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EVENTS<br />

AUTUMN 2013<br />

MUSIC DRAMA FILM SONIC ARTS<br />

SCHOOL OF<br />

Creative Arts<br />

www.qub.ac.uk/creativearts<br />

Find us on Facebook & Twitter: creativeartsqub


INTRODUCTION<br />

INTRODUCTION<br />

Welcome <strong>to</strong> <strong>the</strong> Autumn 2013<br />

<strong>brochure</strong> of <strong>events</strong> at <strong>the</strong> School of<br />

Creative Arts.<br />

We have a packed programme<br />

of performances, screenings,<br />

demonstrations and talks on offer,<br />

covering every aspect of <strong>the</strong> School’s<br />

work in Music, Drama, Film and Sonic<br />

Arts.<br />

The School’s Events Committee<br />

(CATE) has programmed a glittering<br />

line-up of distinguished artists,<br />

scholars and practitioners. This<br />

autumn our Quartet-in- Residence,<br />

<strong>the</strong> Royal Quartet, will be giving a<br />

recital again and we have several<br />

special highlight <strong>events</strong> including a<br />

seminar and concert by Chris Watson<br />

whose television work includes<br />

many programmes in <strong>the</strong> David<br />

Attenborough ‘Life’ series including<br />

‘The Life of Birds’ which won a BAFTA<br />

Award for ‘Best Factual Sound’ in<br />

1996. Also, we will be presenting<br />

EVENTS KEY<br />

a special event by Danish artist<br />

Jacob Kierkgaard who is sponsored<br />

by <strong>the</strong> “Recomposing <strong>the</strong> City:<br />

Sonic Arts & Urban Architecture”<br />

Project Research Group based at <strong>the</strong><br />

Institute for Collaborative Research<br />

in <strong>the</strong> Humanities at Queen’s (www.<br />

recomposing<strong>the</strong>city.org).<br />

The retrospective of scholar, poet,<br />

playwright, and music critic Stuart<br />

Parker (Oc<strong>to</strong>ber 28th - November<br />

3rd) is ano<strong>the</strong>r of our special highlight<br />

<strong>events</strong> this autumn.<br />

Many of <strong>the</strong> <strong>events</strong> have free<br />

admission, and we warmly encourage<br />

you <strong>to</strong> drop in during <strong>the</strong> day for<br />

an informal presentation or <strong>to</strong><br />

come along <strong>to</strong> one of <strong>the</strong> evening<br />

performances. We look forward <strong>to</strong><br />

seeing you.<br />

Professor Michael Alcorn<br />

Head of School<br />

Use <strong>the</strong> key below <strong>to</strong> help identify <strong>the</strong> types of <strong>events</strong> that appeal <strong>to</strong> you.<br />

P<br />

C<br />

S<br />

T<br />

PERFORMANCE<br />

CONCERT<br />

SCREENING<br />

TALKS & SEMINARS<br />

GENERAL ENQUIRIES<br />

Contact us on:<br />

028 9097 4867<br />

MAP<br />

CLAREMONT STREET<br />

6<br />

4<br />

5<br />

1<br />

1<br />

3<br />

2<br />

Drama and Film Centre<br />

& Brian Friel Theatre<br />

2 McMordie Hall<br />

3 Harty Room<br />

4<br />

Sonic Art Reseach Centre<br />

(SARC)<br />

5 Whitla Hall<br />

6<br />

Elmwood Hall<br />

PERFORMANCES<br />

CONCERTS &<br />

SCREENINGS<br />

W<br />

WORKSHOPS<br />

7<br />

7<br />

St Bride’s


PERFORMANCES, CONCERTS & SCREENINGS<br />

MA SONIC ARTS SHOWCASE<br />

Showcase of MA student work<br />

Current MA students in <strong>the</strong> Sonic Arts pathway are<br />

presenting <strong>the</strong>ir final MA projects / portfolios in <strong>the</strong> Sonic<br />

Lab. Join us <strong>to</strong> see <strong>the</strong>ir exciting works, developed at <strong>the</strong><br />

unique Sonic Arts Research Centre.<br />

RELEASE<br />

Premier<br />

Everyone has a past; but should <strong>the</strong>y be defined by it?<br />

The legacy of <strong>the</strong> conflict in Nor<strong>the</strong>rn Ireland weighs<br />

heavily on many of those who experienced it, pain and loss<br />

is as relevant <strong>to</strong>day as it was 30 years ago.<br />

This film bears witness <strong>to</strong> <strong>the</strong> first-hand accounts of 6<br />

remarkable men as <strong>the</strong>y each share <strong>the</strong>ir own s<strong>to</strong>ry publicly<br />

through <strong>the</strong> performance of <strong>the</strong> original Theatre of Witness<br />

production ‘Release’.<br />

Told by a former British soldier, RUC detective, prison<br />

governor, ex-prisoners and a man who survived a car bomb<br />

attack as a child.<br />

Their journey is at times heartbreaking, extraordinary,<br />

breathtakingly brave but ultimately transformational.<br />

Tickets are FREE and <strong>the</strong>re will be a light reception<br />

afterwards.<br />

PERFORMANCES, CONCERTS & SCREENINGS<br />

To book a ticket please contact<br />

The Playhouse Box Office - 028 7126 8027.<br />

C CONCERT S SCREENING<br />

4 Sep 4th / 2pm – 4pm / Sonic Lab / Free<br />

Sept 12th / 7pm / Brian Friel Theatre / Free<br />

5


PERFORMANCES, CONCERTS & SCREENINGS<br />

MARY DULLEA (PIANO)<br />

Playing Marlacoo by Simon Mawhinney<br />

During <strong>the</strong> years 2008-11, Queen’s lecturer Simon<br />

Mawhinney wrote a sequence of three works, each of which<br />

is intended <strong>to</strong> fill an entire concert. The final such work is<br />

Marlacoo for solo piano. This concert presents not only<br />

<strong>the</strong> world premiere, but serves <strong>to</strong> launch <strong>the</strong> CD recording<br />

of <strong>the</strong> work by Altarus Records. As soloist and chamber<br />

musician, Irish pianist Mary Dullea has built an impressive<br />

reputation as a performer and commissioner of new music,<br />

performing internationally and premiering many pieces<br />

including Marlacoo. www.marydullea.com<br />

BEN MCATEER (BARITONE)<br />

& CATHERINE NORTON (PIANO)<br />

BMS Nor<strong>the</strong>rn Lights Mini-Fest<br />

Programme <strong>to</strong> include:<br />

Schubert - Schwanengesang (selection)<br />

Schumann - Liederkreis, op. 39<br />

Quilter - Seven Elizabethan Lyrics<br />

Finzi - Let Us Garlands Bring<br />

Up <strong>to</strong> 30 free tickets for Queen’s <strong>University</strong> Belfast music &<br />

music technology students<br />

This concert is part of <strong>the</strong> 2013 Nor<strong>the</strong>rn Lights Mini-Fest,<br />

Belfast Music Society’s showcase for young local artists (full<br />

details of <strong>the</strong>se, and <strong>the</strong> o<strong>the</strong>r two <strong>events</strong> in <strong>the</strong> Mini-Fest,<br />

plus ticket booking details available at<br />

www.belfastmusicsociety.org).<br />

JACOB KIRKEGAARD<br />

Labyrinthitis<br />

‘Recomposing <strong>the</strong> City’ event series<br />

Based in Berlin, Germany, Jacob Kirkegaard is a graduate<br />

of <strong>the</strong> Academy for Media Arts in Cologne. Since 1995,<br />

he has presented his works at galleries, museums, venues<br />

& conferences throughout <strong>the</strong> world. For <strong>to</strong>day’s event,<br />

