Paper Conservation: Decisions & Compromises

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Paper Conservation: Decisions & Compromises Extended Abstracts presented at the ICOM-CC Graphic Document Working Group Interim Meeting Vienna, Austrian National Library 17-19 April 2013 Edited by Lieve Watteeuw and Christa Hofmann © International Council of Museums (ICOM) Vienna, Austrian National Library, 17-19 April 2013 Organization: ICOM-CC Graphic Documents Working Group and the Austrian National Library; In collaboration with the Albertina, the Academy of Fine Arts Vienna and KU Leuven Conference website: www.onb.ac.at/ev/about/ifr/icom_cc.htm Vienna, Austrian National Library, www.onb.ac.at ICOM-CC, www.icom-cc.org/28/working-groups/graphic-documents Organising team Vienna: Christa Hofmann | Wolfgang Kreuzer | Hannah Singer | Christa Schuster | Birgit Speta | Elisabeth Thobois | Julia Wikarski with the support of all members of the conservation department of the Austrian National Library. An international peer review committee was evaluating the extended abstracts. Editorial team: Sigrid Eyb-Green | Paul Garside | Ute Henniges | Christa Hofmann | Uta Landwehr | Dianne van der Reyden | Marie Vest | Lieve Watteeuw Cover: Kromarchivpaper by Ilse Mühlbacher Graphik-Design: Sibylle Gieselmann www.null7.at
Content Lieve Watteeuw Introduction 7 Dianne Lee van der Reyden New Trends in Preservation in the Digital Age: New Roles for Conservators 8 Uta Landwehr | Junko Sonderegger The Albums of Duke Charles de Croÿ: Consolidation and Modified Re-housing of Double-sided Miniatures on Parchment in Bound Volumes 14 Doris St-Jacques | Maria Bedynski | Lynn Curry | Season Tse A 1763 Illuminated Haggadah Manuscript: How Ineffective Past Treatments Resulted in an Antioxidant Research Project, Impacting Current Treatment Decisions 17 Birgit Speta The Conservation of the Hussite Codex: Considerations on Minimal Intervention 21 Lieve Watteeuw Books in Exhibitions: History and Adventures in Display 24 Robert Fuchs Risk and Safety of Illuminated Manuscripts with Brittle Paint Layers: Can the Digital Scan Substitute Old Manuscripts? Are Old Choices of Conservation Reversible? 28 Lynn B. Brostoff | Sylvia Albro | John Bertonaschi Integrating Analytical Tools in Treatment Decision-making for a 1513 Hand-colored Ptolemy Geographia Atlas 29 Christa Hofmann | Andreas hartl | Kyujin Ahn | Laura Völkel | Ina Faerber | Antje Potthast Verdigris I: Compromises in conservation 34 Kyujin Ahn | Andreas hartl | Christa Hofmann | Ute Hennings | Antje Potthast Verdigris 2: Wet Chemical Treatments which are not Easy to Decide and Apply 36 Matija Strlic | Catherine Dillon | Nancy Bell | Peter Brimblecombe | Kalliopi Fouseki | Jinghao Xue | William Lindsay | Eva Menart | Carlota Grossi | Kostas Ntanos | Gerrit De Bruin | David Thickett | Fenella France Integrated Modelling: The Demography of Collections 38 Jana Kolar | Dusan Kolesa | Gerrit de Bruin Characterisation of Historical Paper - Possibilities and Limitations 42 Véronique Rouchon | Eleonora Pellizzi | Maroussia Duranton Study of Phytate Chelating Treatments Used on Iron Gall Ink Damaged Manuscripts 46 pnina shor | lena libman | tanya bitler | tanya treiger Practice and Progress in the Conservation, Preservation and Digitization of the Dead Sea Scrolls 50 ICOM-CC Graphic Documents Working Group Interim Meeting | Vienna 17 – 19 April 2013 3
Page 1: Paper Conservation: Decisions & Com
Page 5: Michael Wheeler | Nicholas Barnard
Page 8 and 9: New Trends in Preservation in the D
Page 10 and 11: and monitoring against adverse envi
Page 12 and 13: Steve Hobaica, Patrick Loughney, Ma
Page 14 and 15: The Albums of Duke Charles de Croÿ
Page 16 and 17: Fig. 4: turning the supporting pape
Page 18 and 19: Fig. 2: Close-up of some of the los
Page 20 and 21: manuscript paper, the binding would
Page 22 and 23: Figure 2 partial sewing: the blue d
Page 24 and 25: Books in Exhibitions: History and A
Page 26 and 27: Fig. 4 Museum in London and the pre
Page 28 and 29: Risk and Safety of Illuminated Manu
Page 30 and 31: Fig. 2 Atlas, the Crown papers are
Page 32 and 33: Acknowledgments The authors would l
Page 34 and 35: Verdigris I: Compromises in Conserv
Page 36 and 37: Verdigris 2: Wet Chemical Treatment
Page 38 and 39: Integrated Modelling: The Demograph
Page 40 and 41: Fig. 3: The consequence of 50 insta
Page 42 and 43: Characterisation of Historical Pape
Page 44 and 45: pling is required, tide-lines are c
Page 46 and 47: Study of Phytate Chelating Treatmen
Page 48 and 49: Evaluation of stochiometric effects
Page 50 and 51: Practice and Progress in the Conser
Page 52 and 53:
Fig. 1 Fig. 2 plex picture and prov
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Fig. 2: Coloured paper strips place
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the fire (on the other hand paper,
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inform decisions on conservation tr
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This paper summarizes what is known
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2. Methods An interdisciplinary met
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Fig. 4: Dyed endpaper pasted at the
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Preservation of Architectural Drawi
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Notes 1 According Salvador Muñoz V
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course of time under the influence
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the curators in review of the treat
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cellulose powders with cellulose et
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Authors Xing Kung Liao Conservator
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Fig. 2: Our Railroad Workers and th
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The Restoration of Cartoons at the
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tation presumes that the works are
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To Remove or Retain? - Extensive In
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Fig. 4 repeated applications until
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The Migration of Hydroxy Propyl Cel
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tion issue allowed a visualisation
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Ethical Considerations Concerning t
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emoved with damp cotton swab. Then
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Conservation of a Book of Hours fro
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Fig. 4: Pigments movement and conse
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Notes 1 Brazilwood lake, lapis lazu
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pages, which would easily have torn
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The Microflora Inhabiting Leonardo
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Acknowledgments The authors would l
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Microorganisms in Books - First Res
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hyaline white mycelia on and in the
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Deconstructing the Reconstruction E
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Fig. 3: Poster after 2012 conservat
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Conservators’ Investigation of Ch
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had been used, may be false-positiv
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function will provide a holistic pi
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Fig. 2: Patriarchs of Chan Buddhism
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ing techniques, which build upon fu
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Applications of Image Processing So
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Fig. 3 Fig. 4 images in a single wi
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Analysing Deterioration Artifacts i
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Fig. 3 similarity maps. Similarity
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Strategy in the Case of a Wrecked P
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without preliminary consolidation.
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Fiber Optic Reflectance Spectroscop
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Fig. 3: 18 th century paper seal, i
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Fig. 3 Fig. 4 of responsibilities r
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Characterising the Origin of Carbon
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Fig. 3: Sampling depth for ATR spec
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Fig. 2: Filmoplast® tape attached
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Pluchart, F. 1971. Pop Art Et Cie.
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Fig. 3: The reverse of left screen
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porting the reverse of severe creas
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Paper Conservation: Decisions & Compromises

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