Paper Conservation: Decisions & Compromises

Paper Conservation: Decisions & Compromises Paper Conservation: Decisions & Compromises

05.05.2014 Views

Figure 2 partial sewing: the blue dental floss in the injection needle Figure 3 “half” paper tube glued to the spine of the textblock and the reverse side of the leather board over the length of some centimetres. In the event that the manuscript is often used, the damage is likely to become more extensive and the leather could break further. Considerations for a conservation concept The aim of the conservation treatment was to strengthen the connection between textblock and upper board in order to relieve the two weak double cords of their great burden and prevent them from breaking. Conventionally, the broken cords could have been reconnected and the torn leather would have been glued with a new strip of leather. However, it would have necessitated the removal of the metal fittings so that the leather on the upper board could have been lifted up. Solid leather conservation at the spine would also have required undoing the plaited headbands, because of which the leather of the spine could not be lifted up. Thus the opening between leather and textblock only extended to a width from about 1 to 4 cm. This implicates that there was not much space left to work and it would not have been possible to provide steady counter-pressure for glueing the leather together, because the spine is hollow as it was not rubbed in between the raised double cords. Each of those considerations would have meant a great intervention into the original structure. Leather conservation alone would not have affected the stability needed to support the cords. Nevertheless it was necessary to do something about the broken leather, as it stuck out and therefore was in danger of being damaged through handling. As the abovementioned possibilities were excluded, we decided to apply an additional backing as well as a fold around the first section. Both the backing and the fold should extend onto the upper board thus stabilizing the connection to the board to some extent. The second question was what to do about the broken leather, as we decided it was necessary to at least do something about it. Due to the technical details described earlier, it would not have been possible to close the tear with one piece of new leather as there was not enough space nor the possibility to press it. Conservation report First, all illuminations were consolidated with the ultrasonic nebulizer with a 0.5 % gelatine solution. The pastedown of the upper board was lifted up with a metal spatula. A fold made of linen was put around the first section. It was cut around the cords, so that it could be put around the section without cutting the sewing thread. The linen was glued to the verso of the first section with starch paste. The next step was an additional spine lining. New strips of linen were glued onto the original lining. The spine was brushed with glue while the linen was brushed with wheat starch paste. As the gap between the spine of the textblock and the leather only had a maximum of 4 cm, it was not possible to glue it across the whole ICOM-CC Graphic Documents Working Group Interim Meeting | Vienna 17 – 19 April 2013 22

width of the spine. We thought this to be acceptable as the original vellum lining was still intact and was very stable in those areas. For further stabilization the first section as well as the spine lining was partially sewn to the first sections. There was insufficient space to do the sewing in the usual manner. Workflow of partial sewing (Fig. 2): Due to the strength of the parchment the holes had to be pre-stitched with a pricking awl. To pull the thread through the section a threading aid (dental floss) was used. As the floss was too flexible despite the pre-stitching, in most cases it still could not be pulled through the hole in the section fold. Therefore a thick injection needle was used as a temporary inflexible lead to pull the thread through. The injection needle was manoevered through the section and while the floss was held in place, the needle was removed. Now the thread could be threaded into the floss and be pulled through the leaves. After partial sewing the loose linen folds were attached with animal glue to the inner side of the upper board. The paste-down was glued with rice starch paste into its original position. Fig. 4: Vivak templates for supporting the spine leather and linen glued together to press it while drying The next step was to stabilize and consolidate the broken leather at the spine. It would not have been possible to close the tear along the whole length, and as there was no way to press it, the old and new leather could not have been glued together firmly. Therefore the tear was just closed in between each cord under the original leather. The material used was linen lined with Japanese paper. It was sprayed with Aero Color 3 dye and was cut into strips which match the distance of the cords. It was worked similarly as a “half” paper tube (Fig. 3), as it was open on one side covering only the half width of the spine. First of all one side of the linen fold was glued to the spine of the textblock with animal glue and wheat starch. The other half of the linen fold was glued to the spine leather. For drying it was supported by two boards of Vivak 4 . These had been cut to two different templates to allow each to be pulled beneath the leather of the spine; the smaller one could even be pulled through the narrow slit above a double cord. The templates overlapped slightly to provide the necessary counter-pressure (Fig. 4). From the outside it was pressed with a screw clamp put on a sheet of polyester felt and a board of wood. Conclusion The conservation treatment presented effected the stabilisation of the connection between textblock and upper board. Due to its great weight the upper board should still be supported carefully when moved. The torn leather was consolidated with the strips of linen to prevent its edges from tearing. Nevertheless it is recommended that access to the Hussite Codex should be largely restricted. The leather of the spine is very brittle, so it is probable that at some time it will also break in the lower joint. Therefore, the manuscript should not be opened further than to an angle of 90° and only while being supported carefully. Endnotes 1 Fritzsch, K.E., ‚Die Kuttenberger Bergbauminiaturen des Illuminators Mathaeus’, Deutsches Jahrbuch für Volkskunde, 1960 (Bd. VI), pp. 213-228 2 Jan Hus, Theologist and Reformer, born 1369, died 1415 as martyr 3 Aero Color is a fine spray colour on acrylic basis. 4 Vivak is a transparent copolyester board, thickness 1,5 mm. Author Birgit Speta Austrian National Library Josefsplatz 1, 1015 Wien birgit.speta@onb.ac.at ICOM-CC Graphic Documents Working Group Interim Meeting | Vienna 17 – 19 April 2013 23

