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Download Report - Academy of Motion Picture Arts and Sciences

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THANKS<br />

OF<br />

THE<br />

ACADEMY<br />

The <strong>Academy</strong> <strong>of</strong> <strong>Motion</strong> <strong>Picture</strong> <strong>Arts</strong> <strong>and</strong><br />

<strong>Sciences</strong> is indebted to the American<br />

Society <strong>of</strong><br />

Cinematographers <strong>and</strong> the Association <strong>of</strong> <strong>Motion</strong><br />

<strong>Picture</strong> Producers for active co-operation <strong>and</strong> joint<br />

responsibility in the conduct <strong>of</strong> the investigations<br />

herein recorded. Acknowledgement<br />

is also due to<br />

many other organizations, corporations <strong>and</strong> individuals<br />

{or contributions. <strong>of</strong> material, services <strong>and</strong><br />

generous assistance, especially to Warner Bros., who<br />

gave over the use'<strong>of</strong> their studio for a period <strong>of</strong><br />

two months.<br />

Following is a list <strong>of</strong> those not members to whom<br />

the <strong>Academy</strong> expresses its warm thanks <strong>and</strong> appreciation:<br />

Mole-Richardson, Inc.<br />

Deitz Lamp Co.<br />

Eastman Kodak Co.<br />

Frank Murphy.<br />

Fred Gage.<br />

Peter Mole.<br />

E. O. Guerney.<br />

Max Factor.<br />

J. E. Brulatour.<br />

W. B. Rayton.<br />

E. W. Beggs.<br />

Bert Deleray.<br />

I. H. Van Horn.<br />

Dr. M. Luckiesh.<br />

John W. Boyle.<br />

W. L. Stern.<br />

Creco, Inc.<br />

Doraldina, Inc.<br />

Willard B. Cook.<br />

A. C. Downes.<br />

L: A. Jones.<br />

L. A. Hawkins.<br />

L. C. Porter.<br />

J. I. Crabtree.<br />

Daniel B. Clark.<br />

Frank Good.<br />

R. E. Farnham.<br />

R. E. Connor.<br />

Dr. C. E. K. Mees.<br />

Roosevelt Hotel.<br />

Smith & Aller.<br />

Hal Roach Studios.<br />

Universal laboratory.<br />

Hal Roach laboratory.<br />

American Society <strong>of</strong> Cinematographers.<br />

Association <strong>of</strong> <strong>Motion</strong> <strong>Picture</strong> Producers.<br />

National Lamp'Works <strong>of</strong> General Electric Co.<br />

Make-Up Artists' Association.<br />

Society <strong>of</strong> <strong>Motion</strong> <strong>Picture</strong> Engineers.<br />

General Electric Company.<br />

Keese Engineering Company ( Cooper-Hewitt) .<br />

National Carbon Company.<br />

Garden Court Apartments. ir.€ i<br />

-*<br />

Cecil B. De Mille studio laboratory.<br />

:<br />

Metro-Goldwyn-Mayer laboratory.<br />

Paramount-Famous Lasky laboratory.<br />

William Fox Vaudeville Company.<br />

United Artists' Studio Corporation.<br />

Metro-Goldwyn-Mayer Corporation.<br />

Universal <strong>Picture</strong>s Corporation.<br />

Warner Bros.' Laboratory.<br />

William Fox laboratory.<br />

First National laboratory<br />

Cecil B. De Mille <strong>Picture</strong>s Corporation.<br />

First National Productions Corporation.<br />

Paramount-Famous Lasky Corporation.<br />

United Artists' laboratory.<br />

Agfa Raw Film Corporation.<br />

Dupont Film Company.<br />

Bausch & Lomb Optical Co.<br />

Consolidated Film Industries, Inc.<br />

Pacific Title <strong>and</strong> Art Studio.<br />

Warner Bros.' <strong>Picture</strong>s, Inc.<br />

Roy Davidge Film Laboratory.<br />

Tremont Film Laboratories.<br />

Bennett Film Laboratories.<br />

George Schneiderman.<br />

Central Casting Bureau.<br />

ACADEMY<br />

PROCEEDINGS<br />

The following excerpts {rom the minutes <strong>of</strong> the<br />

Technicians' Branch <strong>of</strong> the <strong>Academy</strong>, the Producers'<br />

Branch, the Board <strong>of</strong> Directors <strong>of</strong> the <strong>Academy</strong><br />

<strong>and</strong> special committees in reference to the subject <strong>of</strong><br />

Inc<strong>and</strong>escent Illumination will give a chronological<br />

history <strong>of</strong> the inception <strong>and</strong> progress o{ the researcnes:<br />

TECHNICIANS' BRANCH<br />

MEETING NOV. 16, 1927<br />

Quoted from the minutes as <strong>of</strong> record:<br />

The matter <strong>of</strong> progress in tungsten lighting in<br />

connection with panchromatic film was taken up<br />

for discussion.<br />

Mr. Pelton explained some <strong>of</strong> the progress that<br />

had been made in the First National studio, <strong>and</strong><br />

suggested that every cameraman should educate himself<br />

in this new kind o{ lighting, which he predicted<br />

would be uniformly adopted within a short time.<br />

Mr. Arthur Edeson told <strong>of</strong> development <strong>of</strong> equip<br />

ment, <strong>and</strong> predicted that within six months this system<br />

<strong>of</strong> lighting would be universally used. He said<br />

that probably not over six or seven cameramen in<br />

Los Angeles were llow competent to photograph<br />

pictures with tungsten lights, <strong>and</strong> that it was up to<br />

the cameramen to educate themselves.<br />

A discussion followed as to how this education<br />

should be accomplished.<br />

Mr. Pelton moved that the cameramen <strong>of</strong> the<br />

Branch undertake to aid in disseminating to the<br />

cameramen <strong>of</strong> the industry the knowledge o{ how<br />

to operate with inc<strong>and</strong>escent lighting, <strong>and</strong> that the<br />

Branch request the Producers' Branch <strong>of</strong> the <strong>Academy</strong><br />

to see that facilities are furnished <strong>and</strong> equip-<br />

r(t<br />

tvl

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