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Download Report - Academy of Motion Picture Arts and Sciences

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distance from the screen in the line <strong>of</strong> projection is<br />

<strong>of</strong> influence.<br />

One more subject remains {or consideration<br />

which, I underst<strong>and</strong>, has caused some uneasiness in<br />

cinematographic circles. There seems to be some<br />

belief <strong>and</strong> some fear that with Mazda lighting <strong>and</strong><br />

Panchromatic film the lenses now in use cannot be<br />

made to give satisfactory results, because, it is said,<br />

the best photographic focus does not coincide with<br />

the best visual focus. We shall first inquire into<br />

this on theoretical grounds <strong>and</strong> then report on such<br />

few controlled experiments as have been made to<br />

subject this matter to test.<br />

In No. 31 <strong>of</strong> the Transaction o{ Society o{ <strong>Motion</strong><br />

<strong>Picture</strong> Engineers, L. A. Jones published curves<br />

setting forth, graphically, data on the average radiation<br />

{rom Inc<strong>and</strong>escent Tungsten lamps <strong>of</strong> wattages<br />

such as are used in studio work, the transmission<br />

characteristics <strong>of</strong> a representative photographic objective,<br />

<strong>and</strong> the sensitivity curves <strong>of</strong> Orthochromatic<br />

<strong>and</strong> Panchromatic emulsions. The product for any<br />

given wave length leads to a quantity which Mr.<br />

Jones has called photicity.<br />

L<br />

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d<br />

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wavrlEncri<br />

Figures 7 <strong>and</strong> 2 show the results <strong>of</strong> multiplying<br />

together these three curves for the two kinds <strong>of</strong><br />

fift. They show the relative response <strong>of</strong> the emulsions<br />

to the various wave lengths emanating from<br />

Inc<strong>and</strong>escent Tungsten after allowing for the filtering<br />

effect <strong>of</strong> one <strong>of</strong> the st<strong>and</strong>ard photographic lenses.<br />

The two curves are not comparable, quantitatively,<br />

since some <strong>of</strong> the data on which they are based are<br />

not expressed in the same units in both cases. They<br />

serve, however, to show that both emulsions respond<br />

to all wave lengths without either <strong>of</strong> them falling<br />

to an insignificant value until a wave-length is<br />

reached corresponding to the orange region o{ the<br />

spectrum. In the blue, activity begins at wavelength<br />

330. Below this point, no matter how much<br />

radiation there might be within reason its effect<br />

would be insignificant because <strong>of</strong> the absorption <strong>of</strong><br />

the lens. The principal difference in the curves is,<br />

<strong>of</strong> course, the extension <strong>of</strong> sensitivity into the red<br />

displayed by the Panchromatic film.<br />

Any failure <strong>of</strong> visr,ral <strong>and</strong> photographic foci must<br />

depend upon the combination <strong>of</strong> values shown by the<br />

(mL,<br />

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E<br />

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WAve€ncrh<br />

FIGURE<br />

curves <strong>of</strong> Figures 1, <strong>and</strong> 2 <strong>and</strong> upon the condition<br />

<strong>of</strong> correction <strong>of</strong> chromatic aberration <strong>of</strong> the lens in<br />

question. Classical practice in correcting a lens {or<br />

chromatic aberration requires that the best focus<br />

Ior a wave length at about 4340 in the blue-violet<br />

region be united with the best focus for a wave<br />

length o{ about 5890 in the yellow, <strong>and</strong> that the<br />

focal lengths or magni{ying powers be practically<br />

equal for those two colors. With this practice agreed<br />

upon as st<strong>and</strong>ard there is room for some difierences<br />

in final correction because <strong>of</strong> the fact that exact<br />

coincidence in size <strong>and</strong> position <strong>of</strong> the violet <strong>and</strong><br />

yellow images is possible only for one zone <strong>of</strong> the<br />

lens. The outer zones <strong>of</strong> fast lenses cannot be<br />

given the same correction as the central zone <strong>and</strong> in<br />

the exact disposition <strong>of</strong> these residual aberrations<br />

there is some chance for differences in performance<br />

between different makes <strong>of</strong> lenses.<br />

Assuming, however, that the best focus for the<br />

two colors mentioned is coincident there remains a<br />

residual color aberration due to which the colors<br />

lying between the two chosen colors will come to<br />

focus somewhat nearer the lens <strong>and</strong> colors lying beyond<br />

the chosen wave-lengths will be united in focal<br />

points lying {arther from the lens than the normal<br />

focal point. This secondary spectrum, as it is called,<br />

might conceivably result in a shift <strong>of</strong> the apparently<br />

best photographic focus if it were large enough <strong>and</strong><br />

if the emulsion had sufficient selective effect. Panchromatic<br />

emulsion, however, appears to utilize the<br />

same range <strong>of</strong> wave-lengths as the Orthochromatic<br />

plus some greater sensitivity in the red. The actual<br />

secondary spectrum efiect in the range added to the<br />

efiective photographic radiation by the use <strong>of</strong> Panchromatic<br />

film is actually very small because <strong>of</strong> the<br />

low dispersion <strong>of</strong> glass for the long wave-lengths <strong>of</strong><br />

red light. It does not exceed a fourth <strong>of</strong> the region<br />

<strong>of</strong> uncertainty as to what constitutes the best visual<br />

focus <strong>and</strong> amounts to a very small part <strong>of</strong> the variation<br />

<strong>of</strong> Chromatic aberration between central <strong>and</strong><br />

marginal zones in anF:2.5 or F:2.0 lens.<br />

There is undoubtedly sufficient secondary spectrum<br />

in long focus lenses <strong>of</strong> low relative aperture<br />

to be detected photographically especially when<br />

using filters, but with the short focus high aperture<br />

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