GOING FOR BAROQUE Into the Bin - The Metropolitan Museum of Art
GOING FOR BAROQUE Into the Bin - The Metropolitan Museum of Art GOING FOR BAROQUE Into the Bin - The Metropolitan Museum of Art
6. Francesco Solimena (Italian, Naples, 1657-1747) The Birth of the Virgin, ca. 1690 Oil on canvas, 80 V2 x 67V?1 in. x (204.5 170.8 cm) Rogers Fund, 1906 (07.66) 7? (opposite) Luca Giordano (Italian, Naples, 1632-1705) The Annunciation, 1672 Oil on canvas, 93 Vs x 66% in. (236.5 x 169.9 cm) Gift of Mr. and Mrs. Charles Wrightsman, 1973 (1973.311.2) 12
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- Page 1 and 2: GOING FOR BAROQUE Into the Bin can
- Page 3 and 4: We Like What We Know IN 1786, the t
- Page 5 and 6: course, like Goethe, he was already
- Page 7 and 8: (Fry, raised a Quaker, should perha
- Page 9: 4? (opposite) Jusepe de Ribera (Spa
- Page 13 and 14: 10. Giulio Cesare Procaccini (Itali
- Page 15 and 16: Setting the Scene Let us start with
- Page 17 and 18: We happen to know that the person f
- Page 19 and 20: l6. (opposite) Sofonisba Anguissola
- Page 21 and 22: 19 Ludovico Carracci The Lamentatio
- Page 23 and 24: 22. Federico Head Looking (study me
- Page 25 and 26: 24. Annibale Carracci The Coronatio
- Page 27 and 28: irony and clever wordplay. For exam
- Page 29 and 30: 31'
- Page 31 and 32: 28. Caravaggio The Entombment, 1602
- Page 33 and 34: 30. Helmet Venetian, late 15th cent
- Page 35 and 36: 33 Guercino (Giovanni Francesco Bar
- Page 37 and 38: 36. Rembrandt Harmensz. van Rijn (D
- Page 39 and 40: 38. (opposite) Mattia Preti (Italia
- Page 41 and 42: incredible care, and are made to be
- Page 43: 42. Salvator Rosa The Dream of Aene
- Page 46: and it also establishes an Olympian
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