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Paper Conservation: Decisions & Compromises

Paper Conservation: Decisions & Compromises

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Figure 2 partial sewing: the blue dental floss in the<br />

injection needle<br />

Figure 3 “half” paper tube glued to the spine of the<br />

textblock and the reverse side of the leather<br />

board over the length of some centimetres. In<br />

the event that the manuscript is often used, the<br />

damage is likely to become more extensive and<br />

the leather could break further.<br />

Considerations for a conservation concept<br />

The aim of the conservation treatment was to<br />

strengthen the connection between textblock<br />

and upper board in order to relieve the two weak<br />

double cords of their great burden and prevent<br />

them from breaking.<br />

Conventionally, the broken cords could have<br />

been reconnected and the torn leather would<br />

have been glued with a new strip of leather. However,<br />

it would have necessitated the removal of<br />

the metal fittings so that the leather on the upper<br />

board could have been lifted up. Solid leather<br />

conservation at the spine would also have required<br />

undoing the plaited headbands, because<br />

of which the leather of the spine could not be<br />

lifted up. Thus the opening between leather and<br />

textblock only extended to a width from about 1<br />

to 4 cm. This implicates that there was not much<br />

space left to work and it would not have been<br />

possible to provide steady counter-pressure for<br />

glueing the leather together, because the spine<br />

is hollow as it was not rubbed in between the<br />

raised double cords.<br />

Each of those considerations would have<br />

meant a great intervention into the original<br />

structure.<br />

Leather conservation alone would not have<br />

affected the stability needed to support the<br />

cords. Nevertheless it was necessary to do something<br />

about the broken leather, as it stuck out<br />

and therefore was in danger of being damaged<br />

through handling.<br />

As the abovementioned possibilities were excluded,<br />

we decided to apply an additional backing<br />

as well as a fold around the first section. Both<br />

the backing and the fold should extend onto the<br />

upper board thus stabilizing the connection to<br />

the board to some extent.<br />

The second question was what to do about the<br />

broken leather, as we decided it was necessary to<br />

at least do something about it. Due to the technical<br />

details described earlier, it would not have<br />

been possible to close the tear with one piece of<br />

new leather as there was not enough space nor<br />

the possibility to press it.<br />

<strong>Conservation</strong> report<br />

First, all illuminations were consolidated with<br />

the ultrasonic nebulizer with a 0.5 % gelatine<br />

solution.<br />

The pastedown of the upper board was lifted<br />

up with a metal spatula. A fold made of linen<br />

was put around the first section. It was cut<br />

around the cords, so that it could be put around<br />

the section without cutting the sewing thread.<br />

The linen was glued to the verso of the first section<br />

with starch paste.<br />

The next step was an additional spine lining.<br />

New strips of linen were glued onto the original<br />

lining. The spine was brushed with glue while<br />

the linen was brushed with wheat starch paste.<br />

As the gap between the spine of the textblock<br />

and the leather only had a maximum of 4 cm,<br />

it was not possible to glue it across the whole<br />

ICOM-CC Graphic Documents Working Group Interim Meeting | Vienna 17 – 19 April 2013<br />

22

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