Paper Conservation: Decisions & Compromises
Paper Conservation: Decisions & Compromises
Paper Conservation: Decisions & Compromises
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Integrating Analytical Tools in Treatment Decision-making for a<br />
1513 Hand-colored Ptolemy Geographia Atlas<br />
Lynn Brostoff | Sylvia R. Albro | John Bertonaschi<br />
Library of Congress, Washington D.C., USA<br />
Fig. 1<br />
Introduction<br />
In 2009, conservators from the Library of Congress<br />
(LC) undertook the technical examination<br />
of Claudius Ptolemy’s Geographia, an atlas<br />
printed by Johannes Schott in Strasbourg in<br />
1513 and now part of the Lessing J. Rosenwald<br />
Collection in the Rare Book and Special Collections<br />
Division. Bound in stiff-board vellum, the<br />
Atlas contains the text and mathematical coordinates<br />
from Ptolemy’s second century A.C.E.<br />
work on world geography, a sixteenth century<br />
supplemental text, and forty-seven hand colored<br />
woodblock and letterpress printed maps. All but<br />
one of the maps in the Atlas are hand-colored in<br />
six hues, including a problematic green used for<br />
mountain features throughout the maps. The<br />
final map in the volume illustrates the territory<br />
of the book’s patron, the Duke of Lorraine, and<br />
is an early example of multiple color woodblock<br />
printing.<br />
The Rosenwald 1513 Ptolemy Atlas has been<br />
unavailable for study or display for some time<br />
due to its fragile condition. Initial examination<br />
of the Atlas by LC paper and book conservators<br />
confirmed that the vellum binding was extremely<br />
tight, preventing the book from opening completely<br />
and contributing to breaks in the gutter<br />
of the pages. In addition, conservators noted that<br />
approximately forty of the maps appear in relatively<br />
good condition, while seven of the maps<br />
(Fig. 1), are in extremely poor condition, with<br />
all colors dull or darkened, the green pigment<br />
sometimes powdery, and the paper generally<br />
soft and discolored. The green on these maps has<br />
sunk to the back of the support and caused offset<br />
onto the opposite pages.<br />
In order to best approach the complex preservation<br />
of this important volume, a research team<br />
composed of conservators, scientists, and curators<br />
joined forces, resulting in an investigation<br />
into how the Atlas was produced, how it developed<br />
its current condition issues, and how to formulate<br />
a treatment strategy. Many of the specific<br />
research questions posed by the group have been<br />
systematically answered over the past two years<br />
through scholarly research and technical analysis,<br />
leading to informed conservation treatment<br />
planning and decision-making. The initial discoveries<br />
of the research team have been detailed<br />
elsewhere [1, 2, 3, 4], but are summarized here.<br />
History records that the production of the<br />
1513 Ptolemy Atlas began in the early 16th century<br />
in St. Dié, France, where a small group of<br />
humanist scholars known as the Gymnasium<br />
Vosagense, including Matthias Ringmann, Martin<br />
Waldseemüller, and their patron the Duke of<br />
Lorraine, combined efforts to produce a volume<br />
with newly corrected Ptolemy information, along<br />
with updated maps based on European discoveries<br />
of the late 1400’s. This project appears to have<br />
been interrupted by the untimely deaths of the<br />
Duke and Ringmann and the volume was left<br />
unfinished until 1513, when it was published in<br />
Strasbourg by another consortium that included<br />
Waldseemüller.<br />
Examination reveals that the Atlas is constructed<br />
from three different types of laid<br />
papers: twenty maps contain a slightly variant<br />
Crown watermark; four maps and seventeen text<br />
papers have a Lily watermark; and the remaining<br />
papers contain no watermark. Throughout the<br />
ICOM-CC Graphic Documents Working Group Interim Meeting | Vienna 17 – 19 April 2013<br />
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