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Paper Conservation: Decisions & Compromises

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A 1763 Illuminated Haggadah Manuscript:<br />

How Ineffective Past Treatments Resulted in an Antioxidant Research<br />

Project, Impacting Current Treatment <strong>Decisions</strong><br />

Doris St-Jacques | Maria Bedynski | Lynn Curry | Season Tse<br />

Library and Archives Canada; Canadian <strong>Conservation</strong> Institute, Ottawa, Canada<br />

This 1763 Altona Haggadah (Fig. 1 ) is a mid-eighteenth-century<br />

illuminated manuscript from the<br />

Lowy Collection of Library and Archives Canada<br />

(LAC). The manuscript is particularly important<br />

as it does not represent high book art, but gives<br />

testimony to the way a middle class Ashkenazi<br />

family of the 18th century would have celebrated<br />

Passover. The text is accompanied by 97 illuminated<br />

miniatures and a fully illuminated frontispiece.<br />

Analysis of paper, ink, pigments and coatings<br />

from the manuscript was undertaken using<br />

Fourier transform infrared spectroscopy (FTIR),<br />

energy dispersive x-ray spectroscopy (EDS), scanning<br />

electron microscopy (SEM), x-ray diffraction<br />

(XRD) and/or polarized light microscopy (PLM) at<br />

Canadian <strong>Conservation</strong> Institute (CCI) (Helwig,<br />

Corbeil: 2009).<br />

The text is written in iron gall ink and the pigments<br />

used in illuminations are predominantly<br />

red, blue and green. They were identified as dry<br />

process vermilion or cinnabar, Prussian blue,<br />

and atacamite/paratacamite (copper chloride<br />

hydroxides). Unidentified yellow, glaze-like paint<br />

is very thinly applied. Gold toned colours were<br />

found to be composed of brass flakes. The colours<br />

are transparent and the pigment vehicle is hard<br />

and glossy. Lighter colours are also present although<br />

these are less concentrated dispersions<br />

of the same red, blue and green pigments. Gum<br />

was identified as the only binding media present.<br />

The paper support is in fragile condition due<br />

to iron gall ink and copper containing atacamite<br />

corrosion. On several pages, ink had penetrated<br />

to the verso of the page, making the text difficult<br />

or impossible to read. It is unevenly discoloured<br />

and stained throughout. Handling and use is the<br />

cause of much of the grime around the edges of<br />

the folios. There are large brown liquid stains on<br />

several pages caused by splashed red wine, most<br />

probably during the ceremonial Passover meal.<br />

Fig. 1: Frontispiece of the 1763 Altona Haggadah, from the<br />

Jacob M. Lowy Judaica Collection, Library and Archives<br />

Canada, (BM674.6 A3 1763 xxfol. LOWY)<br />

Past <strong>Conservation</strong> Treatment Highlights<br />

1987 examination revealed that deterioration<br />

of the paper was further advanced in areas of<br />

densely applied iron gall ink (Fig. 2) The green<br />

copper pigment had also caused similar deterioration<br />

of the paper. Treatment in 1987 included<br />

dismantling the manuscript and deacidifying<br />

the pages with solvent based Wei T’o #2 solution<br />

(methyl/ethyl magnesium carbonates in 1,1<br />

Dichloro-1-Fluoroethane (HCFC-141B) and methanol).<br />

This was followed by tissue repairs using<br />

carboxy-methyl-cellulose as an adhesive.<br />

Examination In 2007 revealed many new<br />

cracks and losses throughout the manuscript. It<br />

ICOM-CC Graphic Documents Working Group Interim Meeting | Vienna 17 – 19 April 2013<br />

17

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