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Paper Conservation: Decisions & Compromises

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was basically to reinforce the structure of the<br />

artifact to prevent it from further deterioration<br />

and mechanical damages.<br />

The priority of the owner was to bring the<br />

item to a condition that would enable scientific<br />

research, and identify the origin and the history<br />

of the herbarium. Moreover, the item was supposed<br />

to be exhibited. This meant that all the<br />

loose material can no longer stay between the<br />

sheets of paper and it was necessary to find a<br />

solution for the more than half of the specimens<br />

loosely laying on the pages.<br />

What did this mean for conservation? It soon<br />

turned out that the professional knowledge of<br />

paper conservation is not sufficient to complete<br />

a treatment that would meet the owner’s expectations.<br />

The Museum of Agriculture in Ciechanowiec<br />

doesn’t employ a paper conservator. All<br />

the processes should be completed during this<br />

particular treatment. The conservation studio<br />

was remote from the Museum’s location and<br />

there was no possibility of frequent consultation<br />

meetings. From the conservator’s perspective<br />

it was a matter of scientific responsibility. The<br />

questions to face first were: shall the conservator<br />

match the loose plants to a particular place in<br />

the herbarium using a botanic encyclopedia and<br />

intuition or should he put all the loose material<br />

in a buffered envelope and send it back to the<br />

owner? What if he confuses the plants? What if<br />

he attaches them and makes it difficult to work<br />

with for a botanist researcher who will find out<br />

that somebody made some terrible mistake? Will<br />

the researcher then be able to safely remove the<br />

specimen from the sheet and attach it onto the<br />

Fig. 2: Plant fragments from page 5 prepared for matching.<br />

right sheet without any damage to the specimen<br />

and the whole item?<br />

The only method to solve the problem of the<br />

loose plant material was close cooperation between<br />

the conservator and an ethnobotanist,<br />

notably since there were a lot of specimens belonging<br />

to the same taxonomic family and several<br />

plants were apparently not lying on “their”<br />

sheets but were dislocated in the distance of a<br />

few pages. Specialist’s advice seemed to be more<br />

than necessary.<br />

Treatment<br />

Before the conservation treatment the herbarium<br />

was carefully documented, including pageby-page<br />

photographing which proved to be an<br />

extremely helpful tool from the very beginning.<br />

The binding and the book block were disassembled.<br />

Dismantling revealed fragments of the<br />

woodblock printed paper that were not discolored,<br />

which enabled the later reconstruction.<br />

Originally there were no numbers on the pages,<br />

so the conservator made the pagination. After<br />

slitting the sewing, each page was treated as follows:<br />

the loose plants and plant particles were<br />

taken out from the area of spine, the whole loose<br />

plants and possibly identifiable plant fragments<br />

were put into envelopes numbered after the<br />

number page on which they were found. Dirt,<br />

plant crumbles and insect remains were removed<br />

and the sheet was separated from the block.<br />

Pages were dry cleaned. Brittleness of plant<br />

specimens excluded the possibility of extensive<br />

wet processes like washing, so only local wet<br />

treatment of the paper was considered when applicable.<br />

The brown stains on the paper support<br />

were not planned to be removed as this might<br />

have been damage the plants. Furthermore, the<br />

stains were considered an identifying factor,<br />

helpful in matching some of the loose plants or<br />

identifying the lost material. The sheets were<br />

deacidified from the back with Bookkeeper<br />

Spray which is a surface deacidifying agent and<br />

provides non-aqueous deacidification. This was<br />

considered the safest solution both for the paper<br />

and plants as there are no clear guidelines for<br />

the deacidification of plant material. The pH rose<br />

from 5-6.30 before to 6.5-8 after conservation.<br />

<strong>Paper</strong> support needed strengthening which<br />

was provided by applying 2% methyl cellulose solution<br />

from the back of the sheet. After application<br />

the sheet was turned upside down and any<br />

excess methylcellulose on the plants was gently<br />

ICOM-CC Graphic Documents Working Group Interim Meeting | Vienna 17 – 19 April 2013<br />

94

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