Paper Conservation: Decisions & Compromises
Paper Conservation: Decisions & Compromises
Paper Conservation: Decisions & Compromises
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A 1763 Illuminated Haggadah Manuscript:<br />
How Ineffective Past Treatments Resulted in an Antioxidant Research<br />
Project, Impacting Current Treatment <strong>Decisions</strong><br />
Doris St-Jacques | Maria Bedynski | Lynn Curry | Season Tse<br />
Library and Archives Canada; Canadian <strong>Conservation</strong> Institute, Ottawa, Canada<br />
This 1763 Altona Haggadah (Fig. 1 ) is a mid-eighteenth-century<br />
illuminated manuscript from the<br />
Lowy Collection of Library and Archives Canada<br />
(LAC). The manuscript is particularly important<br />
as it does not represent high book art, but gives<br />
testimony to the way a middle class Ashkenazi<br />
family of the 18th century would have celebrated<br />
Passover. The text is accompanied by 97 illuminated<br />
miniatures and a fully illuminated frontispiece.<br />
Analysis of paper, ink, pigments and coatings<br />
from the manuscript was undertaken using<br />
Fourier transform infrared spectroscopy (FTIR),<br />
energy dispersive x-ray spectroscopy (EDS), scanning<br />
electron microscopy (SEM), x-ray diffraction<br />
(XRD) and/or polarized light microscopy (PLM) at<br />
Canadian <strong>Conservation</strong> Institute (CCI) (Helwig,<br />
Corbeil: 2009).<br />
The text is written in iron gall ink and the pigments<br />
used in illuminations are predominantly<br />
red, blue and green. They were identified as dry<br />
process vermilion or cinnabar, Prussian blue,<br />
and atacamite/paratacamite (copper chloride<br />
hydroxides). Unidentified yellow, glaze-like paint<br />
is very thinly applied. Gold toned colours were<br />
found to be composed of brass flakes. The colours<br />
are transparent and the pigment vehicle is hard<br />
and glossy. Lighter colours are also present although<br />
these are less concentrated dispersions<br />
of the same red, blue and green pigments. Gum<br />
was identified as the only binding media present.<br />
The paper support is in fragile condition due<br />
to iron gall ink and copper containing atacamite<br />
corrosion. On several pages, ink had penetrated<br />
to the verso of the page, making the text difficult<br />
or impossible to read. It is unevenly discoloured<br />
and stained throughout. Handling and use is the<br />
cause of much of the grime around the edges of<br />
the folios. There are large brown liquid stains on<br />
several pages caused by splashed red wine, most<br />
probably during the ceremonial Passover meal.<br />
Fig. 1: Frontispiece of the 1763 Altona Haggadah, from the<br />
Jacob M. Lowy Judaica Collection, Library and Archives<br />
Canada, (BM674.6 A3 1763 xxfol. LOWY)<br />
Past <strong>Conservation</strong> Treatment Highlights<br />
1987 examination revealed that deterioration<br />
of the paper was further advanced in areas of<br />
densely applied iron gall ink (Fig. 2) The green<br />
copper pigment had also caused similar deterioration<br />
of the paper. Treatment in 1987 included<br />
dismantling the manuscript and deacidifying<br />
the pages with solvent based Wei T’o #2 solution<br />
(methyl/ethyl magnesium carbonates in 1,1<br />
Dichloro-1-Fluoroethane (HCFC-141B) and methanol).<br />
This was followed by tissue repairs using<br />
carboxy-methyl-cellulose as an adhesive.<br />
Examination In 2007 revealed many new<br />
cracks and losses throughout the manuscript. It<br />
ICOM-CC Graphic Documents Working Group Interim Meeting | Vienna 17 – 19 April 2013<br />
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