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W. C a r e w H a z l i t t Coinage of the European Continent

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Introduction 1<br />

5<br />

France by <strong>the</strong> Arabs or Moorish occupiers <strong>of</strong> Franco-Spanish<br />

territory during a protracted lapse <strong>of</strong> time.<br />

The tendency <strong>of</strong> copyists in all<br />

ages has been to<br />

degenerate, as <strong>the</strong>y proceeded, from <strong>the</strong>ir originals. Progress<br />

and improvement can only be expected from <strong>the</strong> exercise <strong>of</strong><br />

thought and taste and <strong>the</strong>ir judicious adaptation to existing<br />

circumstances ;<br />

and it<br />

may be predicated <strong>of</strong> almost all <strong>the</strong><br />

attempts, even in <strong>the</strong> best period <strong>of</strong> Italian art, to reproduce<br />

classical subjects, that <strong>the</strong>y are unfortunate or at least<br />

imperfect. The happiest efforts <strong>of</strong> <strong>the</strong> modern moneyer in<br />

<strong>the</strong> fifteenth and sixteenth centuries were in portraiture,<br />

heraldry, and costume, because he rendered what he saw<br />

before him, and rendered it<br />

admirably, whereas in <strong>the</strong><br />

manipulation <strong>of</strong> fables or objects depicted on Greek work <strong>of</strong><br />

<strong>the</strong> best and purest period by mediaeval artists even <strong>of</strong><br />

approved skill and repute, we can discern at most nothing<br />

more than an inferior revival <strong>of</strong> what had been given to <strong>the</strong><br />

world a thousand years before.<br />

Venturing to assume that <strong>the</strong> fountain <strong>of</strong> <strong>the</strong> modern<br />

numismatic revival about <strong>the</strong> sixth century was somewhere<br />

in Nor<strong>the</strong>rn Germany or Nor<strong>the</strong>rn Holland, <strong>the</strong> writer has<br />

made <strong>the</strong> former country, including Switzerland, Poland,<br />

Russia, etc., his starting-point, and has allowed <strong>the</strong> Ne<strong>the</strong>rlands<br />

to follow next in order. The precedence accorded<br />

to Germany seemed to render it convenient to trace <strong>the</strong><br />

Teutonic influence, so far as it went, and to include in <strong>the</strong> first<br />

division or group <strong>of</strong> districts those, such as Russia, Servia,<br />

Bulgaria, where in <strong>the</strong> first place <strong>the</strong> Byzantine, and finally<br />

<strong>the</strong> Western types, prevailed. Although <strong>the</strong> Swiss subsequently<br />

adopted French models and denominations, <strong>the</strong>ir<br />

earliest numismatic culture and sympathy were German,<br />

and <strong>the</strong> source <strong>of</strong> <strong>the</strong> civilisation and refinement <strong>of</strong> Independent<br />

Poland is to be found in <strong>the</strong> same direction through<br />

<strong>the</strong> political relationship <strong>of</strong> that kingdom at <strong>the</strong> outset to<br />

<strong>the</strong> margravate <strong>of</strong> Brandenburgh and to Prussia. The Muscovite<br />

moneyers received <strong>the</strong>ir elementary education when<br />

Moscow became <strong>the</strong> capital, and <strong>the</strong> old Greek patterns<br />

fell<br />

out <strong>of</strong> favour, from <strong>the</strong> Poles and Hungarians.

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