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Download Printable PDF (3.48 MB) - Oak Knoll Books

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14 <strong>Oak</strong> <strong>Knoll</strong> Press<br />

Publishing the Fine & Applied Arts<br />

1500–2000<br />

edited by Robin Myers, Michael Harris, and Giles Mandelbrote<br />

Next in the Publishing Pathways series, Publishing the Fine and Applied<br />

Arts examines aspects of the relationship between the business of print and<br />

the practice of art and design across five centuries. Leading specialists explore<br />

the role played by the book trade in the diffusion of artistic and architectural<br />

theory, fashion, and practice. Other essays trace the impact of aesthetic trends<br />

and advances in the techniques of binding, color printing, and illustration<br />

on the appearance of books themselves. Among the topics discussed are the<br />

printed sources for decorative motifs in sixteenth-century churches, the publication<br />

history of the works of Andrea Palladio, and the evolution of drawing<br />

manuals in seventeenth-century England. Other subjects include the library<br />

formed by the architect Sir John Soane, developments in nineteenth-century<br />

art publishing, and the role of printed catalogues in documenting the acquisitions<br />

made by English collectors of paintings, sculpture and antiquities.<br />

Essays are written by Mirjam Foot, Malcolm Jones, Charles Hind, Meghan<br />

Doherty, Susan Palmer, Abraham Thomas, Rowan Watson, and Charles<br />

Sebag-Montefiore. The book is illustrated in color and black and white.<br />

2012, hardcover, dust jacket, 6 x 9 inches, 224 pages<br />

ISBN 9781584562993, Order No. 104084, $55.00<br />

Available in the UK from The British Library<br />

From Compositors to Collectors<br />

Essays on Book-Trade History<br />

edited by John Hinks and Matthew Day<br />

The essays in this collection trace texts from their creation and printing<br />

through to their publication, dissemination, and collection. In doing so, they<br />

show how production processes change texts and how collectors subsequently<br />

appropriate them for their own ends. By examining the diverse activities of<br />

those involved in both textual creation and collection over a long period,<br />

these essays highlight both continuities and changes in the book trade. Taken<br />

together, this collection offers considerable new insights into many facets of<br />

the book trade, ranging from creation to consumption. This newest addition<br />

to the Print Networks series is the largest ever: it includes nineteen essays<br />

from leading book history scholars, including Mariko Nagase, Daniel Cook,<br />

Stephen Brown, Brian Hillyard, Catherine Delafield, Rob Allen, Rachel Bower,<br />

Iain Beavan, and more. The “compositors” section covers everything from The<br />

Mayor of Quinborough, published in 1661, to My Name is Salma, published<br />

in 2007. Essays on “collectors” include Dr. James Fraser, Titus Wheatcroft,<br />

Sir Walter Scott, the USA Armed Services, and more. The book is illustrated<br />

throughout in black and white.<br />

2012, hardcover, dust jacket, 6 x 9 inches, 400 pages<br />

ISBN 9781584563013, Order No. 105524, $75.00<br />

Available in the UK from The British Library<br />

Available online at www.oakknoll.com/fall2012

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