Download Printable PDF (3.48 MB) - Oak Knoll Books
Download Printable PDF (3.48 MB) - Oak Knoll Books
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14 <strong>Oak</strong> <strong>Knoll</strong> Press<br />
Publishing the Fine & Applied Arts<br />
1500–2000<br />
edited by Robin Myers, Michael Harris, and Giles Mandelbrote<br />
Next in the Publishing Pathways series, Publishing the Fine and Applied<br />
Arts examines aspects of the relationship between the business of print and<br />
the practice of art and design across five centuries. Leading specialists explore<br />
the role played by the book trade in the diffusion of artistic and architectural<br />
theory, fashion, and practice. Other essays trace the impact of aesthetic trends<br />
and advances in the techniques of binding, color printing, and illustration<br />
on the appearance of books themselves. Among the topics discussed are the<br />
printed sources for decorative motifs in sixteenth-century churches, the publication<br />
history of the works of Andrea Palladio, and the evolution of drawing<br />
manuals in seventeenth-century England. Other subjects include the library<br />
formed by the architect Sir John Soane, developments in nineteenth-century<br />
art publishing, and the role of printed catalogues in documenting the acquisitions<br />
made by English collectors of paintings, sculpture and antiquities.<br />
Essays are written by Mirjam Foot, Malcolm Jones, Charles Hind, Meghan<br />
Doherty, Susan Palmer, Abraham Thomas, Rowan Watson, and Charles<br />
Sebag-Montefiore. The book is illustrated in color and black and white.<br />
2012, hardcover, dust jacket, 6 x 9 inches, 224 pages<br />
ISBN 9781584562993, Order No. 104084, $55.00<br />
Available in the UK from The British Library<br />
From Compositors to Collectors<br />
Essays on Book-Trade History<br />
edited by John Hinks and Matthew Day<br />
The essays in this collection trace texts from their creation and printing<br />
through to their publication, dissemination, and collection. In doing so, they<br />
show how production processes change texts and how collectors subsequently<br />
appropriate them for their own ends. By examining the diverse activities of<br />
those involved in both textual creation and collection over a long period,<br />
these essays highlight both continuities and changes in the book trade. Taken<br />
together, this collection offers considerable new insights into many facets of<br />
the book trade, ranging from creation to consumption. This newest addition<br />
to the Print Networks series is the largest ever: it includes nineteen essays<br />
from leading book history scholars, including Mariko Nagase, Daniel Cook,<br />
Stephen Brown, Brian Hillyard, Catherine Delafield, Rob Allen, Rachel Bower,<br />
Iain Beavan, and more. The “compositors” section covers everything from The<br />
Mayor of Quinborough, published in 1661, to My Name is Salma, published<br />
in 2007. Essays on “collectors” include Dr. James Fraser, Titus Wheatcroft,<br />
Sir Walter Scott, the USA Armed Services, and more. The book is illustrated<br />
throughout in black and white.<br />
2012, hardcover, dust jacket, 6 x 9 inches, 400 pages<br />
ISBN 9781584563013, Order No. 105524, $75.00<br />
Available in the UK from The British Library<br />
Available online at www.oakknoll.com/fall2012