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which sends sorrow to us. He corrects us as a mother corrects her child, to teach it to do better. He works<br />

without cessation to purify and embellish our souls, which cannot be completely happy, save as they are<br />

perfected. For that purpose is the earthly apprenticeship. God has placed beside rare and fugitive joys, frequent<br />

and prolonged sorrows, in order that we may realize that our world is only a passageway, not a goal. Joys and<br />

sufferings–pleasures and sorrows – God has spread these things in our existence, as a great artist unites on his<br />

canvas the lights and shadows to produce his chef-d’oeuvre.<br />

Suffering is a rudimentary method of animal evolution. Through it they acquire the first dawning of<br />

consciousness. It is the same with human beings in successive incarnations. If, from its earthly stations, the<br />

soul were exempt from suffering, it would remain inert – passive, and ignorant of profound moral truths. Our<br />

aim is onward! Our destiny is to march toward the goal without stopping by the way. The joys of this world<br />

immobilize us, they retard us; then sorrow comes and pushes us forward. As soon as there opens for us a<br />

source of pleasure, for instance in our youth, love and marriage – and we lose ourselves in the enchantment of<br />

these blessings, almost always soon afterward an unforeseen circumstance arises, and the blade of sorrow is<br />

felt.<br />

In the measure that we advance in life, joys diminish and sorrows increase. The body becomes heavier<br />

– the weight of years more burdensome. With most lives, existence commences in happiness and ends in<br />

sadness. With age, the light grows dim, dreams vanish – sympathies and consolations lessen. Graves thicken<br />

about us; then come the long hours of inaction and suffering. They oblige us to enter into ourselves, and to<br />

review our lives. This is a necessary trial for the soul, in order that before it quits the body it may acquire a<br />

clear-seeing judgment of the events of its terrestrial careers. So when we curse the hours of age, which are in<br />

appearance desolate and sterile, we ignore one of the greatest benefits which nature has offered us. We forget<br />

that sorrowful old age is the crucible wherein the soul completes its purification.<br />

At this moment of existence the forces which during the years of virility we dispense in every<br />

direction in our exuberance, concentrate and converge toward the profound depths of being, awakening the<br />

consciousness and procuring wisdom for the man of maturity. Little by little harmony is established between<br />

our thoughts and the exterior radiations, and the inner melody chords with the melody divine. There is then, in<br />

resigned old age, more of grandeur and serene beauty than in the éclat of youth or the power of maturity.<br />

Under the action of time, all that is profound and everlasting in us frees itself, and the brows of certain aged<br />

men and women are aureoled with light from the Beyond.<br />

To all who ask ‘Why is sorrow?’ I respond: ‘Why do we polish the gem – sculpture the marble –<br />

hammer the iron – melt the glass?’ It is in order to build and ornament the magnificent temple full of rays, of<br />

vibrations, of hymns, of perfumes, where all the arts combine to express the divine; to prepare the apotheosis<br />

of conscious thought – to celebrate the liberation of the spirit. And behold the result obtained! All that is<br />

elementary in us departs. Material unformed, or ruined and broken, is by sorrow used to construct a splendid<br />

altar in the heart of man, of moral beauty and eternal truth. In the gross block of marble is hidden the ideal<br />

statue, and when man has not the energy, the knowledge, or the will to bring it forth, then comes sorrow. It<br />

takes the hammer and the chisel, and little by little, with strokes violent or persistent, the living statue is<br />

designed with supple contours and gleaming beauty. Under the broken quartz the glowing emerald shines!<br />

Yes, in order that the form comes forth in all its pure and delicate lines, that spirit triumphs over the<br />

substance, that the thoughts keep to sublime heights, that the poet finds his immortal accents, the musician his<br />

perfect chords, our hearts must feel the lancet of fate. We must know mourning and tears, ingratitude and<br />

treason, the deception of friends, and the anguish of disillusionment. We must see cherished forms descend<br />

into the tomb – youth depart, and old age come, with its bitter sorrows. Man must suffer, as the fruit of the<br />

vine is pressed that its exquisite liquid may be extracted.<br />

It is in our own consciousness that lies the reward of good and evil. It registers minutely all our acts,<br />

and sooner or later becomes a severe judge of the culpable ones who, by the law of evolution, finally yield to<br />

its voice and submit to its control. The spirit in space suffers remorse for its far distant wrong acts, as well as<br />

for the more recent ones. That is why it often asks to be reincarnated, that it may make reparation for evils<br />

committed, and gain freedom from obsessing memories.<br />

On different planes suffering changes its aspect. With us it becomes at once physical and moral, and<br />

constitutes a mode of reparation. The sad pages of our early history, where we were ignorant souls, we have<br />

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