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Download Report - Academy of Motion Picture Arts and Sciences

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photometric curves, they serve to show the comparative<br />

intensities <strong>of</strong> the various wave-lengths present.<br />

In Fig.5 the spectrogram at A is that {or acetylene<br />

<strong>and</strong> at B for noon sunlight. These are given as a<br />

basis <strong>of</strong> comparison in terms <strong>of</strong> which to judge the<br />

distribution <strong>of</strong> radiation in the spectra o{ flame arcs<br />

shown at C, D, E <strong>and</strong> F; C being that for a white<br />

flame arc, D the blue flame arc, E the yellow flame<br />

<strong>and</strong> F the red flame. It will be noted that the spectrum<br />

<strong>of</strong> the white flame arc resembles that <strong>of</strong> sunlight<br />

except that there is an appreciable enhancement<br />

<strong>of</strong> the radiation in the blue between 400 <strong>and</strong><br />

520 mp. It is difficult to compare the spectrum <strong>of</strong><br />

the yellow <strong>and</strong> red flame arcs with that <strong>of</strong> sunlight,<br />

but it is evident that there is a general predominance<br />

o{ intense lines in the long wave-length region between<br />

540 <strong>and</strong> 700 mp.<br />

Fig. 6 shows the distribution o{ energy in the<br />

radiation emitted by the Cooper-Hewitt mercury<br />

vapor lamp. This is a source <strong>of</strong> the line type, energy<br />

being emitted at the wave-length indicated by<br />

the heavy vertical lines, the relative intensity emitted<br />

at each wave-length being indicated by the height<br />

<strong>of</strong> the line.<br />

Now, having dealt with the characteristics <strong>of</strong> the<br />

radiation emitted by various light sources, we shall<br />

pass on to a consideration <strong>of</strong> the human eye as a<br />

sense organ responding to a stimulation by the ac-<br />

t40<br />

120<br />

rXSO<br />

d<br />

Huo<br />

1<br />

s<br />

I<br />

WAVE'LENGTH. rN mt<br />

FIGUR,E<br />

Diagram showing the relative amount <strong>of</strong> energy radiated at<br />

diferent wave-lengths by the Cooper-Hewitt mercurv<br />

vapor lamp.<br />

tion <strong>of</strong> radiant energy. The sensation produced<br />

when radiation falls upon the retina is re{erred to<br />

in general as light. This sensation has three distinct<br />

attributes: brilliance, hue, <strong>and</strong> saturation.<br />

Brilliance is that attribute oI any color in respect<br />

to which it may be classed as equivalent to some<br />

member <strong>of</strong> the series <strong>of</strong> grays ranging between black<br />

<strong>and</strong> white.<br />

Hue is that attribute <strong>of</strong> certain colors in respect<br />

to which they difier characteristically from a gray<br />

<strong>of</strong> the same brilliance <strong>and</strong> which permits them to be<br />

classed as reddish, yellowish, greenish, or bluish,<br />

etc.<br />

Saturation is that attribute <strong>of</strong> all colors possessing<br />

a hue which determines the degree <strong>of</strong> diflerence<br />

{rom a gray <strong>of</strong> the same brilliance.<br />

VI<br />

An object in the visual field is visible by virtue <strong>of</strong><br />

the contrast between it <strong>and</strong> its immediate surroundings<br />

or background. This contrast may be due to<br />

a difierence in hue (hue contrast), to a difierence<br />

in saturation (saturation contrast), or to a difierence<br />

in brilliance (brilliance contrast). In the case<br />

!<br />

I<br />

q<br />

E<br />

FIGURE<br />

VII<br />

Visibility cutve for high brightness levels.<br />

<strong>of</strong> a photographic reproduction such as a print or<br />

image projected on to a screen, since all hue contrast,<br />

<strong>and</strong> consequently all saturation contrast, is<br />

absent, visibility <strong>of</strong> object detail depends entirely<br />

upon the existence <strong>of</strong> a brilliance contrast. It follows,<br />

therefore, that the reproduction <strong>of</strong> detail by<br />

the photographic processes must be accomplished by<br />

reproducing as a brilliance contrast that contrast<br />

which in the object may be due to either a contrast<br />

<strong>of</strong> hue, saturation, or brilliance. This being the<br />

case, the visual function giving the relation between<br />

wave-length <strong>of</strong> radiation <strong>and</strong> the brilliance factor<br />

<strong>of</strong> the resulting sensation is <strong>of</strong> prime itnportance.<br />

This relationship is known as the visibility function<br />

<strong>and</strong> its form is obiained by measuring the magnitude<br />

<strong>of</strong> the brilliance attribute <strong>of</strong> the sensation produced<br />

when the same radiation intensity o{ various<br />

wave-lengths acts upon the retina. In Fig' 7 this<br />

visibility curve is shown. It is obtained by plotting<br />

as ordinates the magnitude o{ the brilliance sensation<br />

produced by constant energy o{ the various<br />

wave-lengths as indicated along the bottom <strong>of</strong> the<br />

figure. Thus we see that for a fixed amount <strong>of</strong><br />

energy the maximum sensation is produced by wavelength<br />

554 mp. From this point the curve falls<br />

rapidly for both shorter <strong>and</strong> longer wave-lengths,<br />

approaching zero at about 400 m/, on the one<br />

h<strong>and</strong> <strong>and</strong> 700 mp on the other. Thus it is evident<br />

that the visible spectrum is limited {or all practical<br />

purposes by wave-length 400 mpr, at the blue end <strong>of</strong><br />

the spectrum, <strong>and</strong> by wave-length 700 mp at the red<br />

end. A knowledge <strong>of</strong> this relationship is essential<br />

for the computation <strong>of</strong> the visual effect produced<br />

by radiation <strong>of</strong> any specified spectral composition,<br />

<strong>and</strong> is <strong>of</strong> fundamental importance in all problems<br />

dealing with the reproduction o{ visual tone values<br />

by the photographic processes. Used in conjunction<br />

L32l

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