Kirkegaard has turned his ears inwards: Labyrinthitis is an<br />

interactive sound piece that consists entirely of sounds<br />

generated in <strong>the</strong> artist’s audi<strong>to</strong>ry organs – and will cause<br />

audible responses in those of <strong>the</strong> audience. The Wire<br />

selected a recording of Labyrinthitis as one of <strong>the</strong> ten<br />

best releases of 2008.<br />

This concert as well as <strong>the</strong> seminar by Kirkegaard on<br />

<strong>the</strong> 9th Oc<strong>to</strong>ber are part of <strong>the</strong> “Recomposing <strong>the</strong> City:<br />

Sonic Arts & Urban Architecture” Project Research Group<br />

based at <strong>the</strong> Institute for Collaborative Research in <strong>the</strong><br />

Humanities at Queen’s. It brings <strong>to</strong>ge<strong>the</strong>r over twenty<br />

researchers from Queen’s and beyond, and it is co-lead<br />

by staff in Creative Arts and Architecture. Events in <strong>the</strong><br />

Recomposing <strong>the</strong> City series will explore <strong>the</strong> relationship<br />

of sound and music <strong>to</strong> <strong>the</strong> understanding, design, and<br />

development of urban environments. Details of this<br />

Group can be found at:<br />

www.recomposing<strong>the</strong>city.org<br />

DAVE O’BRIEN<br />

Cultural Value Workshop<br />

Dr O’Brien will present a wide ranging discussion of cultural<br />

policy and cultural value, based on his new book “Cultural<br />

Policy: Management, Value and Modernity in <strong>the</strong> Creative<br />

Industries” The talk will use a range of case studies,<br />

including analysis of work in <strong>the</strong> creative industries, urban<br />

regeneration and cultural consumption. The case studies<br />

will be <strong>the</strong> basis for a consideration of <strong>the</strong> complexity<br />

of understanding <strong>the</strong> value of culture in modernity. The<br />

session will conclude with reflections on <strong>the</strong> tensions<br />

between <strong>the</strong> government and administration of culture and<br />

<strong>the</strong> need for artistic and cultural practice <strong>to</strong> have critical<br />

distance from both state and market.<br />

PERFORMANCES, CONCERTS & SCREENINGS<br />

C CONCERT C CONCERT C CONCERT<br />

W<br />

WORKSHOP<br />

6 Oct 3rd / 1.10pm / Harty Room / Free<br />

Oct 6th / 3pm / Harty Room / £10 (£5 under 25s)<br />

Oct 10th / 1:10pm / Sonic Lab / Free<br />

Oct 12th / 11.30pm / Old Staff Common Room / Free<br />

7


PERFORMANCES, CONCERTS & SCREENINGS<br />

LIZ KENNY (LUTE)<br />

Would <strong>the</strong> real ‘il divino’ please step forward?<br />

Giants of <strong>the</strong> lute in <strong>the</strong> early seventeenth century<br />

In <strong>the</strong>ir day, both Dowland and Laurencini were given <strong>the</strong><br />

ultimate accolade, “il divino”. His<strong>to</strong>ry has judged Dowland<br />

<strong>to</strong> be <strong>the</strong> greater, but <strong>the</strong> Knight of <strong>the</strong> Lute, who lived in<br />

Rome, had a bigger influence on friends and colleagues,<br />

perhaps because he was better at acquiring <strong>the</strong>m than<br />

<strong>the</strong> no<strong>to</strong>riously prickly Dowland. From our post-romantic<br />

perspective we will always admire <strong>the</strong> Lone Wolf genius<br />

more than a collegial rival, but you can judge for yourself.<br />

The programme will include lute music by Laurencini’s heir<br />

<strong>to</strong> <strong>the</strong> title in Rome, Hieronymus Kapsberger.<br />

C<br />

CONCERT<br />

ROYAL STRING QUARTET<br />

The renowned Royal String Quartet from Poland<br />

launch <strong>the</strong>ir second season of concerts in Belfast with a<br />

programme which blends old and new music. The concert<br />

features <strong>the</strong> premiere of a new quartet by Belfast-based<br />

composer Rob Casey which explores novel ideas of musical<br />

space, made possible through <strong>the</strong> unique 3D sound<br />

capabilities of <strong>the</strong> Sonic Lab at SARC. The programme<br />

also includes works by Polish composers Mykietyn and<br />

Szymanski and concludes with Haydn’s Opus 76 quartet in<br />

Bb major.<br />

Rob Casey - ‘I Remember it was Yellow’ (world premiere)<br />

Mykietyn - Quartet no 2<br />

Szymanski - Five Pieces for <strong>the</strong> String Quartet<br />

Haydn - op. 76 no 4<br />

C<br />

CONCERT<br />

SABRINA HU (FLUTE)<br />

& CATHAL BRESLIN (PIANO)<br />

BMS Nor<strong>the</strong>rn Lights Mini-Fest<br />

Poulenc - Sonata for Flute and Piano<br />

Ravel - Piece en forme de habanera<br />

Ravel - Ondine, for solo piano<br />

Debussy - Syrinx, for solo flute<br />

Messiaen - Le Merle Noir<br />

New work (t.b.c.)<br />

Brazilian trad.- Choros, arr. for flute and piano<br />

Piazzolla - His<strong>to</strong>ire du Tango, for flute and piano<br />

Up <strong>to</strong> 30 free tickets for Queen’s <strong>University</strong> Belfast music &<br />

music technology students<br />

This concert is part of <strong>the</strong> 2013 Nor<strong>the</strong>rn Lights Mini-Fest,<br />

Belfast Music Society’s showcase for young local artists (full<br />

details of <strong>the</strong>se, and <strong>the</strong> o<strong>the</strong>r two <strong>events</strong> in <strong>the</strong> Mini-Fest,<br />

plus ticket booking details available at<br />

www.belfastmusicsociety.org).<br />

C<br />

CONCERT<br />

PIANORQUESTRA<br />

With Pedro Rebelo, Justin Yang and Franziska Schroeder<br />

16 hands and two pianos...Brazilian music and <strong>the</strong> piano<br />

heard and seen live like never before!<br />

The highly acclaimed Brazilian group PianOrquestra makes<br />

its first visit <strong>to</strong> Belfast with composers Pedro Rebelo, Justin<br />

Yang and saxophonist Franziska Schroeder who are based<br />

at <strong>the</strong> Sonic Arts Research Centre at Queen’s.<br />

The programme is inspired by <strong>the</strong> work of John Cage and<br />

explores <strong>the</strong> sonorities of two pianos played by 16 hands<br />

using gloves, sticks, picks, nylon, rubber, metal, wood,<br />

fabric, plastic and electronics. It also explores Cage’s<br />

legacy, including <strong>the</strong> prepared piano, use of indeterminacy,<br />

everyday sound and graphic notation.<br />

This artistic collaboration is supported by British Council<br />

creating links between Brazil and Nor<strong>the</strong>rn Ireland through<br />

