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W. C a r e w H a z l i t t Coinage of the European Continent

W. C a r e w H a z l i t t Coinage of the European Continent

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Descriptive Outline <strong>of</strong> <strong>the</strong> <strong>Coinage</strong>s <strong>of</strong> Europe 445<br />

I., 1306-38, at some period subsequent to 1310. The o<strong>the</strong>r<br />

denominations were similar to those <strong>of</strong> <strong>the</strong> contiguous Italian<br />

states. A testone <strong>of</strong> Guglielmo II. (1494-1518) reads<br />

Gvlielmvs Mar Montferr, etc., on obverse, and on reverse<br />

describes <strong>the</strong> marquis as Prince and Vicar <strong>of</strong> <strong>the</strong> Holy<br />

Roman Empire a distinction claimed by several members<br />

in common with o<strong>the</strong>rs<br />

<strong>of</strong> <strong>the</strong> house. The series is notable,<br />

for <strong>the</strong> characteristic<br />

belonging to <strong>the</strong> same period and region,<br />

costumes. 1<br />

As Ferrara so strongly relies on <strong>the</strong> house <strong>of</strong> Este, so it is<br />

<strong>the</strong> Gonzage, Captains and Marquises <strong>of</strong> Mantua (i 329-1707),<br />

who constitute <strong>the</strong> central point <strong>of</strong> interest here.<br />

Mantua. T It is a long and elaborate series ;<br />

but <strong>the</strong><br />

earlier stages, as we see to be generally <strong>the</strong> case, present<br />

numismatic monuments <strong>of</strong> a primitive episcopal, democratic,<br />

and seigniorial character in billon and silver <strong>of</strong> no value<br />

beyond <strong>the</strong> denaro, while <strong>the</strong> Mantuan currency posterior<br />

to Carlo II. and under imperial rule again recedes in volume<br />

and character, until it survives in <strong>the</strong> copper sesino constantly<br />

reissued down to <strong>the</strong> latter moiety <strong>of</strong> <strong>the</strong> eighteenth century.<br />

The republican epoch<br />

is answerable for <strong>the</strong> Virgilius type,<br />

<strong>of</strong> which a specimen has been engraved above 2<br />

it is<br />

;<br />

curious<br />

in relation to <strong>the</strong> survival <strong>of</strong> <strong>the</strong> name <strong>of</strong> <strong>the</strong> great poet and<br />

its choice as a legend, at a time when classical learning had<br />

scarcely revived and <strong>the</strong> circumstance<br />

; may form an additional<br />

piece <strong>of</strong> evidence bearing on <strong>the</strong> romantic side<br />

<strong>of</strong> <strong>the</strong><br />

history <strong>of</strong> <strong>the</strong> author <strong>of</strong> <strong>the</strong> ^Eneid. The middle time is<br />

that to which we are indebted for <strong>the</strong> splendid pieces in<br />

gold<br />

and silver, and some interesting little<br />

specimens in copper<br />

toward 1660, <strong>of</strong> which we make mention elsewhere. It<br />

would be an impossibility to form an unbroken succession <strong>of</strong><br />

<strong>the</strong> scudi in gold and silver, with <strong>the</strong> multiples <strong>of</strong> <strong>the</strong> former,<br />

which were struck between 1564 and 1628 ;<br />

but occasional<br />

examples<br />

<strong>the</strong> lower denomi-<br />

present <strong>the</strong>mselves, and among<br />

1<br />

See Thomsen, Rossi, and Remedi Catalogues (1873-84), and Revue de la<br />

Numismatique Beige, 1866, 4th series, vol. iv. pp. 190-99. At <strong>the</strong> end <strong>of</strong> <strong>the</strong><br />

fifteenth century an engraver and die-sinker named Carotto seems to have been<br />

working for <strong>the</strong> marquises.<br />

2 Catalogue <strong>of</strong> Mints, v. "Mantua."

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