W. C a r e w H a z l i t t Coinage of the European Continent
W. C a r e w H a z l i t t Coinage of the European Continent W. C a r e w H a z l i t t Coinage of the European Continent
2O The Coins of Europe The constant intercourse of the sea-rovers of the North, by whatever name they might be known Saxons, Danes, or Jutes with the British Isles might serve to account for the introduction into England of such money as they had in use from time to time and the loan of suggestions from it. In the course of their dealings and depredations these adventurers naturally came in contact with the money of different countries, and parted. with it in exchange; and a second channel for this sort of influence was France, whence the Britons had been borrowers of numismatic patterns and symbols from the most remote period, and with which there was a steady commerce. The money coined by Pepin le Bref and Charlemagne in the second half of the eighth century, and that issued by the latter on an improved or at least altered model toward the close of the reign, were equally of Teutonic origin, and with the various Merovingian types and even certain hints from the inscribed British gold pieces of Cunobeline, Verica, and others, constituted the material from which the Anglo-Saxon, Anglo-Norman, and, last of all, the successors of Canute II. in Denmark, derived their own productions. The coinage of the kings of Mercia exhibits in a very marked manner the diversified form of the Cross, till the original conception was lost and forgotten ; and there can be no reasonable doubt that the Anglo-Danish monarchs or their mint-masters in the eleventh century were indebted to English prototypes for those artistic and graceful pennies which belong to the reigns of Magnus and Sweyn II., and which vary alike from the Teutonic taste and from the primitive Swedish mintage. Italy, like Germany, is susceptible of treatment under two grand sections, the Northern, including Lombardy, and the Southern, comprising Sicily, or in other words, the Two Sicilies, and with these Savoy may be most appropriately grouped, not only on geographical and political, but on artistic, grounds. In Northern Italy we have to deal with at least four classes of coinage : i , the money issued in the name of the Gothic, Lombard, and other early conquerors 2, the ;
Introduction 2 I autonomous coins of the republics and states gradually formed within those limits ; 3, the money of the French, Spanish, and Austrian occupiers ; and 4, that of the two kingdoms as constituted in 1804 and 1860, of which the latter at all events removed the stigma conveyed in the epigram describing Italy as " a geographical expression." The foundations of the monetary systems of Northern Italy were almost undoubtedly German or Teutonic, and were far less indebted to classical suggestion and Oriental feeling than the southern portion, or than the region within which the Merovingian family of gold tricntes circulated. Ages elapsed before the Venetians resorted to Byzantine models ; the latest researches have identified twenty - four varieties of the denier or danaro produced under imperial control from the ninth to the twelfth century and the ; other portions of this division of the Peninsula conducted their transactions where specie was demanded with descriptions of money on which there is no distinct trace of Greek, Roman, or Oriental taste. At the period of the Renaissance, the autonomous currency of some of the states exhibited proofs of the study and appreciation of ancient numismatic art, modified by contemporary requirements but the noble ; examples of medallic work, produced by such men as Leonardo da Vinci, Pisanello, Francia, and Cellini, under the auspices of generous patrons, were virtually as original as any of the other cinquecento masterpieces in oil, marble, or bronze. These great artists, instead of servilely and unskilfully copying the coins of the ancients, as the British, Gaulish, and Merovingian moneyers had severally done, sought to shew the world that they could equal if not surpass them. With the South, including Sicily, the case stood somewhat differently, owing to the Lombard settlement in the sixth century at Beneventum and the adoption of Merovingian patterns, and to the successive conquests of Sicily and Apulia by the Arabs, the Normans, the French, the Spaniards, as well as by the Germans. These great and frequent political changes could not be unattended by striking numis-
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Introduction<br />
2 I<br />
autonomous coins <strong>of</strong> <strong>the</strong> republics and states gradually<br />
formed within those limits ; 3, <strong>the</strong> money <strong>of</strong> <strong>the</strong> French,<br />
Spanish, and Austrian occupiers ;<br />
and 4, that <strong>of</strong> <strong>the</strong> two<br />
kingdoms as constituted in 1804 and 1860, <strong>of</strong> which <strong>the</strong><br />
latter at all events removed <strong>the</strong> stigma conveyed in <strong>the</strong><br />
epigram describing Italy as " a geographical expression."<br />
The foundations <strong>of</strong> <strong>the</strong> monetary systems <strong>of</strong> Nor<strong>the</strong>rn<br />
Italy were almost undoubtedly German or Teutonic, and<br />
were far less indebted to classical suggestion and Oriental<br />
feeling than <strong>the</strong> sou<strong>the</strong>rn portion, or than <strong>the</strong> region within<br />
which <strong>the</strong> Merovingian family <strong>of</strong> gold tricntes circulated.<br />
Ages elapsed before <strong>the</strong> Venetians resorted to Byzantine<br />
models ;<br />
<strong>the</strong> latest researches have identified twenty - four<br />
varieties <strong>of</strong> <strong>the</strong> denier or danaro produced under imperial<br />
control from <strong>the</strong> ninth to <strong>the</strong> twelfth century and <strong>the</strong><br />
;<br />
o<strong>the</strong>r portions <strong>of</strong> this division <strong>of</strong> <strong>the</strong> Peninsula conducted<br />
<strong>the</strong>ir transactions where specie was demanded with descriptions<br />
<strong>of</strong> money on which <strong>the</strong>re is no distinct trace <strong>of</strong> Greek,<br />
Roman, or Oriental taste. At <strong>the</strong> period <strong>of</strong> <strong>the</strong> Renaissance,<br />
<strong>the</strong> autonomous currency <strong>of</strong> some <strong>of</strong> <strong>the</strong> states exhibited<br />
pro<strong>of</strong>s <strong>of</strong> <strong>the</strong> study and appreciation <strong>of</strong> ancient numismatic<br />
art, modified by contemporary requirements but <strong>the</strong> noble<br />
;<br />
examples <strong>of</strong> medallic work, produced by such men as<br />
Leonardo da Vinci, Pisanello, Francia, and Cellini, under<br />
<strong>the</strong> auspices <strong>of</strong> generous patrons, were virtually as original<br />
as any <strong>of</strong> <strong>the</strong> o<strong>the</strong>r cinquecento masterpieces in oil, marble,<br />
or bronze. These great artists, instead <strong>of</strong> servilely and<br />
unskilfully copying <strong>the</strong> coins <strong>of</strong> <strong>the</strong> ancients, as <strong>the</strong> British,<br />
Gaulish, and Merovingian moneyers had severally done,<br />
sought to shew <strong>the</strong> world that <strong>the</strong>y could equal<br />
if not<br />
surpass <strong>the</strong>m.<br />
With <strong>the</strong> South, including Sicily, <strong>the</strong> case stood somewhat<br />
differently, owing to <strong>the</strong> Lombard settlement in <strong>the</strong><br />
sixth century at Beneventum and <strong>the</strong> adoption <strong>of</strong> Merovingian<br />
patterns, and to <strong>the</strong> successive conquests <strong>of</strong> Sicily and<br />
Apulia by <strong>the</strong> Arabs, <strong>the</strong> Normans, <strong>the</strong> French, <strong>the</strong> Spaniards,<br />
as well as by <strong>the</strong> Germans. These great and frequent<br />
political changes could not be unattended by striking numis-