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2012 PROCEEDINGS - Public Relations Society of America

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students practice skills and educators observe mastery while service learning components<br />

―develop students more deeply as learners, as citizens, and as change agents‖ (Britt, <strong>2012</strong>, para<br />

4).<br />

Project Definition and Goals<br />

Campus News, broadcast weekly, engages students through curricular requirement and<br />

covers weekend weather, headline news, community calendar and field reports. It aligns with<br />

learning outcomes: 1.) Develop an understanding <strong>of</strong> the communication and media industries and<br />

discipline; 2.) Gather and critically assess information from a variety <strong>of</strong> sources; 3.)<br />

Communicate messages effectively; and, 4.) Be engaged, socially responsible communicators.<br />

The project provides a venue in which students grapple with concepts <strong>of</strong> newsworthiness and<br />

objectivity, examine issues from multiple perspectives, select appropriate and credible sources,<br />

develop interviewing skills, meet media deadline and format requirements, edit audio and write<br />

for a specific audience.<br />

Set-up<br />

Student roles include field reporter, engineer, on-air interviewer and assistant producer.<br />

Writing for <strong>Public</strong> <strong>Relations</strong> students are engineers for a three-week period or assistant producers<br />

for a two-week period. The first engineer has radio station experience; engineers provide on-air<br />

support and schedule a one-hour editing lab each week. Due to the need for technical<br />

pr<strong>of</strong>iciency, students involved in the pilot are assigned this role. The instructor trains the first<br />

assistant producer who is responsible for choosing segments from those submitted on time,<br />

scripting the show, and providing on-air commentary. Engineers and assistant producers train<br />

the next scheduled student.<br />

Feature Writing students conduct live interviews while students enrolled in the remaining<br />

seven communications courses produce field reports. Nine to 13 field reports are submitted<br />

weekly and six to seven are included in the broadcast, allowing the assistant producer to make<br />

gatekeeping decisions. The reports cover events or issues, gain approval prior to the show, quote<br />

three sources, meet minimum audio quality requirements and meet a weekly deadline. The<br />

college provides digital audio recorders; students edit segments in labs using Garage Band and<br />

email an MP3 file and 150-word descriptive blurb to a dedicated email address. A restricted<br />

Google Sites website provides detailed instructions, a running list <strong>of</strong> approved story ideas, and<br />

tutorials on such digital recorders, Garage Band, editing, introducing quotes, and choosing<br />

sources. Each instructor reviews requirements, grades submissions using a common grading<br />

rubric, and provides feedback.<br />

Preliminary Outcomes<br />

Thirty-nine field reports have been submitted, three engineers and three assistant<br />

producers have cycled through and two interviews were broadcast. Newsworthy reports on rave<br />

drugs, student voting intentions and student response to a residence hall door lock system have<br />

aired. Field reporters explain the impact <strong>of</strong> timeliness, relevance and credibility:<br />

When deciding on a story to do for this project, it is important to think about the audience<br />

and their interest in the story. If the audience will not be interested in some event, either<br />

195

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