<strong>the</strong> Transform Festival.<br />

In collaboration with <strong>the</strong> Belfast Festival at Queen’s.<br />

C<br />

CONCERT<br />

PERFORMANCES, CONCERTS & SCREENINGS<br />

Oct 20th / 5pm / Sonic Arts Research Centre / £8/£6<br />

8 Oct 17th / 1.10pm / Harty Room / Free<br />

Oct 18th / 7.30pm / Sonic Lab / £10<br />

Oct 20th / 2.30pm / Harty Room / £10 (£5 under 25s)<br />

through Belfast Festival: www.belfastfestival.com<br />

9


PERFORMANCES, CONCERTS & SCREENINGS<br />

CHRIS WATSON<br />

Songs from <strong>the</strong> Silverbanks<br />

Live diffusion of <strong>the</strong> songs of humpback whales recorded<br />

on location off <strong>the</strong> coast of <strong>the</strong> Dominican Republic earlier<br />

this year.<br />

Born in 1953 in Sheffield where he attended Rowlinson<br />

School and Stanning<strong>to</strong>n College, Watson was a founding<br />

member of <strong>the</strong> influential Sheffield based experimental<br />

music group Cabaret Voltaire during <strong>the</strong> 1970’s and early<br />

1980’s. His sound recording career began in 1981 when he<br />

joined Tyne Tees Television. Since <strong>the</strong>n he has developed a<br />

particular and passionate interest in recording <strong>the</strong> wildlife<br />

sounds of animals, habitats and atmospheres from around<br />

<strong>the</strong> world. As a freelance composer and recordist for Film,<br />

TV & Radio, Watson specialises in natural his<strong>to</strong>ry and<br />

documentary location sound <strong>to</strong>ge<strong>the</strong>r with sound design in<br />

post production.<br />

His television work includes many programmes in <strong>the</strong><br />

David Attenborough ‘Life’ series including ‘The Life of<br />

Birds’ which won a BAFTA Award for ‘Best Factual Sound’<br />

in 1996. More recently Watson was <strong>the</strong> location sound<br />

recordist with David Attenborough on <strong>the</strong> BBC’s series<br />

‘Frozen Planet’ which also won a BAFTA Award for ‘Best<br />

Factual Sound’ (2012).<br />

OWEN McCAFFERTY<br />

Book Launch and Public Reading<br />

One of <strong>the</strong> most important and original playwrights<br />

working in Ireland <strong>to</strong>day, Owen McCafferty’s impressive<br />

body of work has been produced by every major <strong>the</strong>atre<br />

company in his native Belfast (Lyric, Tinderbox, Kabosh,<br />

Prime Cut) as well as Galway’s Druid Theatre Company,<br />

Dublin’s Abbey Theatre, and <strong>the</strong> National Theatre, London.<br />

Although all of Owen’s work is characterised by his unique<br />

adaptation of Belfast speech, <strong>the</strong> universalism of his<br />

subjects and lyricism of his language transcend its local<br />

roots as <strong>the</strong> global routes of new productions of his work<br />

can testify, with his work being translated and performed<br />

in Japan, Germany, Chile, France, America and Australia<br />

in recent years. Queen’s Drama are delighted <strong>to</strong> host an<br />

evening <strong>to</strong> celebrate <strong>the</strong> publication of an edited collection<br />

of Owen’s stage plays that includes: The Waiting List, Shoot<br />

<strong>the</strong> Crow, Mojo Mickybo, Closing Time and Scenes from<br />

<strong>the</strong> Big Picture.<br />

Owen will read from a number of <strong>the</strong>se plays and short<br />

excerpts from Mojo Mickeybo will also be performed,<br />

followed by a reception in <strong>the</strong> Brian Friel Theatre.<br />

TEYA SEPINUCK<br />

Reading excerpts from her new book: Theatre of Witness<br />

Theatre of Witness chronicles <strong>the</strong> author’s 26 years of<br />

creating and producing <strong>the</strong>atre with people whose s<strong>to</strong>ries<br />

have previously gone un<strong>to</strong>ld, including prisoners and <strong>the</strong>ir<br />

families, refugees, survivors and former perpetra<strong>to</strong>rs of<br />

domestic abuse, ex-combatants and those who have<br />

lived through war. With an engaging and heartfelt<br />

narrative, it beautifully conveys <strong>the</strong> key principles of<br />

Theatre of Witness and explores <strong>the</strong> author’s own journey<br />

that lead <strong>to</strong> <strong>the</strong> conception and growth of this unique<br />

model of performance.<br />

PRATT’S FALL, BY STEWART PARKER.<br />

A REHEARSED READING<br />

Queen’s Drama Students, directed by Mark Phelan<br />

Pratt’s Fall by Stewart Parker. A Rehearsed Reading. Having<br />

found an old map which seems <strong>to</strong> prove that <strong>the</strong> Ireland’s<br />

St Brenda had discovered America, George Mahoney<br />

seduces Map Cura<strong>to</strong>r Vic<strong>to</strong>ria Pratt with it.<br />

PERFORMANCES, CONCERTS & SCREENINGS<br />

C<br />

CONCERT<br />

T<br />

TALK<br />

T<br />

TALK<br />

P<br />

PERFORMANCE<br />

10 Oct 24th / 1pm / Sonic Lab / Free<br />

Oct 24th / 5pm / Brian Friel Theatre / Free<br />

Oct 28th / 5pm / Brian Friel Theatre / Free<br />

Oct 28th / 7.45pm / Brian Friel Theatre / Free<br />

11


PERFORMANCES, CONCERTS & SCREENINGS<br />

STUART PARKER<br />

Retrospective<br />

Saturday 2 November 2013 marks <strong>the</strong> 25th anniversary of<br />

Stewart Parker. A scholar, poet, playwright, and music critic,<br />

he was a founding member of <strong>the</strong> Belfast Group and wrote<br />

extensively for stage, radio and screen.<br />

Like J. M. Synge, he was cut down at a tragically young age<br />

whilst at his height of his powers, but he has bequea<strong>the</strong>d us<br />

all a body of work that establishes him as <strong>the</strong> most innovative<br />

and important playwright <strong>to</strong> have emerged from Belfast, and<br />

one of Ireland’s greatest twentieth century playwrights.<br />

To commemorate Stewart’s 25th anniversary by celebrating<br />

his work, Queen’s Drama, with <strong>the</strong> kind support of BBC NI<br />

and Literary Belfast, will host a retrospective of Stewart’s<br />

work for stage, radio and screen <strong>to</strong> demonstrate Stewart’s<br />

extraordinary artistic achievement.<br />

As part of this retrospective, Queen’s <strong>University</strong> Belfast’s<br />

School of Creative Arts is delighted <strong>to</strong> be introduce <strong>the</strong><br />

“The Annual Stewart Parker Memorial Lecture”, in honour of<br />

Stewart’s artistic achievement, and which will be delivered<br />

by <strong>the</strong> renowned ac<strong>to</strong>r for stage and screen, Stephen Rea: a<br />

long-time close friend and collabora<strong>to</strong>r of Stewart’s.<br />

KAMIKAZE GROUND STAFF<br />

REUNION DINNER.<br />

Part of <strong>the</strong> Stewart Parker Retrospective.<br />

On August <strong>the</strong> 15th, 1945, after <strong>the</strong> official surrender of<br />

