Paper Conservation: Decisions & Compromises
Paper Conservation: Decisions & Compromises
Paper Conservation: Decisions & Compromises
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Treatment<br />
The aim of the treatment was to preserve and stabilize,<br />
physically and chemically, the text block<br />
and binding, without neglecting the material<br />
integrity of the object and its meaning, while<br />
maintaining cultural evidence with a spiritual<br />
dimension. According to the principle of minimum<br />
intervention and respecting the principle<br />
of maximum retrievability, stable materials and<br />
methods were used which, in addition, would<br />
not impede future treatments.<br />
A complete photographic survey was conducted<br />
for further information and in order to register<br />
the remedial conservation process, allowing<br />
comparisons between the state before and after<br />
the intervention. The treatment consisted of the<br />
different phases described below.<br />
The first step was cleaning general dirt that<br />
was mainly concentrated along the leaves hinge<br />
by mechanical means, using soft brushes, smoke<br />
sponge and spatulas.<br />
Afterwards, as the glue layer present along<br />
the leaves hinge was too thick and the use of<br />
mechanical means to remove it could contribute<br />
to the increase of gaps and tears, we decided to<br />
remove dirt with a swab dipped in a solution of<br />
50% H2O/50% CH3CH2OH, softening the glue<br />
and allowing its removal, without causing further<br />
damage in the leaves.<br />
Subsequently, the bifolia and the deteriorated<br />
folium hinges were strengthened. In the first<br />
case, to strengthen the outer bifolia, a strip of<br />
parchment with a thickness identical to the<br />
original one was pasted with wheat starch paste.<br />
Simultaneously, in the inner bifolia, a strip of<br />
synthetic collagen was pasted to ensure its resistance<br />
during the sewing.<br />
Only large missing areas were filled. The replacement<br />
of the three truncated leaves was<br />
made with the inclusion of three new parchment<br />
sheets with similar characteristics of the<br />
original ones but in a perfectly recognizable way,<br />
respecting the authenticity of the work and evidences<br />
of its individual history.<br />
After mechanical cleaning, the fly-leafs and<br />
paste-down papers were subject to a deionizedwater<br />
bath. At room temperature there were no<br />
satisfactory results, since the paper exhibited impermeable<br />
zones, so the temperature was gradually<br />
increased (not exceeding 40ºC). Afterwards,<br />
an increase in whiteness was observed during<br />
deacidification in a calcium hydroxide bath to<br />
create an alkaline reserve. The strengthening<br />
of these papers with Japanese paper and wheat<br />
starch paste was then made, allowing further<br />
sewing and pasting-down.<br />
Throughout the treatment, the bifolia were<br />
kept under controlled weight in order to maintain<br />
the shape in which they would be sewn. On<br />
the other hand, leaves with creases and without<br />
substantial illuminations were subjected to an<br />
ultrasonic humidification and were left in the<br />
press, with moderate weight, cushioned with<br />
blotters.<br />
After consolidating the bookbinding’s leather<br />
with Klucel G ® solution, 2% -CH2CH(OH)CH3<br />
/98% CH3CH2OH, it was cleaned with a bistoury<br />
and spatulas.<br />
The remedial conservation measures achieved<br />
a major goal: avoiding the increase in size of the<br />
manuscript spine. The rebinding phase, already<br />
in process, requires leaving the necessary space<br />
along the joint for full protection of the text<br />
block.<br />
Conclusion<br />
Throughout the treatment of the text block the<br />
main concern was interfering as little as possible<br />
with historical evidence, while ensuring the<br />
physical and chemical stability of the whole, and<br />
the reversibility of the materials and techniques<br />
applied. During rebinding we will follow a similar<br />
philosophy in terms of criteria and conservation<br />
aims.<br />
The treatment required complex decisions covering<br />
different areas of knowledge such as history<br />
of ownership, past and present conservation<br />
and restoration techniques, as well as authenticity<br />
and work ethics issues.<br />
In short, this was a rich and representative<br />
case study of what is possible to find in the world<br />
of graphic documents, covering a vast range of<br />
materials (from paper, to skins, and rich illuminations)<br />
and different historical periods (15 th<br />
century text versus an 18th/19th century binding),<br />
providing interesting challenges in terms of<br />
decision making.<br />
Acknowledgments<br />
We thank the Mafra National Palace for<br />
their contribution to this project. Dr.<br />
Marcello Picollo thanks the Foundation<br />
FCT-MCTES for its financial support.<br />
ICOM-CC Graphic Documents Working Group Interim Meeting | Vienna 17 – 19 April 2013<br />
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