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cp soutine ang validé - Pinacothèque de Paris

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This exhibition will show a brilliant artist, an inquisitor of souls and minds, through<br />

approximately 80 paintings, most of which are totally re-discovered works, exhibited<br />

for the very first time. Many canvases were restored for this occasion. The ensemble<br />

comes from the most important private collections as well as from international<br />

museums: French, Japanese, Swiss and American.<br />

Through his use of portraiture, Soutine examined the personalities of his chosen<br />

sitters. He showed up their quintessential characteristics, and drew out of each of<br />

them what no other artist had perceived. He was quite rightly <strong>de</strong>scribed as an<br />

Expressionist, and was the only one to have represented that movement in France,<br />

whereas it was the very basis of all the <strong>de</strong>veloping movements, be it in Germany and<br />

in Austria at the same period. A true visionary, he transcen<strong>de</strong>d reality to transform it<br />

into an imaginary representation about a century ahead of his time. On the cusp of<br />

several movements still in their infancy, he based his art on the most classical and<br />

the most illustrious of his fore-runners (Rembrandt, Courbet, Corot, Cézanne….) to<br />

become the major precursor of the greatest contemporary artists from Pollock to De<br />

Kooning. He was a reference for all of the Cobra movement, as well as for Bacon,<br />

whose pictorial powerfulness <strong>de</strong>scends directly from Soutine.<br />

Today the <strong>Pinacothèque</strong> <strong>de</strong> <strong>Paris</strong> wants to throw a new light on the works by this<br />

essential artist from the start of the 20 th century, thanks to loans shown for the first<br />

and, quite probably, the last time.<br />

The very well documented catalogue, will provi<strong>de</strong> us with a closer look at all of the<br />

essential aspects that make up Soutine’s powerfulness and uniqueness: his links to<br />

Judaism, his critical heritage, his tri<strong>ang</strong>ular relationship with Albert Barnes and Paul<br />

Guillaume which led him to fame and fortune, his artistic characteristics, as well as<br />

his cultural links with the past and the future, his passion for series like that of Monet,<br />

and his powers of anticipation.<br />

These many features will totally renew the look cast upon Chaim Soutine’s body of<br />

work that Jacqueline Munck, Sophie Krebs, Claudine Gramont and Marc Restellini<br />

aim to emphasize.

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