<strong>the</strong> Empire of Japan, Admiral Ma<strong>to</strong>me Ugaki led <strong>the</strong> last<br />

Special Attack Force pilots across <strong>the</strong> Pacific, <strong>to</strong> crash in<strong>to</strong><br />

American ships.<br />

Thirty-five years later, <strong>the</strong> men who serviced <strong>the</strong> aeroplanes<br />

are still meeting up for <strong>the</strong>ir annual dinner. Now settled<br />

in<strong>to</strong> civilian jobs - dentist, baker, taxi-driver, insurance<br />

salesman - and with children and grandchildren, <strong>the</strong>y<br />

bemoan <strong>the</strong> decay of traditional Japanese values. Hard<br />

liquor is imbibed, <strong>to</strong>asts raised <strong>to</strong> <strong>the</strong> memory of <strong>the</strong> heroic<br />

dead, and old rivalries resurface.<br />

The survivors’ dissatisfaction with post-war life comes <strong>to</strong> a<br />

head when, in a moment of drunken inspiration, Tokkotai<br />

<strong>the</strong> airline pilot decides on a symbolic gesture <strong>to</strong> show that<br />

<strong>the</strong> kamikaze spirit lives on<br />

PERFORMANCES, CONCERTS & SCREENINGS<br />

The ‘Annual Stewart Parker Memorial Lecture’ will be<br />

delivered each year by a distinguished artist or intellectual<br />

from <strong>the</strong> field of Theatre, Film, Music and Sonic Arts <strong>to</strong><br />

reflect both <strong>the</strong> School of Creative Arts multi-subject<br />

composition, and Stewart’s extraordinary eclecticism.<br />

P<br />

PERFORMANCE<br />

S<br />

SCREENING<br />

Oct 28th - Nov 3rd / Brian Friel Theatre, QFT and BBC<br />

12 / Free<br />

Oct 29th / 1pm / QFT 1 / Free<br />

13


PERFORMANCES, CONCERTS & SCREENINGS<br />

SANCTUARY<br />

The fourth original Playhouse, Theatre of Witness production<br />

In co-operation with Holywell Trust illuminates <strong>the</strong> s<strong>to</strong>ries<br />

of those in exile, those seeking safe haven, and those<br />

who have created oases of peace and healing in Nor<strong>the</strong>rn<br />

Ireland.<br />

The performers include refugee and asylum seekers from<br />

countries of war, as well as those who have sought or<br />

offered refuge following sectarianism and/or violence.<br />

Sanctuary also highlights moments of ordinary and humble<br />

peace building.<br />

Sanctuary is created and directed by Teya Sepinuck, with<br />

music by Brian Irvine, puppetry by Aja Marneweck and film<br />

by Declan Keeney.<br />

To book a tickets contact The Playhouse Box Office<br />

on 028 7126 8027<br />

Admission is Free - please book seats <strong>to</strong> avoid<br />

disappointment. Each performance will be followed by a<br />

light reception<br />

CATCHPENNY TWIST<br />

Dismissed from <strong>the</strong>ir teaching jobs, two young Belfast<br />

musicians pursue alternative careers in <strong>the</strong> music industry<br />

as songwriters, however, <strong>the</strong>ir catchpenny tunes which<br />

also involve ballads for fallen volunteers of both loyalist<br />

and republican paramilitaries leads <strong>to</strong> live bullets in <strong>the</strong><br />

post and death threats, so <strong>the</strong>y set off for Dublin and <strong>the</strong>n<br />

London and eventually end up in <strong>the</strong> final Eurovision Song<br />

Contest! Success seems at hand and Belfast seems very far<br />

away... but for how long?<br />

IRIS IN THE TRAFFIC, RUBY IN THE RAIN<br />

Parker later referred <strong>to</strong> <strong>the</strong> play as ‘a condensed female<br />

variant on <strong>the</strong> Dedalus-Bloom odyssey’. Ruby <strong>the</strong> Bloom<br />

figure, played by Frances Tomelty, is a vigorous if flusodden<br />

social worker who journeys <strong>the</strong> city sneezing and<br />

assisting o<strong>the</strong>rs. Iris <strong>the</strong> Stephen figure, played by Aingeal<br />

Grehan, is a ra<strong>the</strong>r passive, incurious character who is<br />

regularly and haphazardly caught up in o<strong>the</strong>rs’ activities.<br />

A certain restless agitation governs most of <strong>the</strong> play’s<br />

characters, and <strong>the</strong> aggressive strains of Stiff Little Fingers<br />

sets <strong>the</strong> <strong>to</strong>ne for Ruby’s odyssey through Belfast. By <strong>the</strong><br />

play’s conclusion, a trio of responses <strong>to</strong> <strong>the</strong> conditions of<br />

Belfast life has emerged: <strong>the</strong> loss of sanity; emigration; or<br />

staying on and surviving <strong>to</strong>ge<strong>the</strong>r. Strikingly, it is <strong>the</strong> female<br />

characters that seem most rooted in <strong>the</strong> city.<br />

Iris in <strong>the</strong> Traffic, Ruby in <strong>the</strong> Rain is an unlikely combination<br />

of elements. Yet <strong>the</strong> discreet Joyce reference, <strong>the</strong> punk<br />

gig, and <strong>the</strong> soundtrack, lend unexpected nuances <strong>to</strong> <strong>the</strong><br />

social problem play structure that was emblematic of Play<br />

for Today.<br />

Stiff Little Fingers provide <strong>the</strong> soundtrack, and singer Jake<br />

Burns appears as Iris’s friend.<br />

PERFORMANCES, CONCERTS & SCREENINGS<br />

P<br />

PERFORMANCE<br />

S<br />

SCREENING<br />

S<br />

SCREENING<br />

14 Oct 29th - 30th / 7.30pm / Brian Friel Theatre / Free<br />

Oct 30th / 1pm / QFT 1 / Free<br />

Oct 31st / 1pm / QFT 1 / Free<br />

15


PERFORMANCES, CONCERTS & SCREENINGS<br />

DOIMNIC MAC GHIOLLA BHRIDE<br />

A concert of sean nós singing from Donegal<br />

Doimnic Mac Giolla Bhríde, from <strong>the</strong> northwest Gaeltacht<br />

of Donegal, has been immersed in <strong>the</strong> culture of <strong>the</strong> area<br />

from a young age. This region, which is <strong>the</strong> last Gaelic<br />

speaking area in Ulster, preserves not only <strong>the</strong> Donegal<br />

sean-nós songs but also songs from all over Ulster.<br />

As a young singer his main influences were Caitlín Ní<br />

Dhomhnaill, Lillis Ó Laoire, Áine Bn. Uí Laoi, Mairead Ní<br />

Mhaonaigh and his mo<strong>the</strong>r Nellie Nic Giolla Bhríde.<br />

He studied music at university and now works as a<br />

full-time musician.<br />

NORTHERN STAR<br />

Directed by Frankie McCafferty<br />

Nor<strong>the</strong>rn Star is one of <strong>the</strong> greatest masterpieces of<br />

modern Irish drama, a play in which Parker’s biographer,<br />

Marilynn Richtarik, observes, <strong>the</strong> artist sought <strong>to</strong> articulate<br />

‘a creative space between unionism and nationalism’<br />

<strong>to</strong> prove ‘<strong>the</strong> possibility of a shared culture in Nor<strong>the</strong>rn<br />

