Paper Conservation: Decisions & Compromises
Paper Conservation: Decisions & Compromises Paper Conservation: Decisions & Compromises
Jiri Vnoucek The Language of Parchment - Learning the History of Manuscripts with the Help of Visual Assessment of the Parchment 51 Paul Garside | Barry Knight The Use of NIR Spectroscopy to Investigate the Condition of Parchment 55 Linda Stiber Morenus Color Printing in 16-17 th Century Italian Chiaroscuro Woodcuts: Degradation, Conservation Issues and Exhibition Concerns 59 Hassan Ebeid | Jean Brown | Ysanne Holt | Brian Singer A Study of Dyed Endpapers during Islamic Medieval Times in Egypt: Purpose, Materials and Techniques 61 Aline Abreu Migon dos Santos Preservation of Architectural Drawings on Translucent Paper in Brazil: Conservation Methods in Public Institutions 66 Irene Brückle | Maike Schmidt | Eva Hummert | Elisabeth Thobois Removable loss Integration in the Re - Treatment of Robert Delaunay’s Three Graces, Study for “The City of Paris” at the Albertina, Vienna. 69 Xing Kung Liao | Fei Wen Tsai Simple yet Complicated – An Evaluation of Airbrush Technique Applied to Filling Losses using Cellulose Powders 73 Andreas Hartl Ronald by Franz West: Conservation of a Three - Dimensional and Painted Papier Mâché Object 77 Valentine Dubard The Restauration of Cartoons at the Department of Drawings and Prints in the Louvre 80 Philip Meredith | Tanya Uyeda To Remove or Retain? – Extensive Infills and Reworking in a Large - Scale Japanese Wall Painting 84 Tilly Laaser | Karolina Soppa | Christoph Krekel The Migration of Hydroxy Propyl Cellulose During Consolidation of a Painted Wallpaper: A Case Study Using a Fluorescent - Labelled Consolidant 88 Poster Presentations Magdalena Grenda Ethical Considerations Concerning the Conservation and Restoration of a Herbarium from the 19th Century 93 Rita Araújo | Conceição Casanova | Maria João Melo | Ana Lemos, Vânia S. F. Muralha | Marcello Picollo Conservation of a Book of Hours from Mafra’s National Palace - Collection: Between Technique and Ethics 97 ICOM-CC Graphic Documents Working Group Interim Meeting | Vienna 17 – 19 April 2013 4
Michael Wheeler | Nicholas Barnard | Karine Bovagnet | Richard Mullholland The Conservation and Digitization of Jain Manuscripts at the Victoria and Albert Museum 102 Guadalupe Piñar | Katja Sterflinger | Flavia Pinzari The Microflora Inhabiting Leonardo da Vinci’s Self - Portrait: A Fungal Role in Foxing Spots 105 Patricia Engel | Katja Sterflinger Microorganisms in Books: First Results of the EU Project “Men and Books” 109 Ewa Paul | Anna Grzechnik Deconstructing the Reconstruction 113 Marzenna Ciechanska | Dorota Dzik Kruszelnicka | Elzbieta Jezewska | Joanna Kurkowska Conservator’s Investigation of the Chinoiserie in the Wilanów Palace 117 Grace Jan | Xiangmei Gu A systematic Approach to Condition Assesment and Treatment of Chinese Handscrolls 122 Christina Duffy Applications of Image Processing Software to Archival Material 127 Christina Duffy Analysing Deterioration of Artifacts in Archival Material Using Multispectral Images 131 Eve Menei | Laurence Caylux Strategy in the Case of a Wrecked Papyrus: Is an Intervention Appropriate? 135 Ana Margarida Silva | Marcello Picollo | Márcia Vilarigues | Maria João Melo Fiber Optic Reflectance Spectroscopy (FORS): A Useful Technique for the Analysis of an Early 20 th Century Livre d’Artiste 139 Lieve Watteeuw | Bruno Vandermeulen | Jan Van der Stock | Fred Truyen | Marc Proesman | Luc Van Gool | Wim Moreau Imaging Characteristics of Graphic Materials with the Minidome (RICH) 140 Yana van Dyke The Paper Conservator’s Role: The Metropolitan Museum’s Renovated Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia and later South Asia 142 Paul Garside | Rajabi Razak Characterising the Origin of Carbon Black Inks by ATR FTIR Spectroscopy 145 Marion Verborg A Technical Study and Conservation Project of Roy Lichtenstein’s Screenprint on Plastic, Sandwich and Soda, 1964 149 Hsin-Chen Tsai Digitally Printed Paper Infills for Compensation as Applied to Japanese Decorative Fold - Dyed Papers 153 ICOM-CC Graphic Documents Working Group Interim Meeting | Vienna 17 – 19 April 2013 5
