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4 The Cartel (1978-1988) was an association of independent record shops in the UK, which would
distribute independent records, self-released music and fanzines.
5 For a discussion concerning the relationship between music-making, consumption and technology, see
Paul Theberge, Any Sound You Can Imagine: Making Music/Consuming Technology (Middletown:
Wesleyan University Press, 1997).
6 Simon Reynolds, Bring the Noise (London: Faber and Faber, 2007), p. 14.
7 Susan Stewart, On Longing – Narratives of the Miniature, the Gigantic, the Souvenir, the Collection
(Durham/London: Duke UP, 2007 [1993]).
8 Gaston Bachelard, The Poetics of Space (Boston: Beacon Press, 1994 [1958]).
9 Ortrud Bollnow, Human space (London: Hypen Press, 2011 [1963]).
10 An excellent example of this restrained, barren sound, underpinned by a drum-machine, can be found in
Young Marble Giant’s Colossal Youth (Rough Trade, 1980).
11 Giles Smith, Lost in music – A pop odyssey (London: Picador, 1995), p. 168.
12 Martin Roach, The Right to Imagination and Madness – An Essential Collection of Candid Interviews with
Top UK Alternative Songwriters (London: Independent Music Press, 1994), p. 209.
13 Gaston Bachelard, La Terre et les Rêveries du Repos (Paris: José Corti, 1948), p. 126.
14 Barry Lazell, Indie Hits 1980-1989 – The Complete U.K. Independent Charts (Singles & Albums) (London:
Cherry Red Books, 1997).
15 Duglas T. Stewart, C86 (Click Records, 1990), liner notes.
16 The June Brides, ‘This Town’ from This Town EP (InTape, 1986).
17 Harold Bloom, The Anxiety of Influence – a Theory of Poetry (New York, Oxford: Oxford UP, 1997 [1973]).
18 For a list of sources for Morrissey’s lyrics, see the well-researched webpage
.
19 Judy Attfield, Wild Things – The Material Culture of Everyday Life (Oxford, New York: Berg, 2000), p. 153.
20 J.D. Beauvallet, ‘John Peel, le Parrain,’ Les Inrockuptibles, December-January 1988, pp. 42-45.
21 Simon Frith, Performing Rites: On the Value of Popular Music (Cambridge, MA: Harvard University Press,
1996), p. 196.
22 Franz Kafka, Lettres à Milena (Paris: Gallimard, 1988), p. 267.
23 Lavinia Greenlaw, The Importance of Music to Girls – A Memoir (London: Faber And Faber, 2007), p. 163.
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