Paper Conservation: Decisions & Compromises
Paper Conservation: Decisions & Compromises
Paper Conservation: Decisions & Compromises
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Figure 2 partial sewing: the blue dental floss in the<br />
injection needle<br />
Figure 3 “half” paper tube glued to the spine of the<br />
textblock and the reverse side of the leather<br />
board over the length of some centimetres. In<br />
the event that the manuscript is often used, the<br />
damage is likely to become more extensive and<br />
the leather could break further.<br />
Considerations for a conservation concept<br />
The aim of the conservation treatment was to<br />
strengthen the connection between textblock<br />
and upper board in order to relieve the two weak<br />
double cords of their great burden and prevent<br />
them from breaking.<br />
Conventionally, the broken cords could have<br />
been reconnected and the torn leather would<br />
have been glued with a new strip of leather. However,<br />
it would have necessitated the removal of<br />
the metal fittings so that the leather on the upper<br />
board could have been lifted up. Solid leather<br />
conservation at the spine would also have required<br />
undoing the plaited headbands, because<br />
of which the leather of the spine could not be<br />
lifted up. Thus the opening between leather and<br />
textblock only extended to a width from about 1<br />
to 4 cm. This implicates that there was not much<br />
space left to work and it would not have been<br />
possible to provide steady counter-pressure for<br />
glueing the leather together, because the spine<br />
is hollow as it was not rubbed in between the<br />
raised double cords.<br />
Each of those considerations would have<br />
meant a great intervention into the original<br />
structure.<br />
Leather conservation alone would not have<br />
affected the stability needed to support the<br />
cords. Nevertheless it was necessary to do something<br />
about the broken leather, as it stuck out<br />
and therefore was in danger of being damaged<br />
through handling.<br />
As the abovementioned possibilities were excluded,<br />
we decided to apply an additional backing<br />
as well as a fold around the first section. Both<br />
the backing and the fold should extend onto the<br />
upper board thus stabilizing the connection to<br />
the board to some extent.<br />
The second question was what to do about the<br />
broken leather, as we decided it was necessary to<br />
at least do something about it. Due to the technical<br />
details described earlier, it would not have<br />
been possible to close the tear with one piece of<br />
new leather as there was not enough space nor<br />
the possibility to press it.<br />
<strong>Conservation</strong> report<br />
First, all illuminations were consolidated with<br />
the ultrasonic nebulizer with a 0.5 % gelatine<br />
solution.<br />
The pastedown of the upper board was lifted<br />
up with a metal spatula. A fold made of linen<br />
was put around the first section. It was cut<br />
around the cords, so that it could be put around<br />
the section without cutting the sewing thread.<br />
The linen was glued to the verso of the first section<br />
with starch paste.<br />
The next step was an additional spine lining.<br />
New strips of linen were glued onto the original<br />
lining. The spine was brushed with glue while<br />
the linen was brushed with wheat starch paste.<br />
As the gap between the spine of the textblock<br />
and the leather only had a maximum of 4 cm,<br />
it was not possible to glue it across the whole<br />
ICOM-CC Graphic Documents Working Group Interim Meeting | Vienna 17 – 19 April 2013<br />
22