Paper Conservation: Decisions & Compromises
Paper Conservation: Decisions & Compromises
Paper Conservation: Decisions & Compromises
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was basically to reinforce the structure of the<br />
artifact to prevent it from further deterioration<br />
and mechanical damages.<br />
The priority of the owner was to bring the<br />
item to a condition that would enable scientific<br />
research, and identify the origin and the history<br />
of the herbarium. Moreover, the item was supposed<br />
to be exhibited. This meant that all the<br />
loose material can no longer stay between the<br />
sheets of paper and it was necessary to find a<br />
solution for the more than half of the specimens<br />
loosely laying on the pages.<br />
What did this mean for conservation? It soon<br />
turned out that the professional knowledge of<br />
paper conservation is not sufficient to complete<br />
a treatment that would meet the owner’s expectations.<br />
The Museum of Agriculture in Ciechanowiec<br />
doesn’t employ a paper conservator. All<br />
the processes should be completed during this<br />
particular treatment. The conservation studio<br />
was remote from the Museum’s location and<br />
there was no possibility of frequent consultation<br />
meetings. From the conservator’s perspective<br />
it was a matter of scientific responsibility. The<br />
questions to face first were: shall the conservator<br />
match the loose plants to a particular place in<br />
the herbarium using a botanic encyclopedia and<br />
intuition or should he put all the loose material<br />
in a buffered envelope and send it back to the<br />
owner? What if he confuses the plants? What if<br />
he attaches them and makes it difficult to work<br />
with for a botanist researcher who will find out<br />
that somebody made some terrible mistake? Will<br />
the researcher then be able to safely remove the<br />
specimen from the sheet and attach it onto the<br />
Fig. 2: Plant fragments from page 5 prepared for matching.<br />
right sheet without any damage to the specimen<br />
and the whole item?<br />
The only method to solve the problem of the<br />
loose plant material was close cooperation between<br />
the conservator and an ethnobotanist,<br />
notably since there were a lot of specimens belonging<br />
to the same taxonomic family and several<br />
plants were apparently not lying on “their”<br />
sheets but were dislocated in the distance of a<br />
few pages. Specialist’s advice seemed to be more<br />
than necessary.<br />
Treatment<br />
Before the conservation treatment the herbarium<br />
was carefully documented, including pageby-page<br />
photographing which proved to be an<br />
extremely helpful tool from the very beginning.<br />
The binding and the book block were disassembled.<br />
Dismantling revealed fragments of the<br />
woodblock printed paper that were not discolored,<br />
which enabled the later reconstruction.<br />
Originally there were no numbers on the pages,<br />
so the conservator made the pagination. After<br />
slitting the sewing, each page was treated as follows:<br />
the loose plants and plant particles were<br />
taken out from the area of spine, the whole loose<br />
plants and possibly identifiable plant fragments<br />
were put into envelopes numbered after the<br />
number page on which they were found. Dirt,<br />
plant crumbles and insect remains were removed<br />
and the sheet was separated from the block.<br />
Pages were dry cleaned. Brittleness of plant<br />
specimens excluded the possibility of extensive<br />
wet processes like washing, so only local wet<br />
treatment of the paper was considered when applicable.<br />
The brown stains on the paper support<br />
were not planned to be removed as this might<br />
have been damage the plants. Furthermore, the<br />
stains were considered an identifying factor,<br />
helpful in matching some of the loose plants or<br />
identifying the lost material. The sheets were<br />
deacidified from the back with Bookkeeper<br />
Spray which is a surface deacidifying agent and<br />
provides non-aqueous deacidification. This was<br />
considered the safest solution both for the paper<br />
and plants as there are no clear guidelines for<br />
the deacidification of plant material. The pH rose<br />
from 5-6.30 before to 6.5-8 after conservation.<br />
<strong>Paper</strong> support needed strengthening which<br />
was provided by applying 2% methyl cellulose solution<br />
from the back of the sheet. After application<br />
the sheet was turned upside down and any<br />
excess methylcellulose on the plants was gently<br />
ICOM-CC Graphic Documents Working Group Interim Meeting | Vienna 17 – 19 April 2013<br />
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