Ireland.’ Set in Belfast’s ‘Golden Age’ of <strong>the</strong> late 18th<br />

century, when <strong>the</strong> city was hailed as <strong>the</strong> ‘A<strong>the</strong>ns of <strong>the</strong><br />

North and was a harbinger of radical thought, Nor<strong>the</strong>rn<br />

Star explores <strong>the</strong> life, death and legacy of Henry Joy<br />

McCracken, <strong>the</strong> leader of <strong>the</strong> United Irishmen in <strong>the</strong> 1798<br />

Rising in a play that challenges nationalist and unionist<br />

notions of <strong>the</strong> past, <strong>to</strong> reveal how <strong>the</strong> origins of militant<br />

republicanism - in one of those ironies of Irish his<strong>to</strong>ry - lay<br />

in <strong>the</strong> same protestant community that has inveighed<br />

against its modern manifestation.<br />

JOYCE IN JUNE<br />

Parker frequently expressed his deep appreciation of James<br />

Joyce’s work and with this play he most explicitly pays tribute<br />

<strong>to</strong> his men<strong>to</strong>r. Joyce in June is a clever concoction of fact<br />

andfiction combining a double narrative, citations from Joyce’s<br />

biography and work, with a typically incisive comic perspective.<br />

The framing s<strong>to</strong>ryline follows Joyce and his companions<br />

shortly after Joyce began walking out with Nora Barnacle.<br />

The embedded s<strong>to</strong>ryline is imagined by Joyce while he poses<br />

for fellow student, Constantine Curran, who is taking his<br />

pho<strong>to</strong>graph — an iconic image of <strong>the</strong> young Joyce.<br />

Parker’s “television postscript <strong>to</strong> Ulysses” features Molly Bloom,<br />

Blazes Boylan and an assortment of Dublin singers on a concert<br />

<strong>to</strong>ur that begins, fatefully, in Belfast. Nor<strong>the</strong>rn piety clashes with<br />

Sou<strong>the</strong>rn frivolity resulting in a dramatic breakdown of decorum<br />

and raucous laughter at <strong>the</strong> play’s finale. If <strong>the</strong> production of<br />

Joyce in June is ra<strong>the</strong>r low budget and studio-bound, <strong>the</strong> cast<br />

energetically draw out <strong>the</strong> wit, playfulness and <strong>the</strong>atricality of<br />

Parker’s script. Roles are artfully doubled—Bridget de Courcy<br />

plays Nora and Molly with seductive charm; Stephen Rea is<br />

both <strong>the</strong> abstemious Stanislaus Joyce and <strong>the</strong> inebriated Mick<br />

McIn<strong>to</strong>sh; Gabriel Byrne performs <strong>the</strong> dapper Ted Keogh and<br />

<strong>the</strong> Don Juan figure, Blazes Boylan.<br />

Joyce in June is a remarkable tribute <strong>to</strong> Joyce, though as<br />

Parker admits “<strong>the</strong>re’s a tiny motive ofrevenge as well for those<br />

invariably unpleasant portraits of Nor<strong>the</strong>rners in <strong>the</strong> Joyce<br />

canon, <strong>the</strong> likes of Mr Alleyne in “Counterparts,” MacAlister<br />

of <strong>the</strong> oblong skull in A Portrait, <strong>the</strong> headmaster Deasy in<br />

Ulysses.”<br />

SPOKESONG<br />

Directed by Frankie McCafferty<br />

Stewart Parker’s extraorindary first play Spokesong is set in<br />

a Belfast bicycle shop, owned by Frank S<strong>to</strong>ck, who dreams<br />

of reviving interest in cycling in his native city. The city<br />

fa<strong>the</strong>rs, however, are not convinced. Spokesong is <strong>to</strong>ld with<br />

<strong>the</strong> aid of flashbacks, trick cyclists and juggling.<br />

PERFORMANCES, CONCERTS & SCREENINGS<br />

C CONCERT P PERFORMANCE S SCREENING<br />

P<br />

PERFORMANCE<br />

16 Oct 31st / 1.10pm / Harty Room / Free<br />

Oct 31st / 7.45pm / Brian Friel Theatre / Free<br />

Nov 1st / 1pm / QFT 1 / Free<br />

Nov 1st / 7.45pm / Brian Friel Theatre / Free<br />

17


PERFORMANCES, CONCERTS & SCREENINGS<br />

INTERVIEW WITH PROF. JAMES MACKAY<br />

Images of <strong>the</strong> Two Traditions.<br />

A poignant and profound interview with Stewart Parker<br />

filmed several months before his death whilst he was<br />

enjoying <strong>the</strong> success of his last, and greatest play,<br />

Pentecost.<br />

STEPHEN REA<br />

The Inaugural Stewart Parker Memorial Lecture<br />

Saturday 2 November 2013 marks <strong>the</strong> 25th anniversary<br />

of Stewart Parker. A poet and playwright who wrote<br />

extensively for stage, radio and screen, Stewart Parker is <strong>the</strong><br />

most innovative and important playwright <strong>to</strong> have emerged<br />

from Belfast and one of Ireland’s greatest twentieth century<br />

playwrights. As Stewart’s work spans Theatre, Film and<br />

Music, <strong>the</strong> School of Creative Arts at Queen’s <strong>University</strong><br />

Belfast is delighted <strong>to</strong> be introduce <strong>the</strong> “The Annual<br />

Stewart Parker Memorial Lecture”, in honour of Stewart’s<br />

artistic achievement. The inaugural lecture will be delivered<br />

by <strong>the</strong> renowned ac<strong>to</strong>r for stage and screen, Stephen Rea: a<br />

long-time close friend and collabora<strong>to</strong>r of Stewart’s.<br />

PENTECOST<br />

BBC Film Version<br />

Set in East Belfast at <strong>the</strong> height of <strong>the</strong> 1974 Ulster Workers’<br />

Strike, Pentecost tells <strong>the</strong> s<strong>to</strong>ry of four ‘refugees’, ga<strong>the</strong>red<br />

<strong>to</strong>ge<strong>the</strong>r in a working-class parlour-house where, against<br />

<strong>the</strong> background of political strife, <strong>the</strong>y work out <strong>the</strong>ir<br />

personal relationships with each o<strong>the</strong>r, <strong>the</strong> world outside,<br />

and <strong>the</strong>ir past. Only Marian is aware of a fifth presence -<br />

<strong>the</strong> ghost of Lily Mat<strong>the</strong>ws, who returns <strong>to</strong> haunt <strong>the</strong> house.<br />