- Page 1 and 2: Paper Conservation: Decisions & Com
- Page 3: Content Lieve Watteeuw Introduction
- Page 8 and 9: New Trends in Preservation in the D
- Page 10 and 11: and monitoring against adverse envi
- Page 12 and 13: Steve Hobaica, Patrick Loughney, Ma
- Page 14 and 15: The Albums of Duke Charles de Croÿ
- Page 16 and 17: Fig. 4: turning the supporting pape
- Page 18 and 19: Fig. 2: Close-up of some of the los
- Page 20 and 21: manuscript paper, the binding would
- Page 22 and 23: Figure 2 partial sewing: the blue d
- Page 24 and 25: Books in Exhibitions: History and A
- Page 26 and 27: Fig. 4 Museum in London and the pre
- Page 28 and 29: Risk and Safety of Illuminated Manu
- Page 30 and 31: Fig. 2 Atlas, the Crown papers are
- Page 32 and 33: Acknowledgments The authors would l
- Page 34 and 35: Verdigris I: Compromises in Conserv
- Page 36 and 37: Verdigris 2: Wet Chemical Treatment
- Page 38 and 39: Integrated Modelling: The Demograph
- Page 40 and 41: Fig. 3: The consequence of 50 insta
- Page 42 and 43: Characterisation of Historical Pape
- Page 44 and 45: pling is required, tide-lines are c
- Page 46 and 47: Study of Phytate Chelating Treatmen
- Page 48 and 49: Evaluation of stochiometric effects
- Page 50 and 51: Practice and Progress in the Conser
- Page 52 and 53: Fig. 1 Fig. 2 plex picture and prov
Michael Wheeler | Nicholas Barnard | Karine Bovagnet | Richard Mullholland<br />
The <strong>Conservation</strong> and Digitization of Jain Manuscripts at the Victoria and Albert Museum 102<br />
Guadalupe Piñar | Katja Sterflinger | Flavia Pinzari<br />
The Microflora Inhabiting Leonardo da Vinci’s Self - Portrait: A Fungal Role in Foxing Spots 105<br />
Patricia Engel | Katja Sterflinger<br />
Microorganisms in Books: First Results of the EU Project “Men and Books” 109<br />
Ewa Paul | Anna Grzechnik<br />
Deconstructing the Reconstruction 113<br />
Marzenna Ciechanska | Dorota Dzik Kruszelnicka | Elzbieta Jezewska | Joanna Kurkowska<br />
Conservator’s Investigation of the Chinoiserie in the Wilanów Palace 117<br />
Grace Jan | Xiangmei Gu<br />
A systematic Approach to Condition Assesment and Treatment of Chinese Handscrolls 122<br />
Christina Duffy<br />
Applications of Image Processing Software to Archival Material 127<br />
Christina Duffy<br />
Analysing Deterioration of Artifacts in Archival Material Using Multispectral Images 131<br />
Eve Menei | Laurence Caylux<br />
Strategy in the Case of a Wrecked Papyrus: Is an Intervention Appropriate? 135<br />
Ana Margarida Silva | Marcello Picollo | Márcia Vilarigues | Maria João Melo<br />
Fiber Optic Reflectance Spectroscopy (FORS):<br />
A Useful Technique for the Analysis of an Early 20 th Century Livre d’Artiste 139<br />
Lieve Watteeuw | Bruno Vandermeulen | Jan Van der Stock | Fred Truyen |<br />
Marc Proesman | Luc Van Gool | Wim Moreau<br />
Imaging Characteristics of Graphic Materials with the Minidome (RICH) 140<br />
Yana van Dyke<br />
The <strong>Paper</strong> Conservator’s Role: The Metropolitan Museum’s Renovated Galleries for the<br />
Art of the Arab Lands, Turkey, Iran, Central Asia and later South Asia 142<br />
Paul Garside | Rajabi Razak<br />
Characterising the Origin of Carbon Black Inks by ATR FTIR Spectroscopy 145<br />
Marion Verborg<br />
A Technical Study and <strong>Conservation</strong> Project of Roy Lichtenstein’s Screenprint<br />
on Plastic, Sandwich and Soda, 1964 149<br />
Hsin-Chen Tsai<br />
Digitally Printed <strong>Paper</strong> Infills for Compensation as Applied to<br />
Japanese Decorative Fold - Dyed <strong>Paper</strong>s 153<br />
ICOM-CC Graphic Documents Working Group Interim Meeting | Vienna 17 – 19 April 2013<br />
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