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music in all genres and for all budgets. His résumé speaks for itself, and <strong>with</strong> over 40 feature films to<br />

his credit Jim is one of the most respected Music Supervisors in New York today.<br />

GABE HILFER (Music Supervisor) began his professional career in music working as a DJ<br />

and host of a radio show while in college. From there he went to work for several record labels in New<br />

York City, and eventually moved into artist management. <strong>In</strong> 2003, Gabe was asked to help creatively<br />

guide, and efficiently license the music for several New York based television and advertising projects,<br />

opening his eyes to the realm of music supervision. Gabe joined Clearsongs in 2005 and moved to Los<br />

Angeles, where he heads up the Clearsongs LA office and has most recently worked on a variety of<br />

award winning film and television projects.<br />

BENJAMIN MILLEPIED (David/Choreography) makes his film acting debut in BLACK SWAN.<br />

Born in Bordeaux, France, he began his dance training at the age of eight <strong>with</strong> his mother, a former modern<br />

dancer. Millepied entered the Conservatoire National in Lyon, France, at age 13, where he studied ballet <strong>with</strong><br />

Michel Rahn until the age of sixteen.<br />

<strong>In</strong> the summer of 1992 he went to New York to study at the School of American Ballet, the official<br />

school of New York City Ballet, and returned <strong>with</strong> a scholarship from the French Ministry (Bourse Lavoisier)<br />

to study full-time in the fall of 1993. Millepied originated a principal role in Jerome Robbins’ world premiere<br />

of 2 & 3 Part <strong>In</strong>ventions set to music by Bach at SAB’s 1994 Spring Workshop.<br />

<strong>In</strong> 1994 he received the Prix de Lausanne Award and, in 1995, he was the recipient of the Mae L. Wien<br />

Award for Outstanding Promise and was invited to become a member of New York City Ballet’s corps de<br />

ballet. Millepied was made a Principal Dancer in the spring of 2001. <strong>In</strong> 2004 and 2005, Millepied directed the<br />

Morriss Center dance workshop in Bridgehampton, NY. The following year, he was choreographer in<br />

residence to the Baryshnikov Arts Center, New York. <strong>In</strong> 2007, Millepied received the United States Artists<br />

Wynn fellowship and, in 2010, was made Chevalier in the order of Arts and Letters by the minister of culture in<br />

France.<br />

Millepied has danced featured roles in George Balanchine’s Agon, Ballo Della Regina, Coppélia,<br />

Divertimento from Le Baiser De La Fée, The Nutcracker, Harlequinade, Rubies, A Midsummer Night’s Dream,<br />

Raymond Variations, La Source, Stars and Stripes, Symphony in C, Tarantella, Tschaikovsky Pas De Deux,<br />

Theme and Variations, Valse-Fantasie; Jerome Robbins’ 2& 3 Part <strong>In</strong>ventions, Dances at a Gathering, Fancy<br />

Free, A Suite of Dances, <strong>In</strong> The Night, The Four Seasons, Dybbuk, <strong>In</strong>terplay, Piano Pieces and West Side Story<br />

Suite; Susan Stroman’s Double Feature and Christopher Wheeldon’s Carousel (A Dance) and Mercurial<br />

Manoeuvres, Peter Martins’ Swan Lake and Sleeping Beauty. Additionally, Mr. Millepied originated roles in<br />

many works, including Jerome Robbins’ Brandenburg, Les Noces (revival) and Dybbuk (revival), Peter<br />

Martins’ Hallelujah Junction; Angelin Preljocaj’s La Stravaganza; Mauro Bigonzetti’s Vespro, and <strong>In</strong> Vento,<br />

and Alexei Ratmanski’s Concerto DSCH.<br />

<strong>In</strong> 1999 and 2002 Millepied appeared in featured roles <strong>with</strong> the New York City Ballet for the nationally<br />

televised Live From Lincoln Center broadcast. <strong>In</strong> 2002, Millepied started presenting his own performances<br />

under the name Danses Concertantes. Since then, Danses Concertantes has given more than 100 performances<br />

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