This BBC television version of Stewart’s final play was<br />

adapted by his partner Lesley Bruce<br />

ICEBERG<br />

By Stewart Parker (Radio Play)<br />

Iceberg relates <strong>the</strong> purga<strong>to</strong>rial plight of two shipyard<br />

workers, Danny and Hugh, a Catholic and a Protestant,<br />

killed in <strong>the</strong> construction of <strong>the</strong> Titanic - Belfast’s ‘<br />

proudest offering <strong>to</strong> <strong>the</strong> Empire - and <strong>to</strong> <strong>the</strong> world!”,<br />

and whose ghosts wander <strong>the</strong> fateful ship’s decks on her<br />

maiden voyage.<br />

PERFORMANCES, CONCERTS & SCREENINGS<br />

S<br />

SCREENING<br />

P PERFORMANCE S SCREENING<br />

P<br />

PERFORMANCE<br />

18 Nov 2nd / 5pm / Brian Friel Theatre / Free<br />

Nov 2nd / 6pm / Brian Friel Theatre / Free<br />

Nov 2nd / 8pm / Brian Friel Theatre / Free<br />

Nov 3rd / 1pm / Brian Friel Theatre / Free<br />

19


PERFORMANCES, CONCERTS & SCREENINGS<br />

I’M A DREAMER MONTREAL<br />

By Stewart Parker (Radio Play)<br />

Parker’s play “I’m a Dreamer, Montreal” won <strong>the</strong><br />

Chris<strong>to</strong>pher Ewart-Biggs Memorial Prize. It was<br />

commissioned by BBC Radio 3 in April 1975 and televised<br />

for ITV Playhouse in March 1979. Set in Belfast, it tells<br />

<strong>the</strong> tale of music librarian, Nelson Gloverby, who lives<br />

in a dream world. A Showband singer by night, he is<br />

unconcerned with audience irritation at his inability <strong>to</strong><br />

stick <strong>to</strong> <strong>the</strong> proper lyrics and is innocently drawn in<strong>to</strong> <strong>the</strong><br />

brutality of <strong>the</strong> Troubles when he meets siren Sandra Carse.<br />

THE TRAVELLER<br />

By Stewart Parker (Radio Play)<br />

Stewart’s last and darkest radio play, featuring Donal<br />

McCann in <strong>the</strong> lead role as (mad) Sweeney, a frustrated<br />

travel writer on <strong>the</strong> cusp on a nervous breakdown, is a<br />

beautifully crafted work that’s described as a ‘secular<br />

travesty of Dante’s inferno’. First broadcast in 1984, it also<br />

features a young Ian McElhinney.<br />

ESTHER LAMNECK<br />

Music for Clarinet and Computer<br />

The New York Times calls Es<strong>the</strong>r Lamneck “an as<strong>to</strong>nishing<br />

virtuoso”. Winner of <strong>the</strong> prestigious Pro Musicis Award,<br />

she has appeared as a soloist with major orchestras, with<br />

conduc<strong>to</strong>rs such as Pierre Boulez, and with renowned<br />

chamber music and improvised music artists throughout<br />

<strong>the</strong> world. A versatile performer and an advocate of<br />

contemporary music, she is known for her work with<br />

electronic media including interactive arts, movement,<br />

dance and improvisation.<br />

Program:<br />

Robert Rowe - Cigar Smoke<br />

Paul Wilson - It Had <strong>to</strong> Be You<br />

Lawrence Fritts - Musicometry I<br />

Izzi Ramkissoon - Domesticated Animalia<br />

Paola Lopreia<strong>to</strong> - Inner Voices<br />

DR IAIN MCCURDY<br />

This concert will include a number of Iain’s recent pieces<br />

for fixed medium - both diffused stereo and multichannel<br />

- and will also feature <strong>the</strong> premiere of a new piece for<br />

bass trombone and live electronics, commissioned and<br />

performed by Paul Wilson.<br />

Iain McCurdy is a composer whose output includes<br />

electroacoustic music for fixed medium, music for<br />

conventional instrumentation and sound installation.<br />

Recent work has also included instrument building and <strong>the</strong><br />

use of electronic sensors <strong>to</strong> facilitate audience interaction.<br />

Iain is <strong>current</strong>ly based in Berlin but is originally from Belfast<br />

where he studied composition at SARC.<br />

PERFORMANCES, CONCERTS & SCREENINGS<br />

P<br />

PERFORMANCE<br />

P<br />

PERFORMANCE<br />

C CONCERT C CONCERT<br />

20 Nov 3rd / 2.45pm / Brian Friel Theatre / Free<br />

Nov 3rd / 4pm / Brian Friel Theatre / Free<br />

Nov 7th / 1pm / Sonic Lab / Free<br />

Nov 13th / 5pm / Sonic Lab / Free<br />

21


PERFORMANCES, CONCERTS & SCREENINGS<br />

ISMAEL FLORIT (PIANO)<br />

DERMOT CLENAGHAN (CELLO)<br />

Recital<br />

Pianist Ismael Florit and Cellist Dermot Clenaghan will<br />

be performing a selection of works for <strong>the</strong>ir respective<br />

instruments.<br />

These young musicians won this opportunity <strong>to</strong> perform<br />

for this event after receiving <strong>to</strong>p marks in <strong>the</strong>ir final<br />

performance recitals in June 2013.<br />

We are proud <strong>to</strong> have <strong>the</strong>m back in <strong>the</strong> capacity of<br />

showcasing our musical talents at <strong>the</strong> School of<br />

Creative Arts.<br />

ROYAL STRING QUARTET<br />

Mozart - KV 465 The Dissonance Quartet<br />

Szymanski - new work (UK premiere)<br />

Beethoven - op. 135<br />

RUTH LEARY<br />

(THE UNIVERSITY OF WARWICK)<br />

Developing <strong>the</strong> Cultural Entrepreneur<br />

What does it mean <strong>to</strong> be a cultural entrepreneur? What<br />

skills, attitudes and behaviours does it involve? What is<br />

<strong>the</strong> nature of entrepreneurship in <strong>the</strong> creative sec<strong>to</strong>r? How<br />

do <strong>the</strong> answers <strong>to</strong> <strong>the</strong>se questions relate <strong>to</strong> your personal<br />

ambitions <strong>to</strong> become a cultural entrepreneur? In this two<br />

part workshop participants will explore <strong>the</strong>se questions<br />

through a combination of practical work and reflection and<br />

will develop understanding of <strong>the</strong> role of identity, narrative<br />

and <strong>the</strong> entrepreneurial thinking involved in cultural<br />

entrepreneurship.<br />

THE CORY BAND<br />

In Concert<br />

The 2013 world champions, The Cory Band and musical<br />

direc<strong>to</strong>r Philip Harper, form <strong>the</strong> high point of this year’s<br />

Festival of Brass at Queen’s. Presented in association with<br />

<strong>the</strong> Universtiy Brass Band and <strong>the</strong> Nor<strong>the</strong>rn Ireland Brass<br />

Band League.<br />

PERFORMANCES, CONCERTS & SCREENINGS<br />

C<br />

CONCERT<br />

C<br />

CONCERT<br />

W<br />

WORKSHOP<br />

C<br />

CONCERT<br />

Nov 23rd / 11am - 4pm / The Old Staff Common Room,<br />

22 Nov 14th / 1.10pm / Harty Room / Free<br />

Nov 20th / 7.30pm / Sonic Lab / Free<br />

Lanyon Building / Free<br />

Nov 23rd / 8pm / Whitla Hall / £15 / £5<br />

23


PERFORMANCES, CONCERTS & SCREENINGS<br />

SARAH RICHMOND (SOPRANO)<br />

& RYAN MOLLOY (PIANO)<br />

Moods & Fancies of <strong>the</strong> Late Romantics<br />

This concert unites two acclaimed young professionals<br />

(both Queen’s graduates) in a performance of Gustav<br />

Mahler’s 1896 song cycle, Lieder eines fahrenden Gesellen<br />

(‘Songs of a Wayfarer’), where <strong>the</strong> composer set his own<br />

lyrics <strong>to</strong> mark <strong>the</strong> unhappy conclusion <strong>to</strong> a love affair.<br />

