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Download Report - Academy of Motion Picture Arts and Sciences

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divided into three equal portions representing approximately<br />

the three primary colors: blue, green,<br />

<strong>and</strong> red. -ih. dirtitional points are indicated by the<br />

wave-length scale at the bottom <strong>of</strong> the figure. It<br />

is assumed that this spectrum represents that <strong>of</strong><br />

rvhite light, for instance light from the noonday<br />

sun. In the spectrum designated as ..4 absorption <strong>of</strong><br />

blue is indicated by the shaded area' The remaining<br />

light consists <strong>of</strong> red <strong>and</strong> green which added tog"ther<br />

give a yellow color. Thus the absorption <strong>of</strong><br />

6lue reiults in yellow. Complementary colors are<br />

those which when added together result in white.<br />

complementary to each other. Since the absorption<br />

<strong>of</strong> blue results in yellow, the converse must be true<br />

that the absorption <strong>of</strong> yellow, that is the red <strong>and</strong><br />

'<br />

FIGURE<br />

Diagram illustrating selective absorption <strong>of</strong> narrow<br />

spectral b<strong>and</strong>s.<br />

green components <strong>of</strong> white light, will give blue. In<br />

the spectrum designated as B green has been absorbed.<br />

The remaining radiation consists <strong>of</strong> red<br />

<strong>and</strong> blue which, when mixed together, produce<br />

magenta ( minus-green ) . In the spectrum designated<br />

as C the shaded area indicates that red has<br />

been absorbed leaving blue-green. Conversely, if<br />

the blue <strong>and</strong> green be absorbed, red will be obtained.<br />

The absorption b<strong>and</strong>s illustrated in Fig.9 by the<br />

shaded areas represent hypothetical conditions which<br />

are never found to exist in natural objects. Instead,<br />

the selective absorption found in actual practice<br />

occurs in b<strong>and</strong>s such as are illustrated in Fig. 10.<br />

In the upper part <strong>of</strong> the figure at ,4 the portion<br />

shaded by the diagonal line sloping to the right<br />

represents an ideal absorption b<strong>and</strong> such as can be<br />

realized only in an optical instrument. The removal<br />

<strong>of</strong> the radiation represented by this shaded area,<br />

IX<br />

which includes the yellow <strong>and</strong> orange, leaves violet.<br />

The area under the curve shaded by lines sloping to<br />

the left illustrates the absorption b<strong>and</strong> o{ dye giving<br />

a violet color. At B in Fig.70 the two areas shaded<br />

by lines sloping to the right illustrate the production<br />

oi a blue-gi.en color by the sharp-cut absorption <strong>of</strong><br />

the extreme violet <strong>and</strong> the red <strong>and</strong> orange spectral<br />

reEions, The area under the curve shaded by lines<br />

sloping to the left shows the spectral absorption <strong>of</strong><br />

u Jy. giuit g a corresponding blue-green color. The<br />

faci that piactically all colored objects which are<br />

photographed have absorption b<strong>and</strong>s which are not<br />

ubr,rpi but <strong>of</strong> the gradually cutting type, makes it<br />

possitl" to obtain, in general, much better tonal<br />

rendition than if natural colors were produced by<br />

absorption b<strong>and</strong>s <strong>of</strong> the abrupt type.<br />

Color in non-luminous objects, there{ore, may be<br />

considered as being due to selective absorption <strong>of</strong><br />

the luminous radiation incident thereon. This selective<br />

absorption is best expressed quantitatively in<br />

te rms <strong>of</strong> spectrophotometric curves which show<br />

reflecting power as a {unction o{ wave-length. The<br />

curves in Fig. 10 are typical <strong>of</strong> such spectrophotometric<br />

reflection curttes' Practically all pigments<br />

<strong>and</strong> dyes have absorption characteristics <strong>of</strong> the<br />

general type illustrated in Fig.10, although in some<br />

Jases the ibsorption either at one or both sides <strong>of</strong><br />

the b<strong>and</strong> may be somewhat sharper than shown.<br />

Quantitative data relative to the spectral character-<br />

trulE<br />

lEN67u<br />

FIGURE<br />

Spectral reflection curves <strong>of</strong> various pig:ments'<br />

XI<br />

FIGURE<br />

Diagram illustrating the difierence between<br />

Practical selective absorption'<br />

X<br />

theoretical<br />

<strong>and</strong><br />

t34l<br />

istics <strong>of</strong> a few colored materials are shown in Figs'<br />

11 <strong>and</strong> 12. These are taken from a publication by<br />

M. Luckeisht who also gives a large amount o{ data<br />

relative to the colored materials such as dyes, inks,<br />

etc. An examination <strong>of</strong> the curves in Figs. 11 <strong>and</strong><br />

72 reveals some rather interesting features. The<br />

materials represented by these curves may be taken<br />

as representative in a general way <strong>of</strong> the coloring<br />

mateiials available for producing color in paints,<br />

fabrics, wall papers, etc. It will be noted that the<br />

curves for r.J, orange) <strong>and</strong> yellow pigments have<br />

high refle-tion factors in the spectral<br />

lelartivelv<br />

1. Luckeish, M. The Physical Basis, <strong>of</strong> Color<br />

i..hnology. J. Frank. Inst', Julv, 1917' p' 86'

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