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Paper Conservation: Decisions & Compromises

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tion issue allowed a visualisation and an evaluation<br />

of the method without endangering the<br />

object itself.<br />

Endnotes<br />

1 This study was carried out in the scope<br />

of Karolina Soppa’s PhD project that<br />

studies the behaviour of consolidants<br />

using fluorescent labelling.<br />

2 The method is described in more detail<br />

in: Soppa, K., Laaser, T., Krekel, C. 2011.<br />

‘Visualizing the Penetration of Consolidants<br />

Using Fluorescent Labelling’. <strong>Paper</strong><br />

presented at the CCI-Symposium 2011:<br />

Adhesives and Consolidants for <strong>Conservation</strong><br />

- Research and Applications,<br />

Ottawa. Available at: http://www.cci-icc.<br />

gc.ca/symposium/2011/<strong>Paper</strong>%2017%20<br />

-%20Soppa%20et%20al.%20-%20English.<br />

pdf.<br />

3 Original technique and the conservation<br />

are described in detail in: Lucker, T. 2009.<br />

‘Decken- und Architravtapeten im<br />

Mythologischen Saal’. In Das Neue Museum<br />

Berlin - Konservieren, Restaurieren,<br />

Weiterbauen im Welterbe, Staatliche Museen<br />

zu Berlin et al. (ed.) 220-2. Leipzig: E.<br />

A. Seemann.<br />

4 The 2007 conservation campaign was carried<br />

out by Restaurierung am Oberbaum,<br />

Berlin.<br />

5 Klucel® MF, Hercules Inc., Aqualon.<br />

6 Handmade, acid-free and non-ageing,<br />

90g/sqm paper, 15% wheat starch paste to<br />

glue paper layers together. Paint:<br />

ultramarine pasted with water, then<br />

mixed with 2% solution of bone glue.<br />

7 Japanese tissue, 11 g/m 2 , Deffner &<br />

Johann.<br />

Authors<br />

Tilly Laaser<br />

Staatliche Akademie der Bildenden Künste<br />

Stuttgart, Am Weissenhof 1, 70191<br />

Stuttgart, Germany<br />

t.laaser@abk-stuttgart.de<br />

Fig. 3: Penetration behaviour of hydroxy propyl cellulose<br />

(Klucel® MF) in a test wallpaper: samples photographed<br />

with filter set adapted to FITC, hydroxy propyl cellulose<br />

appears green while the sample itself is black, small<br />

sections in visible light on the left for orientation. Results<br />

of tested treatments A-D (see Table 1) are described in the<br />

text.<br />

Karolina Soppa<br />

Hochschule der Künste Bern, Konservierung<br />

und Restaurierung, Fellerstrasse 11,<br />

3027 Bern, Switzerland<br />

karolina.soppa@hkb.bfh.ch<br />

Christoph Krekel<br />

Staatliche Akademie der Bildenden<br />

Künste Stuttgart, Am Weissenhof 1, 70191<br />

Stuttgart, Germany<br />

ICOM-CC Graphic Documents Working Group Interim Meeting | Vienna 17 – 19 April 2013<br />

90

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