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Download Report - Academy of Motion Picture Arts and Sciences

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was discussed at some length with the idea that iens<br />

makers should be encouraged to send experts to California<br />

to ascertain the problems to be solved.<br />

Mr. Reed opposed the spreading <strong>of</strong> the investigations<br />

into too many channels <strong>and</strong> suggested that<br />

the committee should keep to its program <strong>of</strong> tnc<strong>and</strong>escent<br />

lighting, <strong>and</strong> not try to solve the matter <strong>of</strong><br />

lenses, which was a big problem in itself. He referred<br />

to the immense amount <strong>of</strong> equipment now<br />

used in hard lighting that would have to be ab<strong>and</strong>oned<br />

by the companies if inc<strong>and</strong>escent lighting<br />

should come into general use. He said that the<br />

amount <strong>of</strong> this investment was from one to two or<br />

possibly three to five million dollars. He did not<br />

undertake to say how much. At any rate it was a<br />

big problem that the producers were asked to face,<br />

<strong>and</strong> it should be the purpose o{ these demonstrations<br />

to help solve that problem for the producers,<br />

so that they might know whether it would pay them<br />

in the long run to adopt the new method o{ lighting.<br />

Mr. Mohr agreed with Mr. Reed, <strong>and</strong> re{erred<br />

to the experience o{ Warner Bros. in photographing<br />

by inc<strong>and</strong>escent lights for the Vitaphone productions.<br />

Mr. Stern proposed that each studio be sent questionnaires<br />

prepared by the committee, <strong>and</strong> that they<br />

be asked to keep records <strong>of</strong> all <strong>of</strong> their experiences<br />

with inc<strong>and</strong>escent lighting.<br />

Mr. Gus Peterson said that he was a cameraman<br />

who had had no experience with inc<strong>and</strong>escent lighting,<br />

<strong>and</strong> what he would like wor"rld be the opportunity<br />

to learn <strong>and</strong> to acquire in{ormation <strong>and</strong> experience.<br />

Mr. Mclntyre stated the experience <strong>of</strong> the Goldwyn,<br />

Inc., studio in their present production, which<br />

was being photographed almost entirely by inc<strong>and</strong>escent<br />

lights. He said the equipment had cost<br />

$12,000 <strong>and</strong> they were using about hal{ the number<br />

<strong>of</strong> men on the lights as would have been used with<br />

hard lights. They photographed sets on a stage<br />

140x60 almost entirely by inc<strong>and</strong>escent light with<br />

very little hard light assistance on the side <strong>and</strong> were<br />

having great success.<br />

Mr. Mohr explained further the process with<br />

Warner Bros' Vitaphone productions, <strong>and</strong> explained<br />

that they w€re not using panchromatic film because<br />

Vitaphone sequences were inserted in pictures made<br />

with hard lights. He thought the biggest problem<br />

in the whole thing was the development o{ equipment.<br />

Frank Murphy <strong>of</strong> the same company explained<br />

that they were using four men in their inc<strong>and</strong>escent<br />

lighting using straight stock, which made it a somewhat<br />

different problem {rom panchromatic.<br />

Mr. Strohm suggested that local light makers,<br />

including Mole-Richardson, Inc., wor-rld make up<br />

any quantity <strong>of</strong> equipment required for demonstrations.<br />

Mr. Beetson was called on <strong>and</strong> said that he<br />

thought Mr. Reed had sounded the keynote that the<br />

producers would be interested in the practical results<br />

<strong>of</strong> the development, especially as to costs <strong>and</strong><br />

photographic results. He referred to the matter o{<br />

reflectors <strong>and</strong> the objectionable heat created by inc<strong>and</strong>escent<br />

lights. He said that the great problem<br />

in the matter <strong>of</strong> lighting as well as in all other<br />

phases <strong>of</strong> production was to establish st<strong>and</strong>ardized<br />

equipment <strong>of</strong> all kinds so that each studio could use<br />

the best <strong>and</strong> most economical. He referred to the<br />

fine showing made by the present meeting with<br />

nearly fifty men present, all giving sincere thought<br />

to the subject under consideration.<br />

The meeting then adjourned to meet at the call<br />

<strong>of</strong> the Chairman.<br />

MANAGING COMMITTEE<br />

MEETING JAI{. 11 , 1928<br />

After considerable discussion pro <strong>and</strong> con, Mr.<br />

Ball moved that two sub-committees be appointed<br />

-one composed <strong>of</strong> cameramen, electricians <strong>and</strong> laboratory<br />

men to have charge <strong>of</strong> demonstrations, <strong>and</strong><br />

one special managing committee on program <strong>and</strong><br />

invitations. The motion was seconded <strong>and</strong> unanimously<br />

carried.<br />

Thereupon the chair appointed Frank Murphy<br />

Chairman <strong>of</strong> the demonstrations special committee,<br />

with power to name the membership <strong>of</strong> the Cornmittee.<br />

The chair also appointed a special managing<br />

committee as {ollows: Messrs. Volck, Beetson, Pelton,<br />

Ball <strong>and</strong> Woods.<br />

DEMONSTRATION COMMITTEE<br />

MEETING JAN. 19, l92B<br />

The Committee organized as {ollows:<br />

Frank MurPhY, Chairman<br />

Walter Strohm<br />

Lee Garmes<br />

Wm. Whisler<br />

Tony Gaudio<br />

Roger Nauman<br />

Joseph Dubray<br />

Louis Kolb<br />

Irvin WiIIat<br />

J. M. Nickolaus<br />

KarI Struss<br />

Fred Gage<br />

Gilbert Wafrenton<br />

Roy Hunter<br />

Percy Hilburn<br />

Victor Milner<br />

John Seitz<br />

Arthur Edeson<br />

Geo. Meehan<br />

Ed DuPar<br />

Ned Van Buren<br />

George Barnes<br />

Frank Woods<br />

(At this meeting the program <strong>of</strong> demonstrations<br />

<strong>and</strong> tests arranged by Chairman Murphy was approved<br />

practically as carried out. It was arranged<br />

io conduct major demonstrations two nights each<br />

week in Warner Bros.' studio with a cin€matographer<br />

in charge, who would be acquainted with<br />

ini<strong>and</strong>escent ill,rmination, all cameramen <strong>and</strong> technicians<br />

being invited to attend' It was also arranged<br />

to devote each day to tests by individual<br />

cinematographers <strong>and</strong> that this program should be<br />

carried out by the American Society <strong>of</strong> Cinematographers.-$scretary.<br />

)<br />

SECRETARY'S REPORT<br />

FEBRUARY.3, I 928<br />

The Secretary reported as follows:<br />

For your information in re{erence to the series<br />

<strong>of</strong> demonstrations <strong>of</strong> inc<strong>and</strong>escent illumination now<br />

t 8l

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