Paper Conservation: Decisions & Compromises

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Michael Wheeler | Nicholas Barnard | Karine Bovagnet | Richard Mullholland The Conservation and Digitization of Jain Manuscripts at the Victoria and Albert Museum 102 Guadalupe Piñar | Katja Sterflinger | Flavia Pinzari The Microflora Inhabiting Leonardo da Vinci’s Self - Portrait: A Fungal Role in Foxing Spots 105 Patricia Engel | Katja Sterflinger Microorganisms in Books: First Results of the EU Project “Men and Books” 109 Ewa Paul | Anna Grzechnik Deconstructing the Reconstruction 113 Marzenna Ciechanska | Dorota Dzik Kruszelnicka | Elzbieta Jezewska | Joanna Kurkowska Conservator’s Investigation of the Chinoiserie in the Wilanów Palace 117 Grace Jan | Xiangmei Gu A systematic Approach to Condition Assesment and Treatment of Chinese Handscrolls 122 Christina Duffy Applications of Image Processing Software to Archival Material 127 Christina Duffy Analysing Deterioration of Artifacts in Archival Material Using Multispectral Images 131 Eve Menei | Laurence Caylux Strategy in the Case of a Wrecked Papyrus: Is an Intervention Appropriate? 135 Ana Margarida Silva | Marcello Picollo | Márcia Vilarigues | Maria João Melo Fiber Optic Reflectance Spectroscopy (FORS): A Useful Technique for the Analysis of an Early 20 th Century Livre d’Artiste 139 Lieve Watteeuw | Bruno Vandermeulen | Jan Van der Stock | Fred Truyen | Marc Proesman | Luc Van Gool | Wim Moreau Imaging Characteristics of Graphic Materials with the Minidome (RICH) 140 Yana van Dyke The Paper Conservator’s Role: The Metropolitan Museum’s Renovated Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia and later South Asia 142 Paul Garside | Rajabi Razak Characterising the Origin of Carbon Black Inks by ATR FTIR Spectroscopy 145 Marion Verborg A Technical Study and Conservation Project of Roy Lichtenstein’s Screenprint on Plastic, Sandwich and Soda, 1964 149 Hsin-Chen Tsai Digitally Printed Paper Infills for Compensation as Applied to Japanese Decorative Fold - Dyed Papers 153 ICOM-CC Graphic Documents Working Group Interim Meeting | Vienna 17 – 19 April 2013 5
Page 1 and 2: Paper Conservation: Decisions & Com
Page 3: Content Lieve Watteeuw Introduction
Page 8 and 9: New Trends in Preservation in the D
Page 10 and 11: and monitoring against adverse envi
Page 12 and 13: Steve Hobaica, Patrick Loughney, Ma
Page 14 and 15: The Albums of Duke Charles de Croÿ
Page 16 and 17: Fig. 4: turning the supporting pape
Page 18 and 19: Fig. 2: Close-up of some of the los
Page 20 and 21: manuscript paper, the binding would
Page 22 and 23: Figure 2 partial sewing: the blue d
Page 24 and 25: Books in Exhibitions: History and A
Page 26 and 27: Fig. 4 Museum in London and the pre
Page 28 and 29: Risk and Safety of Illuminated Manu
Page 30 and 31: Fig. 2 Atlas, the Crown papers are
Page 32 and 33: Acknowledgments The authors would l
Page 34 and 35: Verdigris I: Compromises in Conserv
Page 36 and 37: Verdigris 2: Wet Chemical Treatment
Page 38 and 39: Integrated Modelling: The Demograph
Page 40 and 41: Fig. 3: The consequence of 50 insta
Page 42 and 43: Characterisation of Historical Pape
Page 44 and 45: pling is required, tide-lines are c
Page 46 and 47: Study of Phytate Chelating Treatmen
Page 48 and 49: Evaluation of stochiometric effects
Page 50 and 51: Practice and Progress in the Conser
Page 52 and 53: Fig. 1 Fig. 2 plex picture and prov
Page 54 and 55:
Fig. 2: Coloured paper strips place
Page 56 and 57:
the fire (on the other hand paper,
Page 58 and 59:
inform decisions on conservation tr
Page 60 and 61:
This paper summarizes what is known
Page 62 and 63:
2. Methods An interdisciplinary met
Page 64 and 65:
Fig. 4: Dyed endpaper pasted at the
Page 66 and 67:
Preservation of Architectural Drawi
Page 68 and 69:
Notes 1 According Salvador Muñoz V
Page 70 and 71:
course of time under the influence
Page 72 and 73:
the curators in review of the treat
Page 74 and 75:
cellulose powders with cellulose et
Page 76 and 77:
Authors Xing Kung Liao Conservator
Page 78 and 79:
Fig. 2: Our Railroad Workers and th
Page 80 and 81:
The Restoration of Cartoons at the
Page 82 and 83:
tation presumes that the works are
Page 84 and 85:
To Remove or Retain? - Extensive In
Page 86 and 87:
Fig. 4 repeated applications until
Page 88 and 89:
The Migration of Hydroxy Propyl Cel
Page 90:
tion issue allowed a visualisation
Page 93 and 94:
Ethical Considerations Concerning t
Page 95 and 96:
emoved with damp cotton swab. Then
Page 97 and 98:
Conservation of a Book of Hours fro
Page 99 and 100:
Fig. 4: Pigments movement and conse
Page 101 and 102:
Notes 1 Brazilwood lake, lapis lazu
Page 103 and 104:
pages, which would easily have torn
Page 105 and 106:
The Microflora Inhabiting Leonardo
Page 107 and 108:
Acknowledgments The authors would l
Page 109 and 110:
Microorganisms in Books - First Res
Page 111 and 112:
hyaline white mycelia on and in the
Page 113 and 114:
Deconstructing the Reconstruction E
Page 115 and 116:
Fig. 3: Poster after 2012 conservat
Page 117 and 118:
Conservators’ Investigation of Ch
Page 119 and 120:
had been used, may be false-positiv
Page 121 and 122:
function will provide a holistic pi
Page 123 and 124:
Fig. 2: Patriarchs of Chan Buddhism
Page 125 and 126:
ing techniques, which build upon fu
Page 127 and 128:
Applications of Image Processing So
Page 129 and 130:
Fig. 3 Fig. 4 images in a single wi
Page 131 and 132:
Analysing Deterioration Artifacts i
Page 133 and 134:
Fig. 3 similarity maps. Similarity
Page 135 and 136:
Strategy in the Case of a Wrecked P
Page 137 and 138:
without preliminary consolidation.
Page 139 and 140:
Fiber Optic Reflectance Spectroscop
Page 141 and 142:
Fig. 3: 18 th century paper seal, i
Page 143 and 144:
Fig. 3 Fig. 4 of responsibilities r
Page 145 and 146:
Characterising the Origin of Carbon
Page 147:
Fig. 3: Sampling depth for ATR spec
Page 150 and 151:
Fig. 2: Filmoplast® tape attached
Page 152 and 153:
Pluchart, F. 1971. Pop Art Et Cie.
Page 154 and 155:
Fig. 3: The reverse of left screen
Page 156:
porting the reverse of severe creas
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Paper Conservation: Decisions & Compromises

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