Paper Conservation: Decisions & Compromises
Paper Conservation: Decisions & Compromises
Paper Conservation: Decisions & Compromises
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tion issue allowed a visualisation and an evaluation<br />
of the method without endangering the<br />
object itself.<br />
Endnotes<br />
1 This study was carried out in the scope<br />
of Karolina Soppa’s PhD project that<br />
studies the behaviour of consolidants<br />
using fluorescent labelling.<br />
2 The method is described in more detail<br />
in: Soppa, K., Laaser, T., Krekel, C. 2011.<br />
‘Visualizing the Penetration of Consolidants<br />
Using Fluorescent Labelling’. <strong>Paper</strong><br />
presented at the CCI-Symposium 2011:<br />
Adhesives and Consolidants for <strong>Conservation</strong><br />
- Research and Applications,<br />
Ottawa. Available at: http://www.cci-icc.<br />
gc.ca/symposium/2011/<strong>Paper</strong>%2017%20<br />
-%20Soppa%20et%20al.%20-%20English.<br />
pdf.<br />
3 Original technique and the conservation<br />
are described in detail in: Lucker, T. 2009.<br />
‘Decken- und Architravtapeten im<br />
Mythologischen Saal’. In Das Neue Museum<br />
Berlin - Konservieren, Restaurieren,<br />
Weiterbauen im Welterbe, Staatliche Museen<br />
zu Berlin et al. (ed.) 220-2. Leipzig: E.<br />
A. Seemann.<br />
4 The 2007 conservation campaign was carried<br />
out by Restaurierung am Oberbaum,<br />
Berlin.<br />
5 Klucel® MF, Hercules Inc., Aqualon.<br />
6 Handmade, acid-free and non-ageing,<br />
90g/sqm paper, 15% wheat starch paste to<br />
glue paper layers together. Paint:<br />
ultramarine pasted with water, then<br />
mixed with 2% solution of bone glue.<br />
7 Japanese tissue, 11 g/m 2 , Deffner &<br />
Johann.<br />
Authors<br />
Tilly Laaser<br />
Staatliche Akademie der Bildenden Künste<br />
Stuttgart, Am Weissenhof 1, 70191<br />
Stuttgart, Germany<br />
t.laaser@abk-stuttgart.de<br />
Fig. 3: Penetration behaviour of hydroxy propyl cellulose<br />
(Klucel® MF) in a test wallpaper: samples photographed<br />
with filter set adapted to FITC, hydroxy propyl cellulose<br />
appears green while the sample itself is black, small<br />
sections in visible light on the left for orientation. Results<br />
of tested treatments A-D (see Table 1) are described in the<br />
text.<br />
Karolina Soppa<br />
Hochschule der Künste Bern, Konservierung<br />
und Restaurierung, Fellerstrasse 11,<br />
3027 Bern, Switzerland<br />
karolina.soppa@hkb.bfh.ch<br />
Christoph Krekel<br />
Staatliche Akademie der Bildenden<br />
Künste Stuttgart, Am Weissenhof 1, 70191<br />
Stuttgart, Germany<br />
ICOM-CC Graphic Documents Working Group Interim Meeting | Vienna 17 – 19 April 2013<br />
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