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MOM 2006 journal for pdf.pmd - University of Michigan-Flint

MOM 2006 journal for pdf.pmd - University of Michigan-Flint

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Lowell’s energetic diction connects his cousin’s death with Ahab’s obsession. The poem states:<br />

Seaward. The winds’ wings beat upon the stones,<br />

Cousin, and scream <strong>for</strong> you and the claws rush<br />

At the sea’s throat and wring it in the slush<br />

Of this old Quaker graveyard where the bones<br />

Cry out in the long night <strong>for</strong> the hurt beast<br />

Bobbing by Ahab’s whaleboats in the East. (39-44)<br />

The hurt beast is the white whale, America’s obsession. The bones <strong>of</strong> the dead in the graveyard<br />

are vocally denouncing this voyage <strong>of</strong> extermination. Even nature is responding to the oncoming<br />

slaughter.<br />

Part III switches back and <strong>for</strong>th from Ahab’s bobbing whaleboats to warships. The<br />

shipwrecked Quaker pass implied 1940’s present landscape. The white whale reappears and<br />

essentially represents Jesus with “ … had fabled news / Of IS, the whited monster … “ (61-62).<br />

IS is Iesus Salvatore which means Jesus the Savior. Even though doom is the only end result <strong>for</strong><br />

the battling Quakers, they are still convinced that they are right.<br />

I see the Quakers drown and hear their cry:<br />

“If God himself had not been on our side,<br />

If God himself had not been on our side,<br />

When the Atlantic rose against us, why,<br />

Then it had swallowed us up quick.” (64-68)<br />

They believe that God would not have asked the Atlantic to swallow them up as quick if they<br />

were not right in their actions. This perhaps parallels Lowell’s view <strong>of</strong> a nation’s stubbornness<br />

and irrationality when it should accept that its actions were wrong.<br />

This is an apocalypse unto itself with the Atlantic rising up and the sea swallowing the bodies.<br />

It. is interesting to note that as the Quakers end their journey through this way, it is also the “end<br />

<strong>of</strong> the whale road” and the end <strong>of</strong> the whale.<br />

This paves the way <strong>for</strong> Lowell to transcend beyond the ordinary human self and speak as a<br />

prophet. The quality <strong>of</strong> Lowell’s language marks this change. As Albert Gelpi states in his essay<br />

“The Reign <strong>of</strong> the Kingfisher:” “The Lowell <strong>of</strong> Land <strong>of</strong> Unlikeness and Lord Weary’s Castle did<br />

indeed take the prophetic as ‘the highest conception <strong>of</strong> the poet’s task’” (Gelpi 54). The prophet<br />

voice strengthens after the whale’s death:<br />

The bones cry <strong>for</strong> the blood <strong>of</strong> the white whale,<br />

The fat flukes arch and whack about its ears,<br />

The death-lance churns into the sanctuary, tears (95-97)<br />

This invokes the images <strong>of</strong> the Land <strong>of</strong> Jehoshaphat and the land <strong>of</strong> last judgments. The dead are<br />

there to be judged <strong>for</strong> their sins. They cry out and are in tears. This section closes as the ship’s<br />

world comes to an end signaling damnation.<br />

Meeting <strong>of</strong> Minds <strong>2006</strong> 105

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