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Paper Conservation: Decisions & Compromises

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Ethical Considerations Concerning the <strong>Conservation</strong> and Restoration<br />

of a Herbarium from the 19 th Century<br />

Magdalena Grenda<br />

Warsaw Rising Museum, Warsaw, Poland<br />

Fig. 1: Page 15 before treatment.<br />

Introduction<br />

After two years of efforts to get financial support,<br />

the Reverend Krzysztof Kluk Museum of Agriculture<br />

in Ciechanowiec ordered the conservation<br />

of a herbarium from their collection. The artifact’s<br />

history and origin were little known, and<br />

the author of the herbarium was anonymous.<br />

The curator wanted to submit the item for historical<br />

botanist research but was afraid of making it<br />

accessible for anybody due to its very poor condition.<br />

There was a clue for dating hidden in the<br />

paper: a watermark with the date 1816. The style<br />

of the Linnaean system for taxonomy assignment<br />

used in the herbarium suggested it was created<br />

before 1850 1 . Nevertheless, these were only mere<br />

pieces of information concerning the history of<br />

the artifact and the owner was interested in further<br />

research. The conservation treatment was<br />

intended to enable safe handling and submission<br />

of the item for future examination.<br />

Condition of the item<br />

The herbarium has the form of an album and is a<br />

compilation of various types of plant specimens,<br />

arranged on large sheets of a greenish laid paper.<br />

The sheets are sewn on four rigid cords, bound<br />

in cardboard binding with a woodblock printed<br />

paper. On every page, 4 to 10 specimens, are located<br />

irregularly, most of them have short handwritten<br />

descriptions. Particular specimens have<br />

longer specifications containing Polish and Latin<br />

names, taxonomy assignment and some notes on<br />

usage, some of which are very colorful. The specimens<br />

are attached to the paper using narrow<br />

strips of white laid paper. The larger leaves and<br />

petals were pasted to the paper support.<br />

The herbarium was seriously damaged prior<br />

to conservation treatment. Severe damages were<br />

found on almost all the elements of the item:<br />

only half of the front cover remained; the construction<br />

of the whole block was dismantled;<br />

the covers’ cardboard was spongy and stratified<br />

and there were a lot of losses in the outer layers<br />

of the paper. The remains of woodblock printed<br />

paper showed heavy discoloration and the pattern<br />

was hardly visible. The spine lost its proper<br />

shape. The paper sheets were torn at the edges,<br />

were creased and spongy. There were a lot of<br />

brown stains in the paper, mostly repeating the<br />

shape of the plants, which is probably the effect<br />

of poisoning the plants done in order to repel<br />

pests.<br />

However bad the condition of the paper part<br />

of the item, the most serious problem concerned<br />

the specimens. The majority of plants had fallen<br />

off their places and moved to the area of the<br />

spine which caused damages to brittle plants.<br />

The damages were of different extent, from little<br />

cracks to severe breakages or even crushing. Nevertheless,<br />

still a lot of specimens remained in<br />

one piece, yet out of the intended place (Fig. 1).<br />

The plants were brittle, often incomplete,<br />

partially crumbled and a lot of specimens swung<br />

when attached at one point to the sheet.<br />

Issues taken into consideration and<br />

conservation planning<br />

Any handling was actually risky and might cause<br />

further damages or loss of plant material. The<br />

main goal of the conservation of such an item<br />

ICOM-CC Graphic Documents Working Group Interim Meeting | Vienna 17 – 19 April 2013<br />

93

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