width of the spine. We thought this to be acceptable<br />

as the original vellum lining was still intact<br />

and was very stable in those areas.<br />

For further stabilization the first section as<br />

well as the spine lining was partially sewn to the<br />

first sections. There was insufficient space to do<br />

the sewing in the usual manner.<br />

Workflow of partial sewing (Fig. 2):<br />

Due to the strength of the parchment the holes<br />

had to be pre-stitched with a pricking awl. To<br />

pull the thread through the section a threading<br />

aid (dental floss) was used. As the floss was too<br />

flexible despite the pre-stitching, in most cases it<br />

still could not be pulled through the hole in the<br />

section fold. Therefore a thick injection needle<br />

was used as a temporary inflexible lead to pull<br />

the thread through. The injection needle was<br />

manoevered through the section and while the<br />

floss was held in place, the needle was removed.<br />

Now the thread could be threaded into the floss<br />

and be pulled through the leaves.<br />

After partial sewing the loose linen folds were attached<br />

with animal glue to the inner side of the<br />

upper board. The paste-down was glued with rice<br />

starch paste into its original position.<br />

Fig. 4: Vivak templates for supporting the spine leather and<br />

linen glued together to press it while drying<br />

The next step was to stabilize and consolidate<br />

the broken leather at the spine. It would not<br />

have been possible to close the tear along the<br />

whole length, and as there was no way to press<br />

it, the old and new leather could not have been<br />

glued together firmly. Therefore the tear was just<br />

closed in between each cord under the original<br />

leather.<br />

The material used was linen lined with Japanese<br />

paper. It was sprayed with Aero Color 3 dye<br />

and was cut into strips which match the distance<br />

of the cords. It was worked similarly as a “half”<br />

paper tube (Fig. 3), as it was open on one side covering<br />

only the half width of the spine.<br />

First of all one side of the linen fold was glued<br />

to the spine of the textblock with animal glue<br />

and wheat starch.<br />

The other half of the linen fold was glued to<br />

the spine leather. For drying it was supported by<br />

two boards of Vivak 4 . These had been cut to two<br />

different templates to allow each to be pulled<br />

beneath the leather of the spine; the smaller one<br />

could even be pulled through the narrow slit<br />

above a double cord. The templates overlapped<br />

slightly to provide the necessary counter-pressure<br />

(Fig. 4). From the outside it was pressed with<br />

a screw clamp put on a sheet of polyester felt and<br />

a board of wood.<br />

Conclusion<br />

The conservation treatment presented effected<br />

the stabilisation of the connection between textblock<br />

and upper board. Due to its great weight<br />

the upper board should still be supported carefully<br />

when moved.<br />

The torn leather was consolidated with the<br />

strips of linen to prevent its edges from tearing.<br />

Nevertheless it is recommended that access to<br />

the Hussite Codex should be largely restricted.<br />

The leather of the spine is very brittle, so it is<br />

probable that at some time it will also break in<br />

the lower joint.<br />

Therefore, the manuscript should not be<br />

opened further than to an angle of 90° and only<br />

while being supported carefully.<br />

Endnotes<br />

1 Fritzsch, K.E., ‚Die Kuttenberger Bergbauminiaturen<br />

des Illuminators Mathaeus’,<br />

Deutsches Jahrbuch für Volkskunde, 1960<br />

(Bd. VI), pp. 213-228<br />

2 Jan Hus, Theologist and Reformer, born<br />

1369, died 1415 as martyr<br />

3 Aero Color is a fine spray colour on<br />

acrylic basis.<br />

4 Vivak is a transparent copolyester board,<br />

thickness 1,5 mm.<br />

Author<br />

Birgit Speta<br />

Austrian National Library<br />

Josefsplatz 1, 1015 Wien<br />

birgit.speta@onb.ac.at<br />

ICOM-CC Graphic Documents Working Group Interim Meeting | Vienna 17 – 19 April 2013<br />

23

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!