This programme will also feature a selection from Richard<br />

Strauss’ Stimmungsbilder (Moods and Fancies for piano) as<br />

well as some of his lieder.<br />

C<br />

CONCERT<br />

A BETTER BOY: A DRAMATIC MONOLOGUE<br />

by John Wilson Foster performed by Ian McElhinney.<br />

Lord Pirrie – one of <strong>the</strong> most successful businessman of his<br />

era – has condescended <strong>to</strong> grant an interview <strong>to</strong> a young<br />

journalist eager <strong>to</strong> hear his memories of Tommie Andrews,<br />

<strong>the</strong> “better boy” of <strong>the</strong> title. Andrews was <strong>the</strong> great man’s<br />

nephew and co-designer of <strong>the</strong> lost Titanic and who shared<br />

<strong>the</strong> fate of his creation.<br />

It is 1917, before Pirrie is called upon <strong>to</strong> take charge of<br />

British merchant shipping during <strong>the</strong> Great War while still<br />

firmly at <strong>the</strong> tiller of Harland & Wolff, <strong>the</strong> world’s biggest<br />

shipyard. It is still his heyday and <strong>the</strong> interview is conducted<br />

in his lavish Surrey mansion in a saloon underneath <strong>the</strong><br />

mansion’s man-made lake, an irony that like <strong>the</strong> lost ship<br />

goes unremarked. A celebrated public speaker, Pirrie soon<br />

takes charge of <strong>the</strong> interview <strong>to</strong> give his own side of <strong>the</strong><br />

Titanic s<strong>to</strong>ry.<br />

Pirrie is no shamed Bruce Ismay, however, this masterbuilder<br />

and irresistible salesman, famous for his prodigious<br />

memory and eye for detail, finds himself on a journey of<br />

self-discovery that finally admits doubt, resentment and<br />

even sorrow.<br />

The dramatic monologue has a performance time of<br />

roughly 50 minutes<br />

P<br />

PERFORMANCE<br />

60X60<br />

60 works by 60 artists, 60x60 offers something different<br />

every minute<br />

60x60 is a project containing 60 works each 60 seconds<br />

in length presented continuously in an hour performance<br />

synchronized with an analog clock. 60x60 presents a slice<br />

of what is happening in <strong>the</strong> contemporary music scene<br />

by representing 60 works that are diverse in aes<strong>the</strong>tic and<br />

style. Works are selected from an international pool of<br />

emerging and established composers and sequenced in<br />

order. The resulting mix is presented, without interruption,<br />

as a continuous one-hour performance synchronized <strong>to</strong> an<br />

on-stage analog clock.<br />

The 60x60 (2012) UK Mix is <strong>the</strong> second ever 60x60 mix<br />

comprised of composers, musicians and sound artists from<br />

<strong>the</strong> United Kingdom. Elainie Lillios is <strong>the</strong> audio coordina<strong>to</strong>r<br />

for <strong>the</strong> 60x60 (2012) UK Mix.<br />

http://www.60x60.com/2012_UK_Mix.htm<br />

JAM CHRISTMAS CONCERT PART 1<br />

Students of Junior Academy of Music<br />

The concert will involve children who are attending Junior<br />

Academy of Music programmes. It will include some of <strong>the</strong><br />

following: JAM Youngest Choir, Junior Choir, Senior Choir,<br />

Brass Band, JAM Four Creative Music Technology.<br />

Dec 7th / 11am / St. Brides Hall / £3<br />

24 Nov 28th / 1.10pm / Harty Room / Free<br />

Dec 5th - 6th / 8pm / Brian Friel Theatre / Free<br />

Dec 5th / 1pm / Sonic Lab / Free<br />

(Derryvolgie Avenue, Belfast, BT9 6FP)<br />

25<br />

C<br />

CONCERT<br />

C<br />

CONCERT<br />

PERFORMANCES, CONCERTS & SCREENINGS


PERFORMANCES, CONCERTS & SCREENINGS<br />

MARTIN WILLIAMS (TENOR SAX)<br />

With <strong>the</strong> Steve Barnett All Stars<br />

QUEEN’S BIG BAND<br />

with guest Martin Williams (tenor sax)<br />

The popular pre-Christmas concert by Queen’s Big Band<br />

and <strong>the</strong>ir direc<strong>to</strong>r Steve Barnett, who play classics and<br />

seasonal specialities with special guest star from London,<br />

Martin Williams (tenor sax).<br />

PERFORMANCES, CONCERTS & SCREENINGS<br />

CHRISTMAS BRASS AND VOICES<br />

<strong>University</strong> Brass Band and Chamber Choir<br />

The <strong>University</strong> Choir and Brass Band join forces <strong>to</strong> present<br />

an end of year programme of classics and seasonal works.<br />

A seasonal favourite, this concert unites a jazz star from <strong>the</strong><br />

London firmament with local virtuosi under <strong>the</strong> direction of<br />

Steve Barnett (piano). Today we are delighted <strong>to</strong> welcome<br />

back Martin Williams (tenor sax), lead tenorist from <strong>the</strong> BBC<br />

Big Band; Martin is one of <strong>the</strong> most celebrated reed voices<br />

in jazz, having played with luminaries such as Ray Charles<br />

and George Shearing. Martin will also be joining Queen’s<br />

Big Band <strong>to</strong>night for <strong>the</strong>ir Christmas Concert.<br />

C<br />

CONCERT<br />

C<br />

CONCERT<br />

C<br />

CONCERT<br />

26 Dec 7th / 7.30pm / Whitla Hall / £7 (£5)<br />

Dec 12th / 1.10pm / Harty Room / Free<br />

Dec 12th / 7.30pm / Elmwood Hall / £7/£5<br />

27


PERFORMANCES, CONCERTS & SCREENINGS<br />

General Enquiries<br />

028 9097 4867<br />

Tickets<br />

Queen’s <strong>University</strong> Belfast Music Building<br />

028 9097 5337<br />

(tickets for Harty Room, Whitla Hall,<br />

Great Hall, SARC)<br />

www.qub.ac.uk/schools/SchoolofCreativeArts<br />

Brian Friel Theatre<br />

028 9097 1382<br />

www.brianfriel<strong>the</strong>atre.co.uk<br />

Queens Film Theatre<br />

028 9097 1097<br />

www.queensfilm<strong>the</strong>atre.com<br />

TALKS & SEMINARS<br />

JAM CHRISTMAS CONCERT PART 2<br />

Students of Junior Academy of Music<br />

The concert will involve children who are attending Junior<br />

Academy of Music programmes. It will include some of <strong>the</strong><br />

following: JAM Youngest Choir, Junior Choir, Senior Choir,<br />

Brass Band, JAM Four Creative Music Technology.<br />

QUSO CHRISTMAS CONCERT<br />

Queen’s <strong>University</strong> Symphony Orchestra & Music Society Choir<br />

Seasonal favourites and popular classics brought <strong>to</strong> you<br />

by <strong>the</strong> Queen’s <strong>University</strong> Symphony Orchestra and Music<br />

