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in countries including France, England and the U.S. In addition to his success as a dancer, Millepied has been acclaimed as a choreographer. His choreographic works include Passages for the Conservatoire National de Lyon (2001), Triple Duet for Danses Concertantes performed at Sadler’s Wells, London (2002) and Circular Motion also for Danses Concertantes premiered in London (2004); Chaconne, a dance film, co-directed by film-maker Olivier Simola (2003), On The Other Side for Danses Concertantes performed at Maison de la Danse, Lyon (2004), Double Aria danced by the New York City Ballet to original music by Daniel Ott (2005), 28 Variations on a Theme By Paganini for the School of American Ballet (2005), an original full-length Casse-Noisette for the Grand Théâtre de Genève with set designs and costumes by artist Paul Cox (2005), Closer as part of Benjamin Millepied and Company season at the Joyce Theater New York with live accompaniment by Philip Glass (2006), Capriccio for American Ballet Theatre’s Studio Company (2006), Years Later, a solo work for Mikhail Baryshnikov in collaboration with Mr. Simola (2006), Amoveo for the Paris Opera Ballet with set design by Paul Cox and costumes by Marc Jacobs (2006), From Here On Out for American Ballet Theatre with an original score by Nico Muhly (2007), Petrouchka for the Ballet de Genève with set design and costumes by Paul Cox (2007), Triade for the Paris Opera Ballet with an original score by Nico Muhly (2008), 3 Movements for Pacific Northwest Ballet ( 2008), Without for Danses Concertantes (2008), Quasi una fantasia for the New York City Ballet (2009), Everything Doesn’t Happen at Once for American Ballet theatre (2009) and Sarabande for Danses Concertantes, which premiered in Lyon (2009). DAN SCHRECKER (Visual Effects Supervisor) heads LOOK Effects’ East Coast operations in New York. Schrecker was introduced to LOOK’s vfx capabilities when, as an independent visual effects supervisor, he contracted the company to create effects for FRIDA. That successful collaboration led to a string of shared credits including THE BOUNTY HUNTER, PRECIOUS: BASED ON THE NOVEL PUSH BY SAPPHIRE, THE FOUNTAIN, THE PRODUCERS, THE WRESTLER, REQUIEM FOR A DREAM and the ABC series “Life on Mars,” which he supervised on location in New York City. After earning degrees from Harvard and New York University’s Interactive Telecommunications program, Schrecker began supervising and creating visual effects, titles and motion graphics, adding to his expertise in multimedia and interactive formats, traditional cel animation and claymation. He has earned Visual Effects Society Nominations for FRIDA (Best Supporting Visual Effects in a Motion Picture, 2002) and THE FOUNTAIN (Outstanding Visual Effects in a Visual Effects Driven Motion Picture, 2006). 33
Unit Production Manager First Assistant Director Second Assistant Director JENNIFER ROTH JOSEPH REIDY AMY LAURITSEN Made in association with DUNE ENTERTAINMENT Executive Producers DAVID THWAITES JENNIFER ROTH Ballet Costumes Designed by RODARTE Co-Producers JOSEPH REIDY GERALD FRUCHTMAN Club Images Manipulated and Designed by Visual Effects Producer Associate Producer RAY LEWIS COLLEEN BACHMAN ROSE GARNETT CAST Nina Sayers / The Swan Queen Lily / The Black Swan Thomas Leroy / The Gentleman NATALIE PORTMAN MILA KUNIS VINCENT CASSEL 34
Page 1 and 2: FOX SEARCHLIGHT PICTURES Presents I
Page 3 and 4: DANCING GOOD AND EVIL: THE STORY Th
Page 5 and 6: “Darren and I had talked for year
Page 7 and 8: Portman was intrigued by Nina and L
Page 9 and 10: women so much as he’s excited by
Page 11 and 12: Ballet and mistress of the American
Page 13 and 14: what it means to look in a mirror.
Page 15 and 16: When Aronofsky approached him about
Page 17 and 18: ABOUT THE CAST NATALIE PORTMAN (Nin
Page 19 and 20: Currently in production, Cassel has
Page 21 and 22: Next, Hershey co-starred opposite J
Page 23 and 24: ABOUT THE FILMMAKERS Director, Writ
Page 25 and 26: Medavoy has also written several bo
Page 27 and 28: Among Fischer’s other recent cred
Page 29 and 30: Rourke, Curtis “50 Cent' Jackson
Page 31 and 32: videos. Her film work includes both
Page 33: music in all genres and for all bud
Page 37 and 38: Conductor Nurse Jaded Piano Player
Page 39 and 40: Property Master Assistant Property
Page 41 and 42: Make-Up Department Head Key Make-Up
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Page 45 and 46: Trainer for Ms. Kunis On Set Ballet
Page 47 and 48: THEATRICAL UNIT Stage Manager Chief
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Page 51 and 52: “Illicit Dreaming” Written by J
Page 53: Approved No. 46261 (MPAA Globe) MOT

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