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Paper Conservation: Decisions & Compromises

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Treatment<br />

The aim of the treatment was to preserve and stabilize,<br />

physically and chemically, the text block<br />

and binding, without neglecting the material<br />

integrity of the object and its meaning, while<br />

maintaining cultural evidence with a spiritual<br />

dimension. According to the principle of minimum<br />

intervention and respecting the principle<br />

of maximum retrievability, stable materials and<br />

methods were used which, in addition, would<br />

not impede future treatments.<br />

A complete photographic survey was conducted<br />

for further information and in order to register<br />

the remedial conservation process, allowing<br />

comparisons between the state before and after<br />

the intervention. The treatment consisted of the<br />

different phases described below.<br />

The first step was cleaning general dirt that<br />

was mainly concentrated along the leaves hinge<br />

by mechanical means, using soft brushes, smoke<br />

sponge and spatulas.<br />

Afterwards, as the glue layer present along<br />

the leaves hinge was too thick and the use of<br />

mechanical means to remove it could contribute<br />

to the increase of gaps and tears, we decided to<br />

remove dirt with a swab dipped in a solution of<br />

50% H2O/50% CH3CH2OH, softening the glue<br />

and allowing its removal, without causing further<br />

damage in the leaves.<br />

Subsequently, the bifolia and the deteriorated<br />

folium hinges were strengthened. In the first<br />

case, to strengthen the outer bifolia, a strip of<br />

parchment with a thickness identical to the<br />

original one was pasted with wheat starch paste.<br />

Simultaneously, in the inner bifolia, a strip of<br />

synthetic collagen was pasted to ensure its resistance<br />

during the sewing.<br />

Only large missing areas were filled. The replacement<br />

of the three truncated leaves was<br />

made with the inclusion of three new parchment<br />

sheets with similar characteristics of the<br />

original ones but in a perfectly recognizable way,<br />

respecting the authenticity of the work and evidences<br />

of its individual history.<br />

After mechanical cleaning, the fly-leafs and<br />

paste-down papers were subject to a deionizedwater<br />

bath. At room temperature there were no<br />

satisfactory results, since the paper exhibited impermeable<br />

zones, so the temperature was gradually<br />

increased (not exceeding 40ºC). Afterwards,<br />

an increase in whiteness was observed during<br />

deacidification in a calcium hydroxide bath to<br />

create an alkaline reserve. The strengthening<br />

of these papers with Japanese paper and wheat<br />

starch paste was then made, allowing further<br />

sewing and pasting-down.<br />

Throughout the treatment, the bifolia were<br />

kept under controlled weight in order to maintain<br />

the shape in which they would be sewn. On<br />

the other hand, leaves with creases and without<br />

substantial illuminations were subjected to an<br />

ultrasonic humidification and were left in the<br />

press, with moderate weight, cushioned with<br />

blotters.<br />

After consolidating the bookbinding’s leather<br />

with Klucel G ® solution, 2% -CH2CH(OH)CH3<br />

/98% CH3CH2OH, it was cleaned with a bistoury<br />

and spatulas.<br />

The remedial conservation measures achieved<br />

a major goal: avoiding the increase in size of the<br />

manuscript spine. The rebinding phase, already<br />

in process, requires leaving the necessary space<br />

along the joint for full protection of the text<br />

block.<br />

Conclusion<br />

Throughout the treatment of the text block the<br />

main concern was interfering as little as possible<br />

with historical evidence, while ensuring the<br />

physical and chemical stability of the whole, and<br />

the reversibility of the materials and techniques<br />

applied. During rebinding we will follow a similar<br />

philosophy in terms of criteria and conservation<br />

aims.<br />

The treatment required complex decisions covering<br />

different areas of knowledge such as history<br />

of ownership, past and present conservation<br />

and restoration techniques, as well as authenticity<br />

and work ethics issues.<br />

In short, this was a rich and representative<br />

case study of what is possible to find in the world<br />

of graphic documents, covering a vast range of<br />

materials (from paper, to skins, and rich illuminations)<br />

and different historical periods (15 th<br />

century text versus an 18th/19th century binding),<br />

providing interesting challenges in terms of<br />

decision making.<br />

Acknowledgments<br />

We thank the Mafra National Palace for<br />

their contribution to this project. Dr.<br />

Marcello Picollo thanks the Foundation<br />

FCT-MCTES for its financial support.<br />

ICOM-CC Graphic Documents Working Group Interim Meeting | Vienna 17 – 19 April 2013<br />

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