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MOM 2006 journal for pdf.pmd - University of Michigan-Flint

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GUNTHER VON HAGEN’S GESTALT PLASTINATES:<br />

THE CONVERGENCE OF THE MODERNIZATION OF<br />

ART AND SCIENCE - RECREATION OF MAN AS ART OBJECT<br />

Monica Bowman<br />

Faculty Sponsor: Tamara Machmut-Jhashi<br />

Department <strong>of</strong> Art/Art History, Oakland <strong>University</strong><br />

Gunther von Hagen developed the process <strong>of</strong> Plastination during his tenure as an anatomist at<br />

Heidelberg <strong>University</strong> in Germany between 1977 and 1995. The revolutionary process is a<br />

medical preservation technique that (in simplest terms) stops the decomposition processes <strong>of</strong><br />

organic tissue <strong>for</strong> exhibition purposes. The specimen is extracted <strong>of</strong> bodily fluids and fat and<br />

cured with acetone. The acetone is replaced with plastic polymer and then either heat cured to<br />

create a hard/transparent slice or gas hardened and infused with silicone rubber to create a<br />

plastinate study. Although, this commercial technique was originally created <strong>for</strong> specimen<br />

preservation <strong>for</strong> medical facilities and scientific research, it has also led to the creation <strong>of</strong> gestalt<br />

whole-body plastinates which are essentially deceased human beings in a preserved state.<br />

As explained by Dr. von Hagen in the exhibition catalogue <strong>for</strong> his Body Worlds exhibition,<br />

“Plastination creates beautiful specimens as a sensuous experience that are frozen at a point<br />

between death and decay.” 1 This macabre description does not begin to quantify the experience <strong>of</strong><br />

confronting a plastinate; however, it does allude to the intended evocation <strong>of</strong> the perception <strong>of</strong> the<br />

objects. Generally, plastinates are donated via a program developed by the Institute <strong>for</strong><br />

Plastination (IfP) in Heidelberg, Germany <strong>of</strong> which Dr. von Hagen is the Founder and Scientific<br />

Director. 2<br />

Dr. von Hagen is also the owner <strong>of</strong> a private corporation known as BIODUR. His commercial<br />

company funds scientific research <strong>for</strong> medical organizations as well as Body Worlds and other<br />

experimental work. He possesses a number <strong>of</strong> U.S. patents <strong>for</strong> the plastination process in the<br />

Unites States and is also the Director <strong>of</strong> the Plastination Research Center at the State Medical<br />

Academy in Bishkek, Kyrgyzstan.<br />

Dr. von Hagen’s reputation precedes him from his creation <strong>of</strong> gestalt plastinates and other live<br />

per<strong>for</strong>mances. In 2003, Dr. von Hagen per<strong>for</strong>med the first live public autopsy in London since<br />

1830. An eccentric persona, complete with signature fedora hat, Inventor, Physician and<br />

Plastinator are just a sampling <strong>of</strong> his self conceived titles. Interestingly, in contrast to the Unites<br />

States, in many Eastern European countries Dr. von Hagen promotes himself as an avant-garde<br />

artist.<br />

The proposed purpose <strong>of</strong> the exhibition (as the plastination process itself) is rooted in medical<br />

education. The “de-mocratization <strong>of</strong> the body”, as Dr. von Hagen has termed the experience,<br />

1<br />

Von Hagen, Gunther and Angelina Whalley. The Anatomical Exhibition <strong>of</strong> Real Human Bodies.<br />

Heidelberg: Institute <strong>for</strong> Plastination, 2004.<br />

2<br />

Von Hagen boasts that over 6,000 people have expressed interest in the body donation program sponsored by the IfP.<br />

Meeting <strong>of</strong> Minds <strong>2006</strong> 123

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