Society Choir.<br />

Crescent Arts Centre<br />

028 9094 2338<br />

www.crescentarts.org<br />

C CONCERT C CONCERT<br />

28 Dec 14th / 11am / Elmwood Hall / £3<br />

Dec 18th / 7.30pm / Whitla Hall / £7 (£5)<br />

29


TALKS & SEMINARS<br />

PHD ROUNDTABLE<br />

CREATIVE ARTS<br />

Please see http://phdroundtable.blogspot.co.uk/ for speaker<br />

names and abstracts<br />

Dec 2nd / 5pm / Old McMordie Hall / Free<br />

EARFILMS<br />

IMAGINATION IS THE NEW TECHNOLOGY:<br />

CREATING FILMS THAT ARE TOLD PURELY<br />

THROUGH SOUND<br />

JUSTIN SMITH<br />

(UNIVERSITY OF PORTSMOUTH)<br />

CHANNEL 4 AND BRITISH FILM CULTURE<br />

MERGING METHODOLOGIES IN FILM AND<br />

TELEVISION STUDIES<br />

Dec 11th / 4.30pm / Film & Drama Centre, Screen 2 / Free<br />

Dec 4th / 1pm / Sonic Lab / Free<br />

DR EWAN JEFFREY<br />

BOOK LAUNCH AND SEMINAR:<br />

‘VEX NOT HIS GHOST: SILENCE AND SPEECH IN<br />

DRAMA AND PALLIATIVE CARE’<br />

Dec 5th / 4pm / Seminar Room, 21 <strong>University</strong> Square / Free<br />

MARCUS TAN<br />

K-CONTAGION: SOUND, SPEED AND SPACE IN<br />

PSY’S ‘GANGNAM STYLE’<br />

(‘RECOMPOSING THE CITY’ EVENT SERIES)<br />

Dec 11th / 1pm / Old McMordie Hall / Free<br />

31 30<br />

TALKS & SEMINARS


TALKS & SEMINARS<br />

CHRIS WATSON<br />

LOCATION SOUND TECHNIQUES AND<br />

ASSOCIATED FIELDCRAFT<br />

Oct 23rd, 24th / 1pm / Sonic Lab / Free<br />

KATE EGAN (ABERYSTWYTH UNIVERSITY)<br />

LOCAL CENSORSHIP, THE BBFC AND THE<br />

PYTHONESQUE: THE ROLE OF COMEDY IN THE<br />

BRITISH THE LIFE OF BRIAN CONTROVERSY<br />

Oct 23rd / 4.30pm / Film & Drama Centre / Free<br />

ORFHLAITH NÍ BHRIAIN<br />

FRAMING THE HISTORY OF IRISH DANCE<br />

CHARLES VERRON<br />

ENVIRONMENTAL SOUND SYNTHESIS<br />

Nov 6th / 1pm / Sonic Lab / Free<br />

TONY DOWMUNT (GOLDSMITH UNIVERSITY)<br />

WILL IT HARM THE SHEEP?: TRADITION,<br />

INVENTION AND INTERVENTION IN CENTRAL<br />

AUSTRALIAN INDIGENOUS MEDIA<br />

Nov 6th / 4.30pm / Film & Drama Centre, Screen 2 / Free<br />

ADRIAN DUNBAR<br />

IN CONVERSATION<br />

DR IAIN McCURDY<br />

INDETERMINACY, POSSIBILITY<br />

Nov 13th / 1pm / Sonic Lab / Free<br />

DONALD BURROWS<br />

THE HANDEL DOCUMENTS PROJECT<br />

Nov 20th / 1pm / Old McMordie Hall / Free<br />

CONN HOLOHAN<br />

(NUI GALWAY)<br />

IN PRAISE OF ERROR: COSMOPOLITAN SPACE IN<br />

THE FILMS OF CLAIRE DENIS<br />

CLASS OUT OF THE CLOSET CONFERENCE<br />

In association with <strong>the</strong> Outburst Queer Arts Festival<br />

CHARLOTTE COOPER, ALYSON CAMPBELL,<br />

RUTH MCCARTHY, STEVE FARRIER<br />

Nov 22nd - 23rd / Brian Friel Theatre / Free<br />

Nov 7th / 1pm / Brian Friel Theatre / Free<br />

Nov 20th / 4.30pm / Film & Drama Centre, Screen 2 / Free<br />

Oct 30th / 1pm / Old McMordie Hall / Free<br />

PHD ROUNDTABLE<br />

CREATIVE ARTS<br />

PhD students from across <strong>the</strong> School of Creative Arts present<br />

<strong>the</strong>ir cutting-edge research. Please see http://phdroundtable.<br />

blogspot.co.uk/ for speaker names and abstracts. See also next<br />

PhD roundtable on 2nd December 2013.<br />

DR PAUL MURPHY<br />

NEOLIBERAL PRACTICES<br />

Nov 21st / 4pm / Seminar Room, 21 <strong>University</strong> Square / Free<br />

GEORGE REVILL<br />

TONY SCHWARTS’ RESPONSIVE CHORD:<br />

ENTRAINMENT, CONNECTION AND THE<br />

POLITICS OF NETWORKED COMMUNICATION<br />

(‘RECOMPOSING THE CITY’ EVENT SERIES)<br />

Nov 27th / 1pm / Old McMordie Hall / Free<br />

Nov 11th / 5pm / Old McMordie Hall / Free<br />

33 32<br />

TALKS & SEMINARS


SIMON MAWHINNEY<br />

CIRCULARITY IN MARLACOO<br />

Oct 2nd / 1pm / Old McMordie Hall / Free<br />

TALKS &<br />

SEMINARS<br />

DR TRISH MCTIGHE<br />

THE HAPTIC AESTHETIC IN SAMUEL BECKETT’S<br />

DRAMA<br />

Oct 3rd / 4pm / Seminar Room, 21 <strong>University</strong> Square / Free<br />

GREG MCLAUGHLIN AND STEVE BAKER<br />

SUNDAY AND BLOODY SUNDAY, VERY BRITISH<br />

TRAGEDIES<br />

Oct 9th / 4.30pm / Screen 2, Film & Drama Centre / Free<br />

34<br />

TALKS & SEMINARS<br />

JACOB KIRKEGAARD<br />

‘A MATTER OF SOUND’<br />

(‘RECOMPOSING THE CITY’ EVENT SERIES)<br />

Oct 9th / 1pm / Sonic Lab / Free<br />

DAVE O’BRIEN<br />

(CITY UNIVERSITY OF LONDON)<br />

CULTURAL VALUE<br />

In cooperation with <strong>the</strong> Institute for Collaborative Research in<br />

<strong>the</strong> Humanities<br />

Oct 12th 11am - 4pm / Old Staff Common Room, Lanyon /<br />

Free<br />

JAIME JONES<br />

RESOUNDING TRADITION: EXPRESSIVITY AND<br />

EMBODIMENT IN HINDU DEVOTIONAL SONG<br />

Oct 16th / 1pm / Old McMordie Hall / Free<br />

SHARING HOPE AND EXPERIENCE<br />

A ROUNDTABLE DISCUSSION<br />

Oct 17th / 6pm / Brian Friel Rehearsal Space / Free


SEMINARS<br />

AUTUMN 2013<br />

TALKS WORKSHOPS PRESENTATIONS<br />

SCHOOL OF<br />

Creative Arts<br />

www.qub.ac.uk/creativearts Find us on Facebook & Twitter: creativeartsqub

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