GOING FOR BAROQUE Into the Bin - The Metropolitan Museum of Art

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4? (opposite) Jusepe de Ribera (Spanish, 1591-1652) The Holy Family with Saints Anne and Catherine of Alexandria, 1648 Oil on canvas, 82 x/i x 60% in. (209.6 x 154.3 cm) Samuel D. Lee Fund, 1934(3473) 5 Salvator Rosa (Italian, Naples, 1615-1673) Self-Portrait, ca. 1648 Oil on canvas, 39 x 31Va in. (99.1x79.4 cm) Bequest of Mary L. Harrison, 1921 (21.105) 11
Page 1 and 2: GOING FOR BAROQUE Into the Bin can
Page 3 and 4: We Like What We Know IN 1786, the t
Page 5 and 6: course, like Goethe, he was already
Page 7: (Fry, raised a Quaker, should perha
Page 11 and 12: ?#\ i % ' **& :#"* > ^ / V* V? 13?
Page 13 and 14: 10. Giulio Cesare Procaccini (Itali
Page 15 and 16: Setting the Scene Let us start with
Page 17 and 18: We happen to know that the person f
Page 19 and 20: l6. (opposite) Sofonisba Anguissola
Page 21 and 22: 19 Ludovico Carracci The Lamentatio
Page 23 and 24: 22. Federico Head Looking (study me
Page 25 and 26: 24. Annibale Carracci The Coronatio
Page 27 and 28: irony and clever wordplay. For exam
Page 29 and 30: 31'
Page 31 and 32: 28. Caravaggio The Entombment, 1602
Page 33 and 34: 30. Helmet Venetian, late 15th cent
Page 35 and 36: 33 Guercino (Giovanni Francesco Bar
Page 37 and 38: 36. Rembrandt Harmensz. van Rijn (D
Page 39 and 40: 38. (opposite) Mattia Preti (Italia
Page 41 and 42: incredible care, and are made to be
Page 43: 42. Salvator Rosa The Dream of Aene
Page 46: and it also establishes an Olympian

GOING FOR BAROQUE Into the Bin - The Metropolitan Museum of Art

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