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Paper Conservation: Decisions & Compromises

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Integrating Analytical Tools in Treatment Decision-making for a<br />

1513 Hand-colored Ptolemy Geographia Atlas<br />

Lynn Brostoff | Sylvia R. Albro | John Bertonaschi<br />

Library of Congress, Washington D.C., USA<br />

Fig. 1<br />

Introduction<br />

In 2009, conservators from the Library of Congress<br />

(LC) undertook the technical examination<br />

of Claudius Ptolemy’s Geographia, an atlas<br />

printed by Johannes Schott in Strasbourg in<br />

1513 and now part of the Lessing J. Rosenwald<br />

Collection in the Rare Book and Special Collections<br />

Division. Bound in stiff-board vellum, the<br />

Atlas contains the text and mathematical coordinates<br />

from Ptolemy’s second century A.C.E.<br />

work on world geography, a sixteenth century<br />

supplemental text, and forty-seven hand colored<br />

woodblock and letterpress printed maps. All but<br />

one of the maps in the Atlas are hand-colored in<br />

six hues, including a problematic green used for<br />

mountain features throughout the maps. The<br />

final map in the volume illustrates the territory<br />

of the book’s patron, the Duke of Lorraine, and<br />

is an early example of multiple color woodblock<br />

printing.<br />

The Rosenwald 1513 Ptolemy Atlas has been<br />

unavailable for study or display for some time<br />

due to its fragile condition. Initial examination<br />

of the Atlas by LC paper and book conservators<br />

confirmed that the vellum binding was extremely<br />

tight, preventing the book from opening completely<br />

and contributing to breaks in the gutter<br />

of the pages. In addition, conservators noted that<br />

approximately forty of the maps appear in relatively<br />

good condition, while seven of the maps<br />

(Fig. 1), are in extremely poor condition, with<br />

all colors dull or darkened, the green pigment<br />

sometimes powdery, and the paper generally<br />

soft and discolored. The green on these maps has<br />

sunk to the back of the support and caused offset<br />

onto the opposite pages.<br />

In order to best approach the complex preservation<br />

of this important volume, a research team<br />

composed of conservators, scientists, and curators<br />

joined forces, resulting in an investigation<br />

into how the Atlas was produced, how it developed<br />

its current condition issues, and how to formulate<br />

a treatment strategy. Many of the specific<br />

research questions posed by the group have been<br />

systematically answered over the past two years<br />

through scholarly research and technical analysis,<br />

leading to informed conservation treatment<br />

planning and decision-making. The initial discoveries<br />

of the research team have been detailed<br />

elsewhere [1, 2, 3, 4], but are summarized here.<br />

History records that the production of the<br />

1513 Ptolemy Atlas began in the early 16th century<br />

in St. Dié, France, where a small group of<br />

humanist scholars known as the Gymnasium<br />

Vosagense, including Matthias Ringmann, Martin<br />

Waldseemüller, and their patron the Duke of<br />

Lorraine, combined efforts to produce a volume<br />

with newly corrected Ptolemy information, along<br />

with updated maps based on European discoveries<br />

of the late 1400’s. This project appears to have<br />

been interrupted by the untimely deaths of the<br />

Duke and Ringmann and the volume was left<br />

unfinished until 1513, when it was published in<br />

Strasbourg by another consortium that included<br />

Waldseemüller.<br />

Examination reveals that the Atlas is constructed<br />

from three different types of laid<br />

papers: twenty maps contain a slightly variant<br />

Crown watermark; four maps and seventeen text<br />

papers have a Lily watermark; and the remaining<br />

papers contain no watermark. Throughout the<br />

ICOM-CC Graphic Documents Working Group Interim Meeting | Vienna 17 – 19 April 2013<br />

29

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