘<br />
proudest offering <strong>to</strong> <strong>the</strong> Empire - and <strong>to</strong> <strong>the</strong> world!”,<br />
and whose ghosts wander <strong>the</strong> fateful ship’s decks on her<br />
maiden voyage.<br />
PERFORMANCES, CONCERTS & SCREENINGS<br />
S<br />
SCREENING<br />
P PERFORMANCE S SCREENING<br />
P<br />
PERFORMANCE<br />
18 Nov 2nd / 5pm / Brian Friel Theatre / Free<br />
Nov 2nd / 6pm / Brian Friel Theatre / Free<br />
Nov 2nd / 8pm / Brian Friel Theatre / Free<br />
Nov 3rd / 1pm / Brian Friel Theatre / Free<br />
19
PERFORMANCES, CONCERTS & SCREENINGS<br />
I’M A DREAMER MONTREAL<br />
By Stewart Parker (Radio Play)<br />
Parker’s play “I’m a Dreamer, Montreal” won <strong>the</strong><br />
Chris<strong>to</strong>pher Ewart-Biggs Memorial Prize. It was<br />
commissioned by BBC Radio 3 in April 1975 and televised<br />
for ITV Playhouse in March 1979. Set in Belfast, it tells<br />
<strong>the</strong> tale of music librarian, Nelson Gloverby, who lives<br />
in a dream world. A Showband singer by night, he is<br />
unconcerned with audience irritation at his inability <strong>to</strong><br />
stick <strong>to</strong> <strong>the</strong> proper lyrics and is innocently drawn in<strong>to</strong> <strong>the</strong><br />
brutality of <strong>the</strong> Troubles when he meets siren Sandra Carse.<br />
THE TRAVELLER<br />
By Stewart Parker (Radio Play)<br />
Stewart’s last and darkest radio play, featuring Donal<br />
McCann in <strong>the</strong> lead role as (mad) Sweeney, a frustrated<br />
travel writer on <strong>the</strong> cusp on a nervous breakdown, is a<br />
beautifully crafted work that’s described as a ‘secular<br />
travesty of Dante’s inferno’. First broadcast in 1984, it also<br />
features a young Ian McElhinney.<br />
ESTHER LAMNECK<br />
Music for Clarinet and Computer<br />
The New York Times calls Es<strong>the</strong>r Lamneck “an as<strong>to</strong>nishing<br />
virtuoso”. Winner of <strong>the</strong> prestigious Pro Musicis Award,<br />
she has appeared as a soloist with major orchestras, with<br />
conduc<strong>to</strong>rs such as Pierre Boulez, and with renowned<br />
chamber music and improvised music artists throughout<br />
<strong>the</strong> world. A versatile performer and an advocate of<br />
contemporary music, she is known for her work with<br />
electronic media including interactive arts, movement,<br />
dance and improvisation.<br />
Program:<br />
Robert Rowe - Cigar Smoke<br />
Paul Wilson - It Had <strong>to</strong> Be You<br />
Lawrence Fritts - Musicometry I<br />
Izzi Ramkissoon - Domesticated Animalia<br />
Paola Lopreia<strong>to</strong> - Inner Voices<br />
DR IAIN MCCURDY<br />
This concert will include a number of Iain’s recent pieces<br />
for fixed medium - both diffused stereo and multichannel<br />
- and will also feature <strong>the</strong> premiere of a new piece for<br />
bass trombone and live electronics, commissioned and<br />
performed by Paul Wilson.<br />
Iain McCurdy is a composer whose output includes<br />
electroacoustic music for fixed medium, music for<br />
conventional instrumentation and sound installation.<br />
Recent work has also included instrument building and <strong>the</strong><br />
use of electronic sensors <strong>to</strong> facilitate audience interaction.<br />
Iain is <strong>current</strong>ly based in Berlin but is originally from Belfast<br />
where he studied composition at SARC.<br />
PERFORMANCES, CONCERTS & SCREENINGS<br />
P<br />
PERFORMANCE<br />
P<br />
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C CONCERT C CONCERT<br />
20 Nov 3rd / 2.45pm / Brian Friel Theatre / Free<br />
Nov 3rd / 4pm / Brian Friel Theatre / Free<br />
Nov 7th / 1pm / Sonic Lab / Free<br />
Nov 13th / 5pm / Sonic Lab / Free<br />
21
PERFORMANCES, CONCERTS & SCREENINGS<br />
ISMAEL FLORIT (PIANO)<br />
DERMOT CLENAGHAN (CELLO)<br />
Recital<br />
Pianist Ismael Florit and Cellist Dermot Clenaghan will<br />
be performing a selection of works for <strong>the</strong>ir respective<br />
instruments.<br />
These young musicians won this opportunity <strong>to</strong> perform<br />
for this event after receiving <strong>to</strong>p marks in <strong>the</strong>ir final<br />
performance recitals in June 2013.<br />
We are proud <strong>to</strong> have <strong>the</strong>m back in <strong>the</strong> capacity of<br />
showcasing our musical talents at <strong>the</strong> School of<br />
Creative Arts.<br />
ROYAL STRING QUARTET<br />
Mozart - KV 465 The Dissonance Quartet<br />
Szymanski - new work (UK premiere)<br />
Beethoven - op. 135<br />
RUTH LEARY<br />
(THE UNIVERSITY OF WARWICK)<br />
Developing <strong>the</strong> Cultural Entrepreneur<br />
What does it mean <strong>to</strong> be a cultural entrepreneur? What<br />
skills, attitudes and behaviours does it involve? What is<br />
<strong>the</strong> nature of entrepreneurship in <strong>the</strong> creative sec<strong>to</strong>r? How<br />
do <strong>the</strong> answers <strong>to</strong> <strong>the</strong>se questions relate <strong>to</strong> your personal<br />
ambitions <strong>to</strong> become a cultural entrepreneur? In this two<br />
part workshop participants will explore <strong>the</strong>se questions<br />
through a combination of practical work and reflection and<br />
will develop understanding of <strong>the</strong> role of identity, narrative<br />
and <strong>the</strong> entrepreneurial thinking involved in cultural<br />
entrepreneurship.<br />
THE CORY BAND<br />
In Concert<br />
The 2013 world champions, The Cory Band and musical<br />
direc<strong>to</strong>r Philip Harper, form <strong>the</strong> high point of this year’s<br />
Festival of Brass at Queen’s. Presented in association with<br />
<strong>the</strong> Universtiy Brass Band and <strong>the</strong> Nor<strong>the</strong>rn Ireland Brass<br />
Band League.<br />
PERFORMANCES, CONCERTS & SCREENINGS<br />
C<br />
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C<br />
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W<br />
WORKSHOP<br />
C<br />
CONCERT<br />
Nov 23rd / 11am - 4pm / The Old Staff Common Room,<br />
22 Nov 14th / 1.10pm / Harty Room / Free<br />
Nov 20th / 7.30pm / Sonic Lab / Free<br />
Lanyon Building / Free<br />
Nov 23rd / 8pm / Whitla Hall / £15 / £5<br />
23
PERFORMANCES, CONCERTS & SCREENINGS<br />
SARAH RICHMOND (SOPRANO)<br />
& RYAN MOLLOY (PIANO)<br />
Moods & Fancies of <strong>the</strong> Late Romantics<br />
This concert unites two acclaimed young professionals<br />
(both Queen’s graduates) in a performance of Gustav<br />
Mahler’s 1896 song cycle, Lieder eines fahrenden Gesellen<br />
(‘Songs of a Wayfarer’), where <strong>the</strong> composer set his own<br />
lyrics <strong>to</strong> mark <strong>the</strong> unhappy conclusion <strong>to</strong> a love affair.<br />
This programme will also feature a selection from Richard<br />
Strauss’ Stimmungsbilder (Moods and Fancies for piano) as<br />
well as some of his lieder.<br />
C<br />
CONCERT<br />
A BETTER BOY: A DRAMATIC MONOLOGUE<br />
by John Wilson Foster performed by Ian McElhinney.<br />
Lord Pirrie – one of <strong>the</strong> most successful businessman of his<br />
era – has condescended <strong>to</strong> grant an interview <strong>to</strong> a young<br />
journalist eager <strong>to</strong> hear his memories of Tommie Andrews,<br />
<strong>the</strong> “better boy” of <strong>the</strong> title. Andrews was <strong>the</strong> great man’s<br />
nephew and co-designer of <strong>the</strong> lost Titanic and who shared<br />
<strong>the</strong> fate of his creation.<br />
It is 1917, before Pirrie is called upon <strong>to</strong> take charge of<br />
British merchant shipping during <strong>the</strong> Great War while still<br />
firmly at <strong>the</strong> tiller of Harland & Wolff, <strong>the</strong> world’s biggest<br />
shipyard. It is still his heyday and <strong>the</strong> interview is conducted<br />
in his lavish Surrey mansion in a saloon underneath <strong>the</strong><br />
mansion’s man-made lake, an irony that like <strong>the</strong> lost ship<br />
goes unremarked. A celebrated public speaker, Pirrie soon<br />
takes charge of <strong>the</strong> interview <strong>to</strong> give his own side of <strong>the</strong><br />
Titanic s<strong>to</strong>ry.<br />
Pirrie is no shamed Bruce Ismay, however, this masterbuilder<br />
and irresistible salesman, famous for his prodigious<br />
memory and eye for detail, finds himself on a journey of<br />
self-discovery that finally admits doubt, resentment and<br />
even sorrow.<br />
The dramatic monologue has a performance time of<br />
roughly 50 minutes<br />
P<br />
PERFORMANCE<br />
60X60<br />
60 works by 60 artists, 60x60 offers something different<br />
every minute<br />
60x60 is a project containing 60 works each 60 seconds<br />
in length presented continuously in an hour performance<br />
synchronized with an analog clock. 60x60 presents a slice<br />
of what is happening in <strong>the</strong> contemporary music scene<br />
by representing 60 works that are diverse in aes<strong>the</strong>tic and<br />
style. Works are selected from an international pool of<br />
emerging and established composers and sequenced in<br />
order. The resulting mix is presented, without interruption,<br />
as a continuous one-hour performance synchronized <strong>to</strong> an<br />
on-stage analog clock.<br />
The 60x60 (2012) UK Mix is <strong>the</strong> second ever 60x60 mix<br />
comprised of composers, musicians and sound artists from<br />
<strong>the</strong> United Kingdom. Elainie Lillios is <strong>the</strong> audio coordina<strong>to</strong>r<br />
for <strong>the</strong> 60x60 (2012) UK Mix.<br />
http://www.60x60.com/2012_UK_Mix.htm<br />
JAM CHRISTMAS CONCERT PART 1<br />
Students of Junior Academy of Music<br />
The concert will involve children who are attending Junior<br />
Academy of Music programmes. It will include some of <strong>the</strong><br />
following: JAM Youngest Choir, Junior Choir, Senior Choir,<br />
Brass Band, JAM Four Creative Music Technology.<br />
Dec 7th / 11am / St. Brides Hall / £3<br />
24 Nov 28th / 1.10pm / Harty Room / Free<br />
Dec 5th - 6th / 8pm / Brian Friel Theatre / Free<br />
Dec 5th / 1pm / Sonic Lab / Free<br />
(Derryvolgie Avenue, Belfast, BT9 6FP)<br />
25<br />
C<br />
CONCERT<br />
C<br />
CONCERT<br />
PERFORMANCES, CONCERTS & SCREENINGS
PERFORMANCES, CONCERTS & SCREENINGS<br />
MARTIN WILLIAMS (TENOR SAX)<br />
With <strong>the</strong> Steve Barnett All Stars<br />
QUEEN’S BIG BAND<br />
with guest Martin Williams (tenor sax)<br />
The popular pre-Christmas concert by Queen’s Big Band<br />
and <strong>the</strong>ir direc<strong>to</strong>r Steve Barnett, who play classics and<br />
seasonal specialities with special guest star from London,<br />
Martin Williams (tenor sax).<br />
PERFORMANCES, CONCERTS & SCREENINGS<br />
CHRISTMAS BRASS AND VOICES<br />
<strong>University</strong> Brass Band and Chamber Choir<br />
The <strong>University</strong> Choir and Brass Band join forces <strong>to</strong> present<br />
an end of year programme of classics and seasonal works.<br />
A seasonal favourite, this concert unites a jazz star from <strong>the</strong><br />
London firmament with local virtuosi under <strong>the</strong> direction of<br />
Steve Barnett (piano). Today we are delighted <strong>to</strong> welcome<br />
back Martin Williams (tenor sax), lead tenorist from <strong>the</strong> BBC<br />
Big Band; Martin is one of <strong>the</strong> most celebrated reed voices<br />
in jazz, having played with luminaries such as Ray Charles<br />
and George Shearing. Martin will also be joining Queen’s<br />
Big Band <strong>to</strong>night for <strong>the</strong>ir Christmas Concert.<br />
C<br />
CONCERT<br />
C<br />
CONCERT<br />
C<br />
CONCERT<br />
26 Dec 7th / 7.30pm / Whitla Hall / £7 (£5)<br />
Dec 12th / 1.10pm / Harty Room / Free<br />
Dec 12th / 7.30pm / Elmwood Hall / £7/£5<br />
27
PERFORMANCES, CONCERTS & SCREENINGS<br />
General Enquiries<br />
028 9097 4867<br />
Tickets<br />
Queen’s <strong>University</strong> Belfast Music Building<br />
028 9097 5337<br />
(tickets for Harty Room, Whitla Hall,<br />
Great Hall, SARC)<br />
www.qub.ac.uk/schools/SchoolofCreativeArts<br />
Brian Friel Theatre<br />
028 9097 1382<br />
www.brianfriel<strong>the</strong>atre.co.uk<br />
Queens Film Theatre<br />
028 9097 1097<br />
www.queensfilm<strong>the</strong>atre.com<br />
TALKS & SEMINARS<br />
JAM CHRISTMAS CONCERT PART 2<br />
Students of Junior Academy of Music<br />
The concert will involve children who are attending Junior<br />
Academy of Music programmes. It will include some of <strong>the</strong><br />
following: JAM Youngest Choir, Junior Choir, Senior Choir,<br />
Brass Band, JAM Four Creative Music Technology.<br />
QUSO CHRISTMAS CONCERT<br />
Queen’s <strong>University</strong> Symphony Orchestra & Music Society Choir<br />
Seasonal favourites and popular classics brought <strong>to</strong> you<br />
by <strong>the</strong> Queen’s <strong>University</strong> Symphony Orchestra and Music<br />
Society Choir.<br />
Crescent Arts Centre<br />
028 9094 2338<br />
www.crescentarts.org<br />
C CONCERT C CONCERT<br />
28 Dec 14th / 11am / Elmwood Hall / £3<br />
Dec 18th / 7.30pm / Whitla Hall / £7 (£5)<br />
29
TALKS & SEMINARS<br />
PHD ROUNDTABLE<br />
CREATIVE ARTS<br />
Please see http://phdroundtable.blogspot.co.uk/ for speaker<br />
names and abstracts<br />
Dec 2nd / 5pm / Old McMordie Hall / Free<br />
EARFILMS<br />
IMAGINATION IS THE NEW TECHNOLOGY:<br />
CREATING FILMS THAT ARE TOLD PURELY<br />
THROUGH SOUND<br />
JUSTIN SMITH<br />
(UNIVERSITY OF PORTSMOUTH)<br />
CHANNEL 4 AND BRITISH FILM CULTURE<br />
MERGING METHODOLOGIES IN FILM AND<br />
TELEVISION STUDIES<br />
Dec 11th / 4.30pm / Film & Drama Centre, Screen 2 / Free<br />
Dec 4th / 1pm / Sonic Lab / Free<br />
DR EWAN JEFFREY<br />
BOOK LAUNCH AND SEMINAR:<br />
‘VEX NOT HIS GHOST: SILENCE AND SPEECH IN<br />
DRAMA AND PALLIATIVE CARE’<br />
Dec 5th / 4pm / Seminar Room, 21 <strong>University</strong> Square / Free<br />
MARCUS TAN<br />
K-CONTAGION: SOUND, SPEED AND SPACE IN<br />
PSY’S ‘GANGNAM STYLE’<br />
(‘RECOMPOSING THE CITY’ EVENT SERIES)<br />
Dec 11th / 1pm / Old McMordie Hall / Free<br />
31 30<br />
TALKS & SEMINARS
TALKS & SEMINARS<br />
CHRIS WATSON<br />
LOCATION SOUND TECHNIQUES AND<br />
ASSOCIATED FIELDCRAFT<br />
Oct 23rd, 24th / 1pm / Sonic Lab / Free<br />
KATE EGAN (ABERYSTWYTH UNIVERSITY)<br />
LOCAL CENSORSHIP, THE BBFC AND THE<br />
PYTHONESQUE: THE ROLE OF COMEDY IN THE<br />
BRITISH THE LIFE OF BRIAN CONTROVERSY<br />
Oct 23rd / 4.30pm / Film & Drama Centre / Free<br />
ORFHLAITH NÍ BHRIAIN<br />
FRAMING THE HISTORY OF IRISH DANCE<br />
CHARLES VERRON<br />
ENVIRONMENTAL SOUND SYNTHESIS<br />
Nov 6th / 1pm / Sonic Lab / Free<br />
TONY DOWMUNT (GOLDSMITH UNIVERSITY)<br />
WILL IT HARM THE SHEEP?: TRADITION,<br />
INVENTION AND INTERVENTION IN CENTRAL<br />
AUSTRALIAN INDIGENOUS MEDIA<br />
Nov 6th / 4.30pm / Film & Drama Centre, Screen 2 / Free<br />
ADRIAN DUNBAR<br />
IN CONVERSATION<br />
DR IAIN McCURDY<br />
INDETERMINACY, POSSIBILITY<br />
Nov 13th / 1pm / Sonic Lab / Free<br />
DONALD BURROWS<br />
THE HANDEL DOCUMENTS PROJECT<br />
Nov 20th / 1pm / Old McMordie Hall / Free<br />
CONN HOLOHAN<br />
(NUI GALWAY)<br />
IN PRAISE OF ERROR: COSMOPOLITAN SPACE IN<br />
THE FILMS OF CLAIRE DENIS<br />
CLASS OUT OF THE CLOSET CONFERENCE<br />
In association with <strong>the</strong> Outburst Queer Arts Festival<br />
CHARLOTTE COOPER, ALYSON CAMPBELL,<br />
RUTH MCCARTHY, STEVE FARRIER<br />
Nov 22nd - 23rd / Brian Friel Theatre / Free<br />
Nov 7th / 1pm / Brian Friel Theatre / Free<br />
Nov 20th / 4.30pm / Film & Drama Centre, Screen 2 / Free<br />
Oct 30th / 1pm / Old McMordie Hall / Free<br />
PHD ROUNDTABLE<br />
CREATIVE ARTS<br />
PhD students from across <strong>the</strong> School of Creative Arts present<br />
<strong>the</strong>ir cutting-edge research. Please see http://phdroundtable.<br />
blogspot.co.uk/ for speaker names and abstracts. See also next<br />
PhD roundtable on 2nd December 2013.<br />
DR PAUL MURPHY<br />
NEOLIBERAL PRACTICES<br />
Nov 21st / 4pm / Seminar Room, 21 <strong>University</strong> Square / Free<br />
GEORGE REVILL<br />
TONY SCHWARTS’ RESPONSIVE CHORD:<br />
ENTRAINMENT, CONNECTION AND THE<br />
POLITICS OF NETWORKED COMMUNICATION<br />
(‘RECOMPOSING THE CITY’ EVENT SERIES)<br />
Nov 27th / 1pm / Old McMordie Hall / Free<br />
Nov 11th / 5pm / Old McMordie Hall / Free<br />
33 32<br />
TALKS & SEMINARS
SIMON MAWHINNEY<br />
CIRCULARITY IN MARLACOO<br />
Oct 2nd / 1pm / Old McMordie Hall / Free<br />
TALKS &<br />
SEMINARS<br />
DR TRISH MCTIGHE<br />
THE HAPTIC AESTHETIC IN SAMUEL BECKETT’S<br />
DRAMA<br />
Oct 3rd / 4pm / Seminar Room, 21 <strong>University</strong> Square / Free<br />
GREG MCLAUGHLIN AND STEVE BAKER<br />
SUNDAY AND BLOODY SUNDAY, VERY BRITISH<br />
TRAGEDIES<br />
Oct 9th / 4.30pm / Screen 2, Film & Drama Centre / Free<br />
34<br />
TALKS & SEMINARS<br />
JACOB KIRKEGAARD<br />
‘A MATTER OF SOUND’<br />
(‘RECOMPOSING THE CITY’ EVENT SERIES)<br />
Oct 9th / 1pm / Sonic Lab / Free<br />
DAVE O’BRIEN<br />
(CITY UNIVERSITY OF LONDON)<br />
CULTURAL VALUE<br />
In cooperation with <strong>the</strong> Institute for Collaborative Research in<br />
<strong>the</strong> Humanities<br />
Oct 12th 11am - 4pm / Old Staff Common Room, Lanyon /<br />
Free<br />
JAIME JONES<br />
RESOUNDING TRADITION: EXPRESSIVITY AND<br />
EMBODIMENT IN HINDU DEVOTIONAL SONG<br />
Oct 16th / 1pm / Old McMordie Hall / Free<br />
SHARING HOPE AND EXPERIENCE<br />
A ROUNDTABLE DISCUSSION<br />
Oct 17th / 6pm / Brian Friel Rehearsal Space / Free
SEMINARS<br />
AUTUMN 2013<br />
TALKS WORKSHOPS PRESENTATIONS<br />
SCHOOL OF<br />
Creative Arts<br />
www.qub.ac.uk/creativearts Find us on Facebook & Twitter